| Garcia |
7/8/73 |
Record Plant, S.F. |
|
145 |
|
B- |
|
| Garcia |
1/1/74 |
Reflections Outakes |
|
90 |
|
B |
I am not sure of the date. |
| Garcia |
2/9/74 |
Rheem Theater |
|
90 |
|
B |
|
| Garcia |
7/12/74 |
Keystone |
|
90 |
|
C |
|
| Garcia |
7/21/74 |
Keystone |
|
90 |
|
B |
|
| Garcia |
11/29/74 |
Great American Music Hall |
|
90 |
|
B+ |
|
| Garcia |
12/15/74 |
Great American Music Hall |
|
90 |
|
B |
|
| Garcia |
1/7/76 |
Studio with Booker |
|
90 |
|
C |
Studio |
| Garcia |
3/6/76 |
Seattle, WA |
|
90 |
1 |
B |
W/Keith and Donna. I really like hearing the piano compliment Jerry's Guitar for a change. |
| Garcia |
5/30/79 |
Santa Cruz |
|
45 |
|
B |
|
| Garcia |
6/8/79 |
Rio Th. |
3 |
90 |
|
B+ |
|
| Garcia |
6/16/79 |
Palo Alto |
5 |
145 |
|
B |
|
| Garcia |
6/17/79 |
Palo Alto |
4 |
145 |
|
B+ |
|
| Garcia |
6/22/79 |
Keystone |
|
145 |
|
B |
|
| Garcia |
2/2/80 |
The Stone, San Francisco, CA |
Aud 2 |
180 |
1,2 |
|
Filler from 2/7/80 Sugaree Catfish John How Sweet It Is To Be Loved By You |
| Garcia |
2/15/80 |
Orpheum Theater, Boston, MA |
Aud 2 |
180 |
1,2 |
|
No TLEO, Filler from 2/16/80, 4/1/76, and 3/8/80 |
| Garcia |
3/8/80 |
The Stone, S.F., CA |
|
90 |
Both |
B- |
The whole Show but melody, which opened the second set. Good solid audience tape. That's what love will make you do, masterpice, etc. The After Midnight has some good E. Ridgy jams. |
| Garcia |
3/8/80 |
The Stone, San Francisco, CA |
Aud - 3 |
90 |
|
|
No Melody |
| Garcia |
7/17/80 |
The Stone, San Francisco, CA |
Aud |
90 |
1,2 |
|
No Encore Midnight Moonlight |
| Garcia |
8/7/80 |
Keystone, Berkeley, CA |
Aud |
45 |
|
|
Excerpts |
| Garcia |
8/8/80 |
Keystone, Berkeley, CA |
Aud |
45 |
|
|
Excerpts |
| Garcia |
5/28/81 |
Keystone, Palo Alto, CA |
Aud - 2 |
90 |
|
|
Doesn't match thejerry site so I am not sure. |
| Garcia |
8/21/81 |
Keystone, Berkeley, CA |
Aud- 2 |
90 |
1 |
|
No Melody , filler is Mission In The Rain 12:00 The Harder They Come |
| Garcia |
8/22/81 |
Fairfax Pacillion |
|
90 |
|
C |
Aud-2, With Phil Lesh on Bass |
| Garcia |
8/22/81 |
Fairfax Pavillion, Fairfax, CA |
Aud |
90 |
1,2 |
|
Phil Lesh on Bass |
| Garcia |
4/10/82 |
Cap. Theater |
|
90 |
|
B |
Jerry and his guitar, one of my favorites |
| Garcia |
4/21/82 |
Beacon Theater |
5 |
90 |
|
B- |
Garcia Kahn |
| Grateful Dead |
11/10/67 |
Shrine Aud. L.A. |
|
90 |
|
B |
Hot Death .. Don't… |
| Grateful Dead |
8/21/68 |
Fillmore West, S.F., CA |
3 |
90 |
|
A |
Lineage: 2 Track > DAT, Panasonic 3700> Nak Deck 1 |
| Grateful Dead |
8/22/68 |
Fillmore West, S.F., CA |
3 |
90 |
|
A |
Lineage: 2 Track > DAT, Panasonic 3700> Nak Deck 1 |
| Grateful Dead |
9/2/68 |
..Organic Farm, Sutan WA |
|
90 |
|
B |
|
| Grateful Dead |
