Day 4 Friday (4/9/99) Today exceeded yesterday. Wrote in this journal listening to the Takacs Quartet playing Bartok. An early session today at 8:30. Szidi picked met us here at 7:15 and we took a taxi to Matav Music House. We stopped at a grocery on the way picking up some breakfast, bananas, yogurt, pastries. Then walked down to Matav. At about 8:10 we noticed that the mics, etc. had not been set up again from being taken down from last nights concert. Don and Rich started to panic because our allotted 5 1/2 hours of recording time, all that we had left, was going to barely be enough (if that even) to record the difficult cues that we had left. So when Anna and Istvan arrived at 8:15 we all helped set things back up. But at 8:15 Maty and the orchestra started rehearsing while Istvan continued setting up. It all worked out perfectly, they knew exactly what we were doing, and panic was totally unnecessary. But it was still a race with time all day. After a few run-throughs of the Closing Credits Don told Maty that after the first part of the cue the click track could be turned off for the rest of the cue. When he relayed this to the orchestra there was a sigh of appreciation. Finally they were free of the click! Maty conducted with subtle and tasteful nuances. When the cue (orchestrated expertly by Greg from Seattle) was finished there was a great sense of musical cohesion and understanding between all present, a feeling of freedom and triumph. |
But we still had the pieces left that would later
be mixed with chorus. Don had saved these for last thinking he would have to tune the
orchestra to A440. Don decided to use Sound Forge to pitch the already recorded
chorus to the tuning of the orchestra. Anyway these were some of the most difficult cues.
Maty announced to the orchestra that we were crunched for time but they had interesting
music to play today. It was amazing how fast the
orchestra would get a cue under their fingers. After one or two rehearsals it would sound
very sloppy, but as soon as the recorder was on they miraculously came together and
usually nailed it. We came across some wrong notes and a badly written passage, but like
usual we fixed or altered with great speed. There was always some problem with the click.
We couldnt figure out if Pro Tools was causing the click to not play the first beat
or what. Maty asked Don a few times how many clicks there were before the beginning bar
and Don would always reply
8. So next time we must work out something different. In the last hour we
still had a few cues and were wondering if we were going to make it. The orchestra
requested they get out at 1:30 instead of 2:00. Rich made a deal that if they skipped
their last break they could get out early. We finished recording at exactly 1:30! Don gave
a short speech of thanks
to the orchestra. There was applause and hand shakes all around. Many of the orchestra
came to shake hands out in the lobby. We were all relieved and exhilarated at the same
time.
After the session Szidi took us downtown. Rich had
a meeting with Mokep, a film distribution company here. We walked around and took a subway
to the square where we found the shop that had bottles of wine on which you could print
peoples names. Don thought it a good idea to buy a gift for David for his name day
dinner. After he had placed his order we rode the subway back to the movie company to meet
up with Rich. We
then walked around by the Parliament building, took a few pictures. Don layed down on the
grass and was instantly asleep. After Don's nap, we took a subway over to the wine
place. Don and I sat and drank cappuccino while Szidi and Rich went to buy bags so we
could carry
the parts from the music house to the apartment, having left the big black bag at the
apartment. Anyway, they returned, we picked up the wine, then taxied over to the
restaurant where Istvan had invited us for dinner. A very elegant place it was. We were
the first to arrive. Istvan arrived shortly bringing CDs of artists which he had
recorded or
produced. He gave us a rundown of his producing accomplishments. Very impressive. Shortly
after the other guests started to arrive: David and his wife and daughter (little Anna),
also his mother the actress Katinin Lotya and her husband, Erno Kiraly, a well know older
musician. Maty and his wife and son and daughter, and then Balint, Istvans son,
arrived
last. When all were seated the speeches started. First Istvan, then Don gave an eloquent
speech, then I gave my short one in Hungarian:
Don, Rich es en is megtisztelonek erezzuk, hogy reszt vehetunk Zsolt
nevnapi vacsorajan. Szeretnenk Koszonetet mondani a project minden
resztvevojenek, es remeljuk, hogy a KMN mindenkit egy kicsit bodogabba
tesz.
On behalf of Don, Rich and I, we are honored to be a part of Davids
name day. We wish to thank everyone involved in the project. And we hope
that KMN will bring everyone a little bit more happiness.
I pulled it off fairly well. Katinin commented that I
sounded like the Pope, I guess because of my monotone delivery, Ha! (editor's note: It
was actually because he was speaking in a language he didn't know, like the pope does when
he visits other countries.) But everyone seemed to appreciate the fact that I had
made the attempt. Dinner was great. The waiters brought our plates out covered with shiny
chrome domes. With great flourish they uncovered our meals. Conversation was lively. We
laughed greatly. Katinin sang a very beautiful piece using her voice in unusual ways.
Applause followed. She gave me another copy of her poems. I will make a CD for her when I
get home. After dinner we (Don, Rich, Szidi, and I) taxied back to the apartment.