Classical Cambodian dance (also known as court dance/royal ballet) can be traced back 1000 years. During the Angkorian Empire (9th -15th Century) celestial dancers, called apsaras, appeared as stone carvings on the many ancient temples. Their dance was a highly stylized performance of mythology which served as a communication between the king and his gods. Every year the king asked the dancers to perform dance-dramas to sacred music so he could speak to the heavens. It is believed that the dancers were so powerful that the monarch felt he had to communicate through them in order to insure the well being of his people. In the modern era, dancers of the court tradition have performed for public events which represent the king's power and cultural legacy.

 

In 1975 when Pol Pot 's Khmer Rouge Regime took over the country the court tradition, along with other art forms, was prohibited. Classical dancers were singled out as symbols of the past, and often, if found out, punished with death. They lived their lives by trying to hide their identities and their association with the royal court. It is estimated that about 90 percent of all Cambodian artists, including dancers, musicians, singers, actors, and sculptors, perished between 1975 and 1979. In addition to this tremendous loss, classical dance documents, photographs, films, and written records were, for the most part, destroyed.

After the end of Cambodia's civil war, the priceless knowledge and skill of the dance - this most revered of all traditional arts - has become an egalitarian art form taught by former palace dance masters who survived the Khmer Rouge. Today classical dance is commonly perceived as the soul of the Khmer people. Along with music and religion, dance is one of the most important ways that Cambodians celebrate their holidays and identify themselves as ethnic Khmer.


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