10/10/68 |
Matrix S.F. , CA |
|
90 |
|
B |
Mickey and the Hartbeats, Not many words just jamming, I believe Hank Williams is a guest. Filler is Rap Fire and Mad with S. Miller |
| Grateful Dead |
11/1/68 |
Chico, CA |
|
45 |
|
B |
|
| Grateful Dead |
2/21/69 |
Vallejao, CA |
|
90 |
|
B |
|
| Grateful Dead |
2/28/69 |
Fillmore West |
|
145 |
Both |
A- |
|
| Grateful Dead |
3/1/69 |
Fillmore West |
|
145 |
Both |
A- |
|
| Grateful Dead |
3/29/69 |
Las Vegas, NV |
|
45 |
|
B |
|
| Grateful Dead |
4/4/69 |
Avalon, S.F., CA |
|
90 |
2 |
B |
|
| Grateful Dead |
4/5/69 |
Avalon, S.F., CA |
|
90 |
2 |
B |
|
| Grateful Dead |
4/22/69 |
Ark, Boston, MA |
|
180 |
Both |
B |
|
| Grateful Dead |
6/7/69 |
Fillmore, S.F., CA |
|
45 |
2 |
C |
|
| Grateful Dead |
11/21/69 |
Cal Expo, Sac., CA |
|
45 |
|
B |
|
| Grateful Dead |
12/12/69 |
Thelma, L.A., CA |
|
60 |
2 |
B |
|
| Grateful Dead |
12/19/69 |
Fil Aud., S.F., CA |
|
50 |
1 |
B |
From DHH Accoustic 69 and other one into Uncle Johns where the intro sounds like Masons Filler St. into masons |
| Grateful Dead |
12/28/69 |
Hol., FL |
|
45 |
|
B |
|
| Grateful Dead |
2/27/70 |
Family |
|
90 |
2 |
B- |
Filler in the 12/19/69 |
| Grateful Dead |
4/3/70 |
Cin., OH |
|
110 |
Mix |
B |
|
| Grateful Dead |
5/14/70 |
Kirkwood. MO |
|
90 |
|
B+ |
|
| Grateful Dead |
5/15/70 |
Fillmore East, NY |
3 |
270 |
All |
A- |
|
| Grateful Dead |
10/31/70 |
Stonybrook, NY |
|
90 |
1 |
B+ |
Yes yes yes yes yes yes yes, I enjoyed this tape. Mostly American Beauty material. Awesome Cold rain and Snow. The Viola Cumberland is sweet. Low Gen.
The filler is another great Morning Dew |
| Grateful Dead |
11/23/70 |
Anderson Theater |
|
90 |
|
B |
The FOTD is a fast version. The UJB is certainly in it's infancy and worth a listen. |
| Grateful Dead |
2/20/71 |
Porchester, NY |
4 |
180 |
Both |
A |
Tape Paths Master Reels to 1st Gen PCM 2000 2nd Nak Drag. 3rd and 4th Nak CR7a. This is the 4th. |
| Grateful Dead |
2/21/71 |
Porchester |
|
180 |
Both |
B+ |
|
| Grateful Dead |
2/23/71 |
Porchester |
3 |
180 |
Both |
A |
|
| Grateful Dead |
4/6/71 |
Manhattan Center |
|
180 |
Both |
A |
Great version of Cumberland Blues and Bobby McGee |
| Grateful Dead |
4/7/71 |
Boston, MA |
|
90 |
2 |
B |
|
| Grateful Dead |
4/8/71 |
Boston Music Hall |
|
180 |
both |
B |
|
| Grateful Dead |
4/17/71 |
Princeton, NJ |
|
180 |
Both |
B |
|
| Grateful Dead |
7/2/71 |
Fil. West |
|
180 |
Both |
B+ |
|
| Grateful Dead |
9/29/71 |
Santa Venetia, CA |
|
90 |
|
B- |
Rehersals |
| Grateful Dead |
11/7/71 |
Harding Theater, S.F., CA |
4 |
180 |
Both |
A |
|
| Grateful Dead |
5/7/72 |
Bikershaw |
4 |
90 |
2 |
B+ |
|
| Grateful Dead |
7/18/72 |
Roosevelt Stadium |
|
180 |
Both |
C |
|
| Grateful Dead |
