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I. FUNDAMENTALS OF MUSIC
20%

A. Basic Elements of Music

1.Melody

2.Rhythm

3.Harmony

B. Instruments of Country Music

1. Fiddle

2. Banjo

3. Guitar

4. Pedal steel

5. Additional instruments

C. Performance Practices

1. Vocal styles

2. Instrumental styles/distinctions

D. Form in Music

1. Themes versus motives

2. Blues form

3. Ballad form

4. Lyric songs

5. 32-bar song form

6. Instrumental forms

E. Sociological Background of Country Music: Elements Defining Its Popularity and Development

1. Geography

2. Economy

3. Industrialization

4. Prohibition

5. Sociological "posturing"

 
II. HISTORICAL BACKGROUND
20%

A. Anglo-American Folk Music

1. Origins and instruments

2. Geography of the mountain South

3.  Folk music and its role in society; EXAMPLE: "The House Carpenter," Mrs. Texas Gladden*

4. Elements of isolation

B. Musical Forms

1. Instrumental styles; EXAMPLE: "Sallie Gooden","Eck Robertson*

2. Vocal styles

C. Early American Musical Influences and Social Rules

1. Traveling shows, vaudeville, and minstrelsy

D. Specific Musical Influences of External Styles

1. Minstrelsy

2. Jazz

3. Popular song

4. Religious music

5. Dance music

6. Skits and "acts"

E. Influence of African-American Music on Early Country

1. Racial mixing in the southern mountain states

2. Musical cross-referencing; EXAMPLE: “Eighteen Hammers,” Johnny Lee Moore and 12 Penitentiary Convicts*

3. Use of blues in early country

4. Banjo styles of minstrelsy

5. Guitar playing styles: Maybelle Carter

6. Vocal styles

7. Ragtime

 
III. COUNTRY MUSIC: 1920's TO THE PRESENT
60%

A. 1920s: America Discovers Hillbilly Music

1. Atlanta, 1923: The journey begins

2. Bristol, 1927: Second gear; EXAMPLE: “Single Girl, Married Girl,” The Carter Family*; EXAMPLE: “Waiting for a Train,” Jimmie Rodgers*      

3. Early radio, publishing, and self-promotion

4. The emerging hillbilly performer

B. 1930s: New Sounds from the West

1. Reinventing the American folk hero: the cowboy; EXAMPLE: “A Cowboy Has to Sing,” Roy Rogers and the Sons of the Pioneers*

2. The western music scene in Los Angeles: The Great Migration

3. Western swing: Dance music in the Southwest; EXAMPLE: “New San Antonio Rose,” Bob Wills and his Texas Playboys*

C. 1940s: Country Goes National

1. Effects of WWII on country music

2. Acuff-Rose publications

3. Themes in 40s-style country

4. The country music boom period: 1946–1953

5. Instrumental-based music: bluegrass; EXAMPLE: “Bluegrass Breakdown,” Bill Monroe and his Blue Grass Boys*

6. The first "king" of country: Hank Williams, Sr.; EXAMPLE: “Lovesick Blues,” Hank Williams, Sr.*

D. 1950s: Musical Revolutions in Memphis and Nashville

1. Setting the stage for a change: Rockabilly; Johnny Cash; EXAMPLE: “I Walk the Line,” Johnny Cash*

2. The Nashville Sound; EXAMPLE: “Walkin’ After Midnight,” Patsy Cline*

E. The 1960s: Generation Gaps and Social Changes

1. The country "situation"; EXAMPLE: “Excuse Me (I Think I've Got a Heartache),” Buck Owens*

F. The 1970s and Beyond

1. Country Rock: Hybrids, both soft and hard; EXAMPLE*: “Still Feeling Blue,” Gram Parsons

2. New trends in country

3. Influences of old and new, drawing together from many generations; EXAMPLE: “Our Town,” Iris Dement*

*NOTE: The 14 recordings that are noted as "EXAMPLES" in the above outline will be included on the USAD Music CD.

 

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