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Literary Criticism
I am currently taking LITR 316 this spring semester, 2002, viewing the different approaches of different critics to literature. This is a table of what each critic thought in regards to each subject. At least, this is what I have deciphered my notes to say.
Imitation/
Creativity
Truth/
Lies
Instruct/
Delight
Beauty
Poetics
Morality
Universal/
Particular
Ancients/
Moderns
Plato
Ideal
There should be no poetics, futher from ideal
Instruct--delight is with emotion, bad
Truth is ideal
Imitation of the ideal, no creation
Thinking being is moral--no lying, except...
Universal truth, ideal is universal
he was an ancient
Poets are lying
Aristotle
Has a taxonomy, not all meters equal
imitate actions of men--ideal not important
he was an ancient
Delight
Horace
poet is not lying, but making nature better
a little, yes
unity of form--has a poetics
yes; certain meters
creativity--has advice for writers
no mention
he gives instruct-ion on how to delight
n/a
in the work
Longinus (my fav)
don't imitate nature; imitate other sublime poets, if at all
certain meters equal certain effects
sublime found more in Demo-cracy  than in Despot
late ancient--100AD
particular; man,not men
delight, both in creation and reading
Boethius
poetry lies
universal
phil-osophy is beauty
poetry is bad
imitation = bad
n/a
yes:poetry bad, philosophy good
n/a
Aquinas
creativity (metaphor) can lead to knowing God
meta-phor not lie, but leads to God
metaphor instructs
moral work beautiful
none
God is moral; metaphor is not evil
Universal
n/a
Dante
some; comedy vs. tragedy,
et all
universal--the senses of all men
connected with teaching--3rd sense
instruct
n/a
NEXT---->
n/a
n/a
creative
Corneille
well-formed imitation of reality
n/a
applied to theatre
particular
instruct
get as close to reality as possible
don't lie if author can get around it
mirrors Aristotle
Dryden
moderns--english
Imitation/
Creativity
Truth/
Lies
Instruct/
Delight
Beauty
Poetics
Morality
Universal/
Particular
Ancients/
Moderns
-Neander
unities not absolute
-Lisideus
moderns--french
unities to the letter
-Eugenius
modern--we know more
imitate human nature
unities important
Crites
ancients--closer to nature
imitate nature, not ancients
ancients followed rules, moderns don't
n/a
greeks don't instruct--amoral
plato to dryden
beautiful work has certain meters
particular
beauty in in sublime writing
n/a
universal inspir-ation, but specific results
3, 4
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