7/22/72 |
Seattle, WA |
|
90 |
2 |
B+ |
The M. Dew is great. |
| Grateful Dead |
7/26/72 |
Portland, OR |
2 |
270 |
Both |
A |
Great Dark Star>>Comes a Time. The filler has a great eyes but it cuts. |
| Grateful Dead |
8/12/72 |
Sacramento, CA |
|
180 |
Both |
B |
|
| Grateful Dead |
9/28/72 |
Stanley Theater |
|
245 |
Both |
C |
|
| Grateful Dead |
11/14/72 |
Oklahoma |
|
180 |
1,2 |
C |
|
| Grateful Dead |
11/19/72 |
Houston, TX |
3 |
270 |
Both |
B |
Should sound better for a Gen 3. |
| Grateful Dead |
12/2/72 |
Boston |
|
90 |
2 |
9 |
|
| Grateful Dead |
2/9/73 |
Maples Pav. Palo Alto, CA |
4 |
270 |
Both |
A- |
|
| Grateful Dead |
3/16/73 |
|
|
90 |
|
B |
|
| Grateful Dead |
3/22/73 |
Uticca |
4 |
135 |
1,2 |
B |
Only portions of Set 2 45 minutes Eyes through Encore Box of Rain was nice to hear. Filler is dark star eyes from 3/28/ 73 |
| Grateful Dead |
3/28/73 |
Springfield |
|
45 |
2 |
B |
Dark Star >Eyes only on the 3/22/73 show |
| Grateful Dead |
5/26/73 |
Kezar, S.F. ,CA |
|
270 |
Both |
A+ |
Great Tape -Eyes, Half Step, China Rider, Sunshine. The tape has great stereo separation. Bob Left channel and Jerry Right. |
| Grateful Dead |
6/29/73 |
Universal Amp. |
|
90 |
2 |
B- |
The Dew Cuts |
| Grateful Dead |
9/21/73 |
Philly |
5 |
90 |
1 |
B |
Hideaway Tease within Playin' |
| Grateful Dead |
12/12/73 |
Omni, Atlanta |
|
245 |
All |
B |
Filler is poor quality- Tape over |
| Grateful Dead |
2/24/74 |
Winterland |
|
90 |
2 |
B |
|
| Grateful Dead |
5/25/74 |
Santa Barbara, CA |
|
245 |
both |
B+ |
Keith sounds great. HOT Performance |
| Grateful Dead |
6/16/74 |
Des Moines, IA |
4 |
90 |
2 |
A- |
SB-4 |
| Grateful Dead |
9/18/74 |
Dijon, France |
|
180 |
All |
B+ |
Dynamite playin. Set one is hot. |
| Grateful Dead |
9/21/74 |
Palais di Sports, Paris |
|
90 |
2 |
B+ |
|
| Grateful Dead |
10/18/74 |
Winterland, S.F., CA |
5 |
180 |
Both |
A- |
SB-5 |
| Grateful Dead |
10/19/74 |
Winterland, S.F., CA |
|
180 |
Both |
B |
|
| Grateful Dead |
10/20/74 |
Winterland |
|
180 |
1 and |
B- |
Great China |
| Grateful Dead |
5/1/76 |
Rehersals |
|
90 |
|
B |
Rehersals |
| Grateful Dead |
6/24/76 |
Tower Th. Phil., PA |
|
180 |
Both |
B- |
|
| Grateful Dead |
4/27/77 |
Cap. Th |
2 |
180 |
Both |
B |
FM 2 |
| Grateful Dead |
5/7/77 |
Boston, MA |
|
180 |
Both |
B+ |
|
| Grateful Dead |
5/8/77 |
Cornell, NY |
|
180 |
Both |
A |
|
| Grateful Dead |
10/2/77 |
Paramount Theater |
|
180 |
Both |
B |
|
| Grateful Dead |
11/5/77 |
Rochester, NY |
|
180 |
Both |
A |
Good Source Low Gen. |
| Grateful Dead |
4/10/78 |
Fox Th. Atlanta, GA |
|
180 |
Both |
A |
Low Gen from a good source. |
| Grateful Dead |
5/7/78 |
Troy, NY |
2 |
180 |
All |
A |
