History Of Okinawan And Goju-Ryu In America

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Okinawan Goju-Ryu Karate is unique in the world of martial arts. Okinawan Goju-Ryu Karate is very well defined in its history and lineage from the Chinese Kempo master Ryu Ryu Ko to Kanryo Higashionna (1853-1915) the founder of Naha-te, to his successor and most devoted student Chojun Miyagi (1888-1953), the founder of Goju-Ryu Karate and to the accepted head of Goju-Ryu in the world today, Ei'ichi Miyazato (1928-present). Because of Okinawan Goju-Ryu's 400 years of traceable, unbroken history, in 1998 the Dai Nippon Butokukai, the society that governs all Japanese and Okinawan martial arts in Japan, recognized Okinawa Goju-Ryu as the ONLY form of Karate, Japanese or Okinawan, as an ancient martial art. Putting Goju-Ryu alongside other Japanese arts like jujutsu and kenjutsu, which have lineages of over 900 years, is a huge accomplishment. Secondly, since Karate is Okinawan by birth, makes such an honour by Japanese society that much more impressive.
Goju-Ryu's history is a culmination of the native "te" arts of Okinawa which date back over 1000 years, the introduction of Chinese kempo into the Okinawan te arts in around 1372 and the direct study by Higaonna Sensei and Miyagi Sensei in China. Since Okinawa was an annexed tributary state of China until the last part of the 19th century, hundreds of envoys and delegations were sent to Okinawa. This rapidly increased the spread of Chinese arts into the Okinawan culture. In 1477, King Sho Shin proclaimed a ban on all weapons by peasants and nobility alike. This ban was an attempt to put down any rebellious activities and secure his rule of Ryukyu. In addition, he ordered all members of nobility to live within the confines of Shuri Castle where he could keep an eye on any potential throne seekers. Except by the palace nobility, this began the secret practice of the martial arts, both empty handed and weapons, by the common people in Okinawa. The Satsuma Samurai Clan, after being exiled from Japan, invaded Okinawa and stormed Shuri Castle. Okinawa became a puppet state of the Satsuma Clan but kept a false loyalty with the Chinese Emperor. It is a misconception that the Okinawans and the Japanese Samurai battled each other. The Samurai depended on the Okinawans for food, labour and other goods. Therefore, they protected the Okinawans from bandits, piracy, looting, etc. and in return the Okinawans gave a form of devotion and loyalty.


The abolishment of the Samurai class wearing the sword and top-knot, marked by the downfall of the Tokugawa Shogunate and the beginning of the Mejii Restoration Era in 1868, brought Japan and Okinawa out of the age of feudalism and in to "democracy". The Mejii Era focused on promoting education and etiquette to increase morality, nationalism and Japaneseness. The new society eagerly endorsed sports and recreation to advance these new virtues and modern martial arts were born. The secret practices of Ryukyu Kempo (toudi-jutsu) was no longer necessary and began to emerge openly as a part of the Okinawan culture. Demonstrations for the Royalty of Okinawa and Japan helped bring about an acceptance by the Japanese people. After the turn of this century, Okinawan Karate began to mould in accordance with Japanese society. This helped ensure its acceptance by the influential Japanese martial society and secure Karate's continued practice and growth. Karate was introduced into the school systems in Okinawa and underwent some radical innovations with the emphasis shifting from self-defence to physical fitness. The more dangerous moves and their applications were taken out and thus began a new tradition. This radical change represented the end of what was once a complex and lethal form of self-defence. Originally, the ideograms for Karate meant "China Hand", with the first character pronounced "tou" or "kara" representing China's Tang dynasty(618-907). This serves to show the strong ties that Okinawa had with China. 1905 was the first time the present character for "kara" was used. It means "empty" or "void", but not in the sense of a weapon oless art as most intend. Here in, kara comes to represent a deeper, spiritual embodiment of more than just the physical aspect of martial arts training. Through diligent physical, mental and moral development, the Karate practitioner is unlimited or "void of limits" in their abilities to accomplish the most difficult of tasks. The same suffix "-do", as used in judo, kendo, aikido and other arts means "way" or "path". The new suffix replaced the old one, "-jutsu" meaning science or art, making Karate-Do another avenue by which the Japanese could teach and spread harmony. An attempt to organize all Okinawan Karate styles into a single collaboration under Japanese auspices was interrupted by WWII. Most of the Shuri-te and Tomari-te schools(Shoryn-Ryu) had begun the transition, but Goju-Ryu had not been affected by the disintergration and re-organization process. There are many schools of Karate in the world today, all of which can trace their roots back to Okinawa. However, originally there existed only three styles, each of which was named after the city or region in which it evolved. These are Tomari-te, Shuri-te and Naha-te. The Tomari-te and Shuri-te styles unified to become known as Shorin-Ryu, which has splintered into scores of other styles including Shotokan, Wado-Ryu, Isshin-Ryu, Kiyoshinkai, TaeKwonDo and TangSooDo. Naha-te has remained in its purest form and became known as Goju-Ryu. Kata of are the backbone of Okinawan Karate. It is through KATA that a style breathes the lives and history of its past into the modern practitioner. The naming of Goju-Ryu came more by accident than by intention. Shinzato Jin'an, who was Miyagi's senior student in 1930, gave a public demonstration while in Japan. When asked what this unique style of self-defence was called, he could not answer as there was no need to define self-defence into styles as the Japanese had done for centuries. Upon his return to Okinawa, he discussed with Miyagi what had transpired and Miyagi decided it was necessary to have a name for his art in order to cooperate with other Japanese martial arts and to identify his unique style. He was the first of the Okinawan masters to name his art. Although he named his art Goju-Ryu, he seldom used the name nor did he raise any signs using it. "Go" means hard and "Ju" means soft. Though there are much deeper meanings, Goju-Ryu literally means the "Hard and Soft School".

