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| louis armand POETICS transitional notes, articles, comment from hypertext to vortext / notes on materiality & language the question of materiality remains as pressing as ever in current discussions of textual genetics and hypertext, and it is the objective of this paper to provide something like a notational framework within which we might effectively engage with this question without descending either into classical hermeneutics, epistemology or empiricism, while at the same time enlisting certain aspects of their conceptual infrastructures to the work of textual theory-above all to a theory of hypertextuality. strange attractions: the techno-poetics of hypertext at the north american centre for interdisciplinary poetics (nacip) transversions of the contemporary: introduction to litteraria pragensia 11.22 (2002), 'contemporary poetics' from mallarm�, and continuing to the present time, the poetics of the "contemporary" has been entangled in controversy by those who stake claims to its foundational moments ... romantic ecolgies: john kinsella and the art of traumatic realism in the title chapter of his recent book, the return of the real: the avant-garde at the end of the century, art critic hal foster introduces the term traumatic realism ... still life with hypodermic: michael dransfield & the poetry of addiction on good friday, 1973, at the age of twenty-four, michael dransfield, then the emerging young star of australian poetry, died after injecting himself with heroin. tichy zivot se strikackou: machael dransfield a poetika drogove (translated by ladislav nagy) with czech translations of selections from michael dransfield's poetry tvar 11 (1997): 6-7. the eternal return & some machinations of the gaze in paul leppin, severin's journey into the dark in nietzsche et le cerle vicieux, pierre klossowski asks: how can a doctrine of the eternal return even be possible ... deus ex machina (the dramatic effects of the play-within-a-play in shakespeare and marlowe) what could this mean, the dramatic effects of the play-within-a-play? does it indicate dramatic effects that are generated by the play-within-a-play, deriving from it, or does it indicate dramatic effects that are somehow intrinsic to the play-within-a-play, and so remaining within it? or does the of in this case signify both at once; both within and without and therefore on the seam? from modernism & the european avant-garde: notes towards an ergonomics of the sign machine metaphors abound in literature from the earliest times, but have proliferated in european literature since the time of the industrial revolution. selected writings from the PLR Prague Literary Review: a monthloy journal of the arts |