Sorry for errors towards the end because it got a little confusing. Everyone (mostly Michael) were making fun of James Marshall and Tom said that Marshall wouldn't appreciate that if he was here, then all of a sudden he pops up out of no where. So I don't know If he was there the whole time or what. Quite strange.

(They introduce themselves.)

Greg Beeman- "We are in the episode called �Red�. In which Clark goes bad. Mmmmmm bad Clark. The girls love that don't they, Tom? When you go BAD and NAUGHTY!"

Tom Welling- "Clark doesn't go bad, he simply has no, no consequences for his actions."

GB- "Ohhhh liar ::cough::�So we begin at a high school, in Vancouver, which has kindly let us paint their entire school into our Smallville colors"

Michael Rosenbaum- �That�s brilliant. That�s very nice of them�

GB-�I actually think they intelligently changed their school colors to match our colors now.�

TW-�Wait a minute, this is the set at [Buller].�

(everyone laughing)

GB-�No, it�s not, we didn�t have a set invented at this time. This is the real high school.�

MR-�That�s actually the high school? And whose the actress there? What's her name again?"

GB- "Sarah Downing"

MR "Sarah Downing. Kristin, was she nice to work with?"

Kristin Kreuk- "She was great, I liked her a lot."

MR- "Nice."

GB- "She's a bad girl so we dressed her in mesh."

MR- "She looks naughty."

GB- "We had to say 'bad girl' RIGHT away."

MR- "Mmm. There's Pete. Oh when you have lines, I love him. Love Sam Jones. What an awesome guy. A lot of enthusiasm right, Tom?"

GB-�Kristin, why do you think Lana is always given the job of like tooling around the uh, new students?�

KK-�Uhh, I think cause she is incredibly sweet and she�s the girl that would volunteer to do something like that because she cares about people.�

GB-�Ok here�s where the Red Kryptonite first effects Clark.�

MR-�Wow.�

GB-�Now Tom, you did a good job with this stuff. It�s like a drug.�

MR- "You just mouthed this guy and he just walks away, which I never liked. Watch. Check this out. He just looks at you and walks away. I�d smack the hell out of you kid. That�s wrong I don�t believe that.�

TW-�He saw Lana coming up though,he just�.�

MR-�Oh. There�s Sam.�

TW-�What�s he saying?�

MR- �Ohh, there�s the butt shots.�

MR-�Now where are we here?�

GB-�This is Metropolis, whenever we come her, we�re in Metropolis. This scene was originally going to be first in the episode.�

TW-�Downtown Vancouver.�

GB-�It�s kind of hard to start on the bad guy.�

MR-�Yea.�

GB-�But Smallville is always, everything is red and gold and blue and uh, Metropolis is always these cool colors. This was going to be the first scene, but we turned it into the second scene.�

MR- �Hey, how long was this kid in the hot tub? Just out of curiosity, if Marshall directed it, he�d be there for a month. He�d be all shrively and crinkly.�

(everyone laughing)

GB-�He was in there a couple hours I think.�

TW-�You know if Marshall was here, I don�t think he�d appreciate that.�

MR-�Marshall directed Rosetta by the way, he�ll be on the next commentary track, we wouldn�t allow him to be on this one. Who is this guy?�

GB-�This guy? Michael Tomlinson.�

MR-�Alright.�

GB-�He�s our bad guy of the day.�

MR- �Look at that. How �bout move. How  �bout jump out of the thing. Get out! No look what�s happening �I�m going put this stereo on you now. Here it comes, ready? Here comes loud music� (makes sounds like he�s being electrocuted) You moron. Get out of there. Look and he slowly dies No, I mean c�mon.�

GB-�That was a good death. Shut up, now we know that she is him and that the bad guy is after him.�

(Save Me in the background) MR- �I don�t get tired of this song, really. I don�t. I sing it in my sleep.�

GB- �Kristin, I�m pretty sure that you�re happy that the 2^nd season we put in one of the best shots of you.�

