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| louis armand ART transitional notes, articles, comment INTERVIEW with PERSPEKTIVE MAGAZINE "An ABC of Avant-Gardism" Kluitenberg says that "technology and new media have become the principal sites of manifestation for the next transformation of the negative dialectics of avantgarde art." While I agree in part with this, the last part of his assertion is perhaps overly assumptive in regards to the idea that avant-gardism is necessarily defined by a "negative dialectics." review of prague biennale 1 2003 (pub. in art margins) It is always tempting with such overblown events as international art biennales (and the Prague event claims to be the biggest contemporary art event in Europe this year) to look for an image that somehow �sums things up.� jean-michel basquiat: identity & the art of (dis)empowerment when jean-michel basquiat died in 1988 at the age of twenty-seven he had only been painting professionally for seven years, yet the body of work that he left behind was prodigious. transitional notes on cyber art in 'your place or mine? locating digital art' (parallax. interface, 1999), darren tofts suggests that the relationship between digital art and the museum is problematic. romantic ecolgies: john kinsella and the art of traumatic realism in the title chapter of his recent book, the return of the real: the avant-garde at the end of the century, art critic hal foster introduces the term traumatic realism ... from modernism & the european avant-garde: notes towards an ergonomics of the sign machine metaphors abound in literature from the earliest times, but have proliferated in european literature since the time of the industrial revolution. from the megaphones of prague The Megaphones of Prague is an ongoing text + installation project which was initiated in 1996 in conjunction with Prague's Twisted Spoon Press. It incorporates text, photography, physical + sound installation, as well as site specific works. Exhibition of the work has taken place in numerous venues, including as part of a large scale solo exhibition of Louis Armand's work at Galerie ArtNatur in Prague, October 1999. selected writings from the PLR Prague Literary Review: monthly journal of the arts |