Low Gen from a good source. Set 1 is great. Dire Wolf instrumental has a great Phil Line with Jerry. The FOTD is spliced together, but it is one of the best versions I have heard. The end of All Over has some cool rhythm led by the drums. Set 2 - Solid set, Scarlet Jam has a strange Donna Solo which is hard to take. He's Gone has a nice Accapello section. The Drums are long. After, the energy and playing is right on. Phil is loud. Black Peter is sweetly played. Around cuts and continues on|Set 1. |
| Grateful Dead |
7/7/78 |
Red Rocks, CO |
4 |
180 |
Both |
B+ |
SB-4 |
| Grateful Dead |
12/30/78 |
Pauley Pav. UCLA, CA |
|
180 |
Both |
A |
Low Gen from a good source. |
| Grateful Dead |
12/31/78 |
Winterland, S.F., Ca |
|
270 |
Both |
B |
|
| Grateful Dead |
4/22/79 |
San Jose, CA |
|
270 |
both |
A |
Great quality and 2 1/2 full tapes, but missing US Blues. Highlights = Shakedown St. As Encore. The Scarlet is good and Passenger is an interesting version. The filler is 45 of the third tape and is from 9/9/82 And is HOT. UNB>S&D>UNB>Est.>Eyes… |
| Grateful Dead |
11/6/79 |
The Spectrum Phil., PA |
|
90 |
1 |
B+ |
Standard set but good versions, quality and Song Selection |
| Grateful Dead |
11/23/79 |
San Diego, CA |
2 |
90 |
1 |
A |
Great mix on the tape if you are a Phil fan; his lines are dominant. The Stagger Lee has a interesting ending. Garcia's vocals are very clear. Phil's lines during Minglewood make it worth not sleeping through. |
| Grateful Dead |
12/1/79 |
Stanley Th. Pgh., PA |
|
90 |
2 |
B |
|
| Grateful Dead |
1/13/80 |
Oakland, CA |
|
90 |
|
B+ |
|
| Grateful Dead |
6/12/80 |
Memorial, Portland, OR |
|
180 |
Both |
A- |
Solid show. Alabama Scarle Fire |
| Grateful Dead |
10/11/80 |
Radio City, New York |
|
45 |
1 |
B |
|
| Grateful Dead |
3/28/81 |
Germany |
|
180 |
Both |
B+ |
|
| Grateful Dead |
10/10/81 |
Radio City, New York |
|
45 |
1 |
B |
|
| Grateful Dead |
10/12/81 |
Munich |
|
180 |
Both |
B+ |
Set Bertha is Great. The NFA>Stella is also worthwhile. |
| Grateful Dead |
10/16/81 |
Amsterdam |
|
90 |
1 |
B |
|
| Grateful Dead |
10/17/81 |
Paris |
|
90 |
1 |
B |
|
| Grateful Dead |
5/21/82 |
Greek, Berk., CA |
|
90 |
2 |
B+ |
Great playing and flow to the tape. It's a keeper. The jam after UJBand cuts. Also B. Song and Might as Well from Set 1 |
| Grateful Dead |
7/28/82 |
Red Rocks, CA |
|
90 |
2 |
B+ |
Great Show first 45 only of set 2 UNB>S&D>UNB>Est.>Eyes On tape 3 of Spartan. |
| Grateful Dead |
12/31/82 |
Oakland, CA |
|
180 |
Both |
B+ |
|
| Grateful Dead |
3/25/83 |
Compton, |
4 |
90 |
2 |
B+ |
SB 4 |
| Grateful Dead |
10/31/83 |
Marin, CA |
|
90 |
2 |
B+ |
|
| Grateful Dead |
12/30/83 |
Oakland |
|
180 |
Both |
B |
|
| Grateful Dead |
6/14/84 |
Red Rocks |
|
90 |
2 |
B |
|
| Grateful Dead |