KK- �Which is�?�

GB- �Exploding in front of a fireball.�

KK- �Oh right�

MR- �Oh yea that was a difficult shot, from the tornados, right? Is that what you are talking about?�

KK- �No.�

MR- �Oh sorry. I don�t know what the hell you�re talking about.�

GB- �You�ll see.�

TW-�We�re going to have to do this all again won�t we?�

MR-�No we won�t�

GB- �I love this song.�

MR-�It�s very dynasty-like isn�t it? I like it.�

TW- �What�s John eating?�

MR- �See there�s the tornado.�

GB- �Yea that, the tornado�s awesome�AND THAT�S IT. THAT�S MY FAVORITE SHOT!�

MR- �There, oh that�s what you�re talking about.�

GB- �I love that shot�

MR- �That�s great.� 

GB- �So Tom has gone a little bit bad. Tom, O think the whole task here was to sort of�the idea of Red Kryptonite is you get badder and badder as it goes on.�

MR- (laughing) �Very articulate.�

GB- �Thank you. I think Tom did a great job with this.�

MR- �Yea.�

BG- ��cause here, he is just a little tiny bit bad.�

MR- �Exactly. It�s all about the arc isn�t it?�

GB- �What do you think Tom?�

TW- �I think it�s all about my hair.�

MR- �You check your hair? At least you have hair buddy.�

GB- �Tom your hair looks GREAT! It�s FLUFFY��

TW- �I didn�t say it look bad.�

MR- �Beeman�s touching himself right now.�

KK laughs

TW- �Thanks though.�

GB- �It looks good. That�s a good hair day.�

MR- �Look at that, she wrote the number. Why is it always 555 in every movie? I don�t get that.�

GB- �You DO get it.�

MR- �I know.�

GB- �If you actually dial 555 you get the operator.�

MR- �But I�m going to try it.�

GB- �Kristin�were you jealous?�

KK- �A little�

GB- �Of Jesse?�

KK laughs

TW- �Wait a minute, were YOU jealous or Lana?�

KK- �Lana was�I, I wasn�t.�

(GB snoring)

MR- �Oh c�mon don�t snore. Look at that chemistry. You guys always have chemistry.�

GB- �Now you guys remember this is the beginning of season 2 so there had been no romance between the two.

MR-�No romance, no kiss, well..�

GB-�They had kissed once in Nicodemus.�

TW- �Now what you guys don�t understand about that last shot there between Kristin and I, and Sam, was as Kristin walks away, I�there�s actually one button on my shirt that�s not done up. And Steve Oben...�

(Everyone laughing)

GB- �The costume, on-set costumer.�

MR-�Yes.�

TW- �Awesome, awesome, awesome man.�

MR- �Awesome man.�

TW- �He umm�� (laughs)

MR- �Now James Marshall wants to through a word in.�

GB- �What happened with you button, Tom, for God sake?�

MR- �Go ahead. What�s with the button?�

TW- �It caused a great deal of controversy. See right there it�s buttoned. So, you could imagine Steve�s dismay.�

GB- �So Steve was worried about the content of your buttons?�

TW- �Absolutely.�

MR- �Well he should be.�

GB- �Tom is only ever dressed in blue, red, and sometimes yellow. The superman colors.�

MR- �I did not know that.�

TW- �Even off-set.�

MR- �Well actually he wore black in this episode.�

GB- �Well we�ll get to that.