The history of Goju Ryu can be traced back to a man named Master Kanryo Higashionna, approx 1840-1910, known as the "Fist Saint of Naha". Naha city in Okinawa was thriving with martial arts activity in the 1850's. Along with practitioners from the towns of tomari and Shuri, the Naha karatekas were laying the groundwork for the development of modern karate-do and kobudo (weaponry). But although Higashionna began his training here, the true seeds of Goju were not planted in Okinawa but in China.

Kanryo Higashionna went to China and studied there under a man by the name of Master Woo (Ruin Japanese), who was a practitioner of Chinese boxing. Higashionna trained under Master Woo for approximately 15 to 20 years. On his return to Okinawa he combined his native fighting system with the Chinese system and became the father of Naha-te (Fist of Naha). It didn't take long before his fame spread throughout the island and students started to come to him for tuition. Among them was a student by the name of Chojun Miyagi.



Chojun Miyagi was born in Naha as the son of a wealthy businessman on April 25, 1888. Miyagi began his study in karate at the age of nine or eleven. In his early teens he became the student of Master Kanryo Higashionna. Under the tutelage of his Master, Miyagi underwent a very long and arduous period of training. After the death of Master Kanryo Higashionna, Miyagi travelled to the Fukien Province in China as his teacher had done before him. In China he studied the shaolin and pa kua forms of Chinese Boxing. From the blending of these systems, -one the hard/external form of shaolin, the other the soft circular/internal form of pa kua and his native Naha-te a new system emerged. However, it was not until 1929 that Chojun Miyagi named the system Goju Ryu, meaning hard soft style. The name was inspired by the `eight precepts' of traditional Chinese Boxing, quote: Everything in the universe breathes out (hard) and in (soft) ... etc. After some years in China, Chojun Miyagi returned to Naha where he opened a dojo (training hall). He taught for many years, and even though Miyagi's reputation as a karate man was enormous, his greatest achievements lie in the organization of karate teaching methods. He introduced karate into schools and other fields of society. He developed Kata Sanchin - the hard aspect of Goju, and created Kata Tensho - the soft aspect. These kata's are considered to be the essence of the Goju style. Chojun Miyagi was a man of extremely mild temperament and it is said that he was a very humble man. He lived according to the principles of Martial Art's, that of none violence. Master Miyagi died on Okinawa on October 8, 1953.

Gogen Yamaguchi was born on January 20, 1909, in Kagoshima city on southern Kyushu. Already as a youngster he showed great interest in the Martial Arts. During his early school days he trained kendo, (Japanese fencing) and it was during this time that he started his karate training under the tutelage of Mr. Maruta, a carpenter from Okinawa. Mr. Maruta who was a Goju practitioner was drawn to the young Yamaguchi's serious attitude and his willingness to train hard. Mr Maruta taught Yamaguchi all he knew about the Goju system.

During his college days as a law student, Yamaguchi established his first karate club at the Ritsumeikan University in Kyoto. Soon the dojo became famous in the city, known for it's hard training and fierce breathing exercise. In those days karate men practised only kata (formal movements) and yakusoku kumite (prearranged sparring) and were unable to have matches between each other since they did not hold back their techniques. It was during this period that Yamaguchi created the first stages towards what is known as jyu kumite (free fighting) and established rules to decide the winner of a match. Some of the rules are still in use today in what is known as sport or competition karate.

In 1931, at the age of 22, Gogen Yamaguchi was introduced to the