7/13/84 |
Greek, Berk., CA |
3 |
1 |
2 |
A- |
SB-3 Filler China Doll |
| Grateful Dead |
7/22/84 |
Ventura, CA |
4 |
90 |
2 |
B+ |
SB-4 |
| Grateful Dead |
11/2/84 |
Berkeley, CA |
|
180 |
Both |
B+ |
Long set 2, Set 1 is upbeat with a great J. Straw |
| Grateful Dead |
3/25/85 |
Springfield, MA |
5 |
90 |
1 |
A- |
SB-5 |
| Grateful Dead |
3/27/85 |
Nassau, NY |
4 |
180 |
1,2 |
A- |
SB-4 Beg of set 2 only --Worthwhile Shakedown>Uncle. Set 1 opens with 1/2 step brought back. |
| Grateful Dead |
3/28/85 |
Nassau, NY |
4 |
45 |
1 |
A- |
SB-4 No El Paso, Smoking Set 1 ending with China > Rider |
| Grateful Dead |
4/7/85 |
Spectrum, Phil., PA |
4 |
45 |
1 |
A- |
SB-4 Nice short compact set with awesome set list including the classics Why Don't we do it in the road and Dancin' in the Streets. |
| Grateful Dead |
4/14/85 |
Providence, RI |
5 |
180 |
Both |
A- |
SB-5 |
| Grateful Dead |
6/14/85 |
Greek |
|
90 |
2 |
A |
Very good show and Awesome quality. |
| Grateful Dead |
6/15/85 |
Greek Theater |
|
180 |
Both |
A- |
|
| Grateful Dead |
6/16/85 |
Greek Theater |
|
180 |
Both |
A- |
|
| Grateful Dead |
6/25/85 |
Blossom Th. Cuyahoga, OH |
|
180 |
1 and |
A- |
Wow Great China Cat and some great song transitions. |
| Grateful Dead |
6/28/85 |
Hershey |
|
180 |
All |
B+ |
Phil is great and the tape is worthwhile simply to hear his bass runs. The BirdSong is great and it leads into a Comes a Time > Deal. Second set is good, and the Dew is nice, but not like the sweet 72. The filler of Built to Last Outtakes can be recorded over. |
| Grateful Dead |
9/15/85 |
Chula Vista, CA |
|
180 |
Both |
B |
Aud. 3 |
| Grateful Dead |
11/10/85 |
Brendon Byrrne, NJ |
|
90 |
2 |
B |
|
| Grateful Dead |
1/13/86 |
Oakland |
|
90 |
1 |
A |
W/Santana and John Chippolina |
| Grateful Dead |
4/3/86 |
Hartford, CT |
5 |
90 |
2 |
B+ |
SB-5 |
| Grateful Dead |
7/7/86 |
Wash. DC |
|
90 |
2 |
B- |
|
| Grateful Dead |
11/8/87 |
Kaiser. Oakland, CA |
|
90 |
2 |
B |
SB-4 |
| Grateful Dead |
3/27/88 |
Hampton, VA |
|
90 |
2 |
B |
|
| Grateful Dead |
7/17/88 |
Greek, Berk., CA |
1 |
110 |
2 |
A- |
FM-1 |
| Grateful Dead |
7/29/88 |
Laguna Seca |
|
180 |
Both |
A |
Low Gen from a Good Source |
| Grateful Dead |
9/24/88 |
MSG, NY |
|
90 |
1 |
A |
Low Gen from a Good Source |
| Grateful Dead |
2/11/89 |
LA, CA |
4 |
90 |
2 |
B+ |
SB-4 |
| Grateful Dead |
6/19/89 |
Shoreline Mt. View, CA |
3 |
180 |
Both |
A |
|
| Grateful Dead |
6/21/89 |
Mt. View, CA |
|
180 |
2 |
C |
Hideaway |
| Grateful Dead |
10/9/89 |
Hamptom, VA |
3 |
90 |
2 |
A- |
SB-3 |
| Grateful Dead |
10/18/89 |
Spectrum Phil., PA |
2 |
180 |
Both |
A |
Low Gen from a Good Source. Great Shakedown, China is solid, Brent is good on Around. |
| Grateful Dead |