MR-�We�ll get to that.�

GB-�because he�s bad Clark.�

MR- �And here�s John Schneider and Annette O�toole by the way. Brilliant actors, great to have them on the show.�

GB- �Great people.�

MR- �Great people. Really, it�s nice to have them on the set. Tom��

GB- �Tom, but Tom was being sassy to his dad in this one.�

TW- �Clark was.�

MR-�Well, you know.�

GB- �Sorry, sorry, Clark was.�

MR- �It�s realism. Ya know there�s a reality to that. I remember when I yelled at my dad for the first time.�

TW-�So here�s John Schneider and Annette 0�Toole.�

MR-�Lovely people. Look at that smile, go go go.�

TW-�Good chemistry these two as parents.�

GB- �WAIT A SECOND, ROSENBAUM IT�S YOU!�

MR- �I know, I was in this episode.�

TW- �Dude were you working out before this scene?�

MR- �Ahhhh, no those are just, it�s nice shirt and those are artificial nipples and breast.�

GB-�Alright so��

TW laughing-�What the hell is going on in your office?�

GB-�This is the season Lionel had gone blind, at the end of last season.�

MR-�And the father Ronny Millsap.�

KK laughs

GB-�Lionel had gone blind and has come to take over the mansion.�

MR-�Yea this wasn�t a very, this wasn�t fun, but you know.�

GB-�This was great.�

MR-�Yea no.�

GB- �How awesome is John Glover?�

MR- �John Glover to work with is just, I mean it�s a treat. The guy has won a couple of Tony�s. Ah he just amps it up. Brings it up. Ups the anny. I think Tom said once.�

TW- ��Bout you.�

MR- �Oh.�

TW- �I said it �bout you man you do.�

MR- �I know man that was really nice. I read that in YM I think.�

TW- �It�s absolutely true.�

MR-�I called you, I thanked you.�

GB- �In your scenes everyone is better Rosenbaum.�

MR- �Oh no, I, you know what, Tom makes me better, Kristin makes me better, people make each, we make each other better. It�s true though.�

TW- �Well when you�re Saturn, when you�re working with a Saturn award winner��

(Everyone laughing)

TW- �It just really, you know, you realize what is expected of you.�

MR-�You know what? Yea exactly.�

TW-�And you have to really step up.�

MR- �I didn�t even know what that was. I thought I�d get a car or something for that award.�

GB- �The bad guy closes in.�

MR- �That�s a bad guy.�

TW- �Marshall tipped me off on that one.�

GB- �He looks like a bad guy doesn�t he?�

TW- � �Don�t forget in your scene today, you�re working with a Saturn award winner.� �

MR-�You guys are genius. Genius Marshall! That�s the first funny thing ever, you�ve said.�

TW- �Now, this is Lana�s business, the Tal-on.�

GB- �She�s and entrepreneurial young lass and she started up the Talon. Her parents met there, Lex bought it for her, and now she makes Lattes.�

MR-�Yea.�

TW-�What did Beeman say?�

MR-�I don�t know.�

GB- �Kristin, what were you thinking there?�

KK- �What I missed that I wasn�t watching.�

GB- �Well he wants to go dancing, but you want to study and you�re looking at him like �Tom..?� I mean Clark.�

KK- �Clark. I�m sorry, I totally missed the moment.�

GB- �Well he asked you out even though you are suppose to study. I think your character is a little confused.�

KK- �Yes she�s very confused. Clark doesn�t do that.�

GB-�Exactly.�

TW- �Love�books? Love�books?�

MR laughs

GB-�You guys have awesome chemistry.�

MR-�Yea I was just going to say, a lot of the time, you�re doing these scenes and they kind of seem redundant to us doing them everyday, but like certain scenes, like this, just seem kind of natural. You guys were loose I thought you know.�

GB-�I like this scene. This is the scene where Clark  uses his x-ray vision to see��

TW-�You know when you�ve really come along as an actor, even the redundant things looked relaxed.�

MR (laughing)-�How bout I smack the hell out of you

(everyone laughing)

GB-�It�s true though.�

MR- �You know I�m proud of you Beeman no F-bombs today.�

GB- �Thank you very much. You guys, but it�s true and every one of these, all of us do the same kind of scene over and over and over again and part of the goal and task is to make it fresh all the time.�

MR-�Yeah�

GB-�But the Clark and Lana energy is always there. So is the Clark-Lex energy, but we�ll talk about that in a few minutes.�

MR- �Tom, did you get to pick out the ring?�

TW- �No, they let me try it on, and I had a little bit of... You know actually, it was about 4 months in development, um when I flew to Switzerland to meet with the, the ring makers.�

KK laughs

MR- �I�m sensing sarcasm.�

GB- �This is where Clark x-rays and finds out that Chloe-�

MR-�Oh yea, why don�t you use that more?�

GB-�-has a birthmark on her cheek.�

MR- �Yea good work there buddy.�

GB- �Because Clark is not that kind of guy.�

MR- �Well yea I know.�

GB- �Clark is not that kind of guy, he has to be under the influence of red kryptonite to misabuse his powers.�
MR- �See but I think Pete was that kind of guy.�

GB- �If Pete had x-ray vision�

MR-�It be trouble.�

GB-��it be all over him.�

MR-�Yea.�

TW- �To be serious for a-�

GB- �You know what, I love this house.�

TW- �To be serious-�

GB- �I want to talk about this house for a second.�

TW- �Oh. Excuse me.�

MR- �Well don�t cut Tom off, he�s in the middle of a thought. God darnit.�

GB- �Oh for Gad sakes, go ahead.�

TW- �No that�s alright. The moment just passed.�

MR-�Now you�re going to ruin the moment Beeman.�

James Marshall-�I think I should [chair] this thing. Chair recognizes Tom Welling.�

MR-�Somebody get Marshall out of here.�

TW-�All I was going to say was I really like this house and I think that��

GB- (laughing) �That�s what I was going to say.�

MR- �He�s being vicious�

TW-�chair recognized Greg Beeman.�

MR, GB and KK laughing

GB- �We shoot the Kent farm at a real farm which is on the border of Canada and USA.�

MR- �I love this. Annette goes up to a silk shirt, look. She doesn�t even know the wave runner right in front of her. It�s like �Look at this silk shirt, forget the wave runner.� �

GB- �And also, Clark Kent has every superpower in the world, he�s bad, so he goes out and buys a videogame.�

MR- �And disco lights.�

JM laughing

GB- �But I got to admit, that�s a pretty cool TV. Notice how Tom is dressed in green, which we never dress Clark in green. So that symbolizes his badness.�

TW- �Red Kryptonite, green T-shirt.�

GB- �Exactly. And not only that but, I had to search for, there�s a really cool skateboard company in Vancouver that had a logo I really liked. And I wanted that logo on the shirt and for some reason I became obsessed with this. And it was a hard problem to cleared in time. Check out that logo. What�s the name of the company? Red Dragon Skates or something like that.�

JM- �No that would be, ummm, yea Red Dragon.�

GB- �Also Clark would never where black leather, unless he was bad.�

MR- �I don�t think anybody should wear black leather. Especially Marshall.�

JM-�I don�t  really like his hair here.�

GB- �Tom�s hair looks great here. WOAH!�

MR- �WOAH!�

GB- �That was cool.�

MR- �That was cool. I�ve always loved that.�

GB- �I really, really wanted to do a shot where he jumped down, where we saw him jump down from the barn but...�

MR-�Didn�t have time or money huh?�

GB-�..we didn�t have time or money. So Clark, Tom, how was the motorcycle?�

TW- ��fast.�

GB- �Look at where we shoot. This is like the most beautiful place in the world. And the people who own it are like the nicest people in the world and this is where they live. It�s so gorgeous and I think they think we like so strange because we come over and we�re like �Yea we�re gonna set off a bomb on the corner of your property this weekend.� They�re like �ok�� �

MR- �Tell us about the bombed that recently happened. The explosion that people heard in the next country. What happened?�

GB- �Ohhh. We exploded a house and there was damage for 3 square miles.�

MR- �Wow.�

GB- �Things happen.�

TW- �They let that happen in Canada though, that�s ok.�

GB- �Tom you look pretty cool on that motorcycle.�

GB- �Kristin��

KK- �Yes?�

GB- �What are you thinking here?�

KK- �Umm, Clark�s coming in on a motorcycle, that�s awfully strange.� (laughs)

GB- �You were just a little bit jealous again, weren�t you?�

KK- �Yea.�

GB- �The girl is obviously bad. She wears see-through��

KK- �Her navel is showing.�

GB- �Clark is wearing green, things are not right.�

TW- �Wait a minute, Clark you have green on.�

GB- �But your hair looks good.�

TW- �Where�s Steve Wardrobe? Clark�s got green on.�

TW- �Sam, how much do we love Sam?�

GB- �We love Sam.�

MR- �Yes.�

GB- �Now, this is a great scene coming up.�

MR- �This is a cool scene.�

GB- �This is a cool scene. Clark has never, he has never defied his dad. Sometimes he�s questioned him, and had a couple of arguments, but nothing like this has ever happened.�

MR- �Watch this.�

TW- �I blocked this scene.�

GB- �This is awesome. Tom you did a great job and look at Schneider. Schneider threw himself back into that door as I remember.�

MR- �He is very smart.�

GB- �He does a lot of his own stunts.�

MR- �John Schneider did 463 push ups before this scene.�

(KK laughs)

MR-��463.�

GB- �Schneider has and awesome body. And he�s wearing blue.�

MR- �And why is that Greg?�

GB- �I�m not sure I think he was about, you know, connecting to Clark �cause that�s not a color he normally wears so with Clark going away he�s trying to take that void. If that makes any sense.�

MR- �Nice US flag in the background.�

GB-�How beautiful is this place? I�m always happy when we film here.�

MR-�I don�t think the cast is though. It�s an hour-�

GB-�You guys don�t love the [Anderleeny] farm?�

MR-�Isn�t it an hour away from hometown?�

KK-�I love the [Anderleeny] farm, but then again-�

GB-�It�s fantastic there.�

KK-�-I�m not there very often.�

MR-�Tom, how do you feel about the [Anderleeny] farm?�

TW-�I�d have to agree, it�s anywhere from 55-67 minutes to the location.�

GB-�Guys, once you get there, especially when we shoot in the summer, it�s like the most beautiful, serene place. I�m always happy there.�

MR-�It is. It�s beautiful. Nice people.�

TW-�Yea.�

GB-�They�re like the nicest people in the world.�

MR-�Great people.�

GB-�They think we�re insane.�

MR-�Great coffee!�
GB-�Ok this is a famous scene in the history of Smallville, in my opinion.�

MR-�Why is that?�

GB-�It�s the first, there was a kiss in Nicodemus, but this is like the second ever Clark-Lana kiss and this is a good one.�

TW-�Marshall�s episode: Nicodemus.�

GB-�But Kristin, what happened in this scene?�

KK-�Hmm? Oh Tom spilt coffee all over me and kept hurting himself. He was a little klutzy.�

MR-�Oh yea that was in the gag reel. They actually have a take of that right?�

KK-�Yea.�

GB-�So it wasn�t like as sexy off-screen?�

KK-�It really wasn�t.�

TW (in a sad voice)-�Kristin?�

KK-�I�m sorry Tom.�

MR-�How�s Tom�s breath Kristin? Kristin, did Tom have decent breath? The fans want to know!�

KK-�Yes.�

MR-�Was it minty? Was it minty fresh?�

(KK and GB laughing)

GB-�Any self-respecting actor would take one of those Listerine strips before a kiss scene, wouldn�t they?�

MR-�I eat a bowl of sardines.�

GB-�And your kisses have dropped way off as the seasons progress, I hope you noticed�Guys this is a good kiss.�

MR-�It is nice, look at that. I�m just�excuse me��

GB-�As professional actors I am impressed.�

MR-�Big screen.�

GB-�I know. Nice close-up. The Smallville close-up is a super close-up.�

MR-�That was a good kiss.�

JM-�I wish I�d directed that kiss.�

GB-"Kristin, what was Lana thinking here?"

KK-"I don't know how much she was thinking."