10/19/89 |
Spectrum, Phil., PA |
|
180 |
All |
A |
Low Gen from a Good Source. First 45 minutes are boring. This tour was a bit MIDI strong. The Masterpiece through Baby Blue are good in set 1, especially Cumberland. Set 2 has a great song selection, the Eyes is good, Death Don't. |
| Grateful Dead |
10/20/89 |
Phil., PA |
|
180 |
Both |
A |
Low Gen from a Good Source. |
| Grateful Dead |
10/25/89 |
Miami, FL |
|
180 |
Both |
A |
Low Gen from a Good Source |
| Grateful Dead |
10/26/89 |
Miami, FL |
|
180 |
2 |
A |
Low Gen from a Good Source. Solid show. Set2 should be spliced onto a 100 minute tape. Solid show, but nothing spectacular. Set2 should be spliced onto a 100 minute tape. |
| Grateful Dead |
12/6/89 |
Oakland, CA |
|
180 |
Both |
A |
Low Gen from a Good Source |
| Grateful Dead |
2/20/90 |
Oakland, CA |
3 |
90 |
2 |
A- |
SB-3 |
| Grateful Dead |
6/10/90 |
Cal Expo, CA |
|
180 |
Both |
B+ |
|
| Grateful Dead |
6/24/90 |
Eugene, OR |
|
180 |
Both |
B+ |
|
| Grateful Dead |
7/12/90 |
Wash. DC |
|
90 |
2 |
B |
|
| Grateful Dead |
12/12/90 |
Denver |
6 |
90 |
2 |
A |
SB-6 |
| Grateful Dead |
12/31/90 |
Oakland |
0 |
180 |
Both |
A |
Master from FM. |
| Grateful Dead |
2/19/91 |
Oakland |
3 |
180 |
Both |
A- |
|
| Grateful Dead |
5/3/91 |
Sac., CA |
3 |
190 |
Both |
A- |
SB-3 |
| Grateful Dead |
6/6/91 |
Deer Creek |
|
180 |
Both |
B- |
|
| Grateful Dead |
6/22/91 |
Chicago, IL |
|
180 |
Both |
B |
|
| Grateful Dead |
8/16/91 |
Mt. View, CA |
3 |
90 |
2 |
A |
SB-3 |
| Grateful Dead |
8/17/91 |
Mt. View, CA |
3 |
180 |
Both |
A |
SB-3 |
| Grateful Dead |
9/10/91 |
MSG, NY |
3 |
180 |
Both |
A- |
SB-3 |
| Grateful Dead |
9/20/91 |
MSG, NY |
|
100 |
2 |
A- |
W/Horsby, even the T Stones is good. Phil is hot. China Rider Dark Star>Playing> Dark Star |
| Grateful Dead |
9/26/91 |
Boston, MA |
|
90 |
2 |
A- |
|
| Grateful Dead |
10/27/91 |
Oakland |
3 |
180 |
Both |
A- |
|
| Grateful Dead |
10/28/91 |
Oakland |
3 |
180 |
Both |
A- |
|
| Grateful Dead |
10/31/91 |
Oakland, Ca |
4 |
180 |
Both |
A- |
Hot Help Slip Franklins |
| Grateful Dead |
11/3/91 |
Golden Gate Park, S.F. |
|
90 |
|
A- |
With guests, Neil Young, John Fogerty |
| Grateful Dead |
2/11/92 |
Oakland, CA |
|
50 |
1 |
A- |
|
| Grateful Dead |
2/12/92 |
Oakland, CA |
|
50 |
1 |
A- |
|
| Grateful Dead |
2/22/92 |
Oakland |
3 |
180 |
Both |
A- |
|
| Grateful Dead |
2/23/92 |
Oakland, CA |
3 |
180 |
Both |
A- |
|
| Grateful Dead |
12/11/92 |
Oakland, CA |
|
180 |
Both |
A- |
|
| Grateful Dead |
12/12/92 |
Oakland, CA |
|
90 |
1 |
A- |
|
| Grateful Dead |
12/16/92 |
Oakland, CA |
|
90 |
1 |
A- |
|
| Grateful Dead |
2/23/93 |
Oakland, CA |
3 |
90 |
2 |
A- |
|
| Grateful Dead |
12/16/93 |
Oakland, CA |
|
90 |
2 |
A- |
|