GB-"She was just, like her knees were jelly?"

KK-"Think so..."

GB-"Red Kryptonite. Introduced for the first time ever."

MR-"Wow."

GB-"In the first darft of this script there was a scene where there was a bulldozer pulling Kryptonite out of the groundand there was commentary about the Red Kryptonite and we sorta made a bigger deal out of it, but we couldn't really fit that into the schedule so we just assumer the fans would go with it and accept the Red Kryptonite."

MR-"They're smart fans."

MR-"..uncomfortable silence.."

TW-"See this is, I would've wished Allison and Sam were here for this, cause then they would be able to-"

GB-"Talk about it?"

TW-"They would've been fun for this."

MR-"Yeah."

GB-"The torch."

TW-"She's engaged."

GB-"This is where the exposition comes out."

TW-"See I don't even know what this scene is about so..."

GB-"This scene is about why is Clark acting weird? And where Chloe brings into the picture that Red Kryptonite is the source and Sam starts to figure it out."

TW-"Oh and she's saying that the rings are fake."

GB-"That the rings are fake, it was suppose to be garnets, instead it's cheap, worthless meteor rocks. But Sam puts two and two together, goes back to the Kent farm-"

MR-"With four."

GB-"We film all of the establishing shots at the end of season one."

MR-"By the way, Sam's strong. I just wanna through that in, cause there's not enough Sam, we're not talking about Sam enough. But, uh, he was taking a korate class, remember Tom? And he use to come over after his class and SHOW me what he had learner."

TW-"And the Jujutsu."

MR-"JUJUTSU! Bust my ass every day. And I'm like 'What are you doing?" 'Let me just show you this. Let me just...', put me in these headlocks. And I'm like 'Get off me!'"

TW-"'If you every wanna dislocate someone's shoulder just do this-"

MR-"Yeah he would just thorugh these massive moves on us."

TW-"-here give me your arm...No actually Sam, I love working with Sma. He, his energy, coming into a room and doing his scene, he really works hard. He's like a powerhouse. He's like an explosion waiting to happen."

GB-"Now Clark and Lex."

Mr-"Yeah we always have a good time right Tommy?"

TW-"Well you know, when you working with a Saturn Award winner..."

MR-"Hey you were nominated for some award."

GB-"Now also Lex notices Clark odd wardrobe."

MR makes weird noise

KK laughs

TR-No, it always is a, I think the Clark and Lex relationship, I think is actually very powerful because it is, well written first of all and I think Michael, you do and extraordinary good job of, with this character, keeping him right on that line of-"

MR-"I like this you say, 'I wanna rock your (he meant 'her') world'. We like a little, through a little...We were like laughing on that."

GB-"Wait, this, this scene has, to me, one of the most world famous Clark-Lex line which is..."

MR-"What's that?"

GB-"It's commign right up. He says 'Clark Kent and Lex Luthor, I like the sound of that."

MR-"Oh that's later."

GB-"That's later?"

MR-�Yeah I think that�s later. But yeah, you know there is that, always play around I think now, 3^rd season, we�re always kind of, all of us are kind of playing more you know? So it�s a lot more fun.�

GB-�What is going on with Clark and Lex?�

MR-�I don�t know, a lot of the fans�I�ve seen some of those things, explain that.�

TW (in a gay voice)-�What�s their secret?�

MR-�Was is the �Clex� thing? Is that what�s happening? I�ve heard that, I�m telling you, Al told me that.�

GB-�There�s an energy between Clark and Lex and maybe that uh-�

MR-�Like big brother, little brother, is that what you�re talking about?�

TW-�The homoerotic undertones of their relationship are just-�

GB-�I�m talking about maybe the fact that Clark rejected Lex is what made Lex go evil in the long run.�

MR-�I don�t know.�

GB-�We don�t know.�

MR-�We don�t know that.�

TW to KK-�That�s you isn�t it? That wasn�t you? (laughs) I thought that was you.�

GB-�This is a local bar, in Vancouver. And look at this, now Clark has gone really bad.�

TW-�This was a fun scene. This is a fun scene to do cause normally Clark has to be, you know, reserved and watch out for everybody and this one, you�ll see at the end, it turns into a stunt sequence. Clark could just really have fun with his abilities and just throw people around. And I think uh, added the Lana tension here with this other girl, I think it was a really cool scene. It was fun to do, it was fun to act.�

GB-�Cause now at this point the Red Kryptonite has gotten enough of a hold on you that you�re pretty much fully bad now.�

TW-�You know, I don�t prefer the word �bad� actually. I prefer, like seriously, cause he�s not bad, he�s not out to hurt anyone he�s not um, he�s not trying to hurt anyone. He�s just doing what he feels he wants to do and not worried about the consequences.�

GB-�I love this moment where each girl has one of this arms and they�re pulling him in two different directions.�

TW-�We spent a lot of time on this scene, the blocking of it even to really work out these moments.�

MR-�Did you guys kiss? Oh.�

GB-�Almost.�

TW-�The bartender? No I didn�t kiss the bartender.�

MR-�Oh thank God. Matt Dillon.�

GB-�That�s that bad deputy who�s chillen around.�

MR-�A lot of time, uh, in fact every time you�re filming a scene like this, there�s actually no music, no one�s talking. So sometimes the director will say �Talk really loud like there�s music.� Then you talk really loud like an idiot and then there�s very little music.�

GB-�It�s important to do that. Well the louder you talk, the more music we can put in.�

GB-�I love this scene. We had just introduced heat vision the previous episode. This was like the next time it got used.�

MR-�That was cool.�

GB-�That�s the moment. We did a lot of takes of that didn�t we, Tom? And uh-�

TW-�Yes we did.�

GB-�And it was like more, more, more and when Tom got to that, I think that�s the best moment in the episode, willing to find �dark Clark�.�

MR-�Very Gary [Oldman].�

TW-�yeah we talked about that moment a lot actually, Beeman. I remember talking to you about that.�

GB-�This is again, I think, a very strong scene.�

TW-�This scene got dangerous towards the end as I pulled away even. With John ended up behind the car.�

MR-�Didn�t you like swerve away and you went a little out of control?�

TW-�They said �ok we just want you to pull away here at the end, you know, with the camera movie, we won�t be able to tell how fast you�re going.� And I simply dropped the clutch and took off and it shot rocks all over him.�

GB-�You look good in the sun glasses Clark.�

TW-�They stayed right in there though.�

GB-�Everyone is brave on this show, Kristin is brave, Schneider and Annette are brave, everyone will do their own stunts and be there for like pretty challenging things.�

GB-�Tom you did a great job of modulating this performance. It�s really like every scene is progressively more than the scene that was before it.�

TW-�Thanks. We spent a lot of time talking about the build in the character. And how like you said earlier, that the Kryptonite was, the Red Kryptonite was like a drug and it slowly becomes more and more power and I think it was important to show that.�

TW-�That noise you hear is Marshall going for the food.�

GB laughs

MR-�Always. We�re use to that noise.�

GB-�Schneider plays this character so well, he�s uh, it�s something else that I love about our show is that the parents are strong and smart and uh, generally respected by the kid like this�.that�s the moment you�re talking abut Tom?�

TW-�Yeah.�

TW-�Lex playing Solitaire on his computer again.�

MR-�This is a fun scene.�

GB-�And Tom finally gets to wear Gucci.�

MR-�Good for him.�

GB-�He looks good in it. You get to wear Versachi <sp> all the time and Tom never gets to, he gets to wear plaid.�

MR-�I wanna wear red shirts and plaid.�

MR laughs-�Jesse!�

GB-�You never know what Lex is thinking.�

MR-�Do you not?�

GB-�No. That�s the good thing.�

MR-�Thanks that�s cool.�

TW-�Kristin can you imagine if it�s just you and I sitting here?�

KK-�No.�

TW-�We probably would�ve left already. Marshall�s keeping us here.�

MR-�Where is Marshall, is he not speaking?�

TW-�Oh he�s right here, rubbing up against the microphone.�

GB-�James Marshall had nothing to do with this episode.�

TW-�I think, I think we should include Marshall in this commentary to tell you the truth. Help bring things up.�

MR-�This is Beeman�s favorite line. This is, I think Tom says it.�

GB-�Yea Tom says it.�

TW-�What is it?�

GB-�Listen.�

TW-�I got no voice man.�

GB-�Listen.�

TW-�Can you guys hear what I�m saying cause I can�t?�

MR-�You can�t?�

GB-�Yeah you say, �Clark Klent and Lex Luthor, I like the sound of that.��

MR-�I don�t know if he says �Clark Klent.��

Everyone cracking up.

TW-�Oh see, now we get the sound. Ok, this helps. You guys have been listening to sound this whole time?�

GB and MR-�Yeah.�

TW-�Oh we haven�t. It�s been dead.�

GB-�Well it�s very soft.�

MR-�It�s been very �drop at ease.��

GB-�Kristin-�

KK-�Yes?�

GB-�-what does Lana do at the Talon all day?�

KK-�What does Lana do at the Talon all day? She serves coffee and does bills, and bakes in the back.�

GB-�The trick to the Talon, on a clocking level, is to get-�

TW-�And gets her studying done as well.�

GB-�-Lana moving.�

MR-�I�m not so sure about Allison�s shirt.�

GB-�Allison gets all the good words.�

MR (in a gay voice)-�Look at the colors of the salt shakers for God�s sake. They got all these super colors.�

GB-�The Talon is a beautiful set. It�s painted in a gold paint.�

MR-�It is?�

GB-�Yes, it�s very reflective.�

MR-�It�s changed a lot hasn�t it?�

GB-�It evolved.�

MR-��moving around.�

GB-�Well with every single one of our set, we get them up and  then we sort of look at them, see them on film, we change them.�

MR-�Well we were on location remember, for the first Talon. Where was that at? What was is called? The Dippidy Do, what was it called Tom?�

KK to TW-�Michael just asked you something.�

MR-�I was talking to you.�

TW-�Oh, what did you say Michael? I had my headphones off.�

MR-�Where was the uh, other uh, it doesn�t even matter.�

TW-�Ohhh!�

GB laughs-�I was called the Coffee Bean. That was the location.�

GB-�This is a set, believe it or not guys. It�s a huge, gigantic, one of the biggest sets I�ve ever been on.�

TW talking like a hobbit from The Lord of the Rings.

MR laughs-�That�s pretty good dude�Is that Tom?�

KK-�Yeah Tom�s really good at that.�

MR-�Holy shiznizzle.�

GB-�Welling I had no idea you could do that.�

TW-�That was Kristin.�

MR-�That�s the first great impression I�ve heard you do.�

TW-�That�s Kristin, what are you talking about?�

MR-�No.�

GB-�Welling does and awesome Keanu Reeves.�

TW-�I know.�

MR-�Who�s his teacher on that one?�

TW-�My, no, my teacher is, actually�Michael Rosenbaum. Michael Rosenbaum has enlightened my life to all these different, the, the uh Christopher [Walken], the um, �Hey, Keanu Reeves, yea.��

GB laughs

MR-�Oh, we have a good time, we have a god time.�

TW-�Michael�s amazing, you know people don�t understand is how good Michael Rosenbaum is at playing Lex because he is absolutely nothing like Lex Luthor in real life.�

MR-�You�re such an idiot.�

TW-�He�s so, he�s so good at transforming into that role.�

MR-�Ahh thanks Tom.�

GB-�Normally Clark has to keep his guard up when working with Lionel, but with Red Kryptonite and the fact��

MR-�I like this scene, this is cool.�

GB-�This is a great scene!

MR-�Yea�Tom really looks like a Thespian in this one doesn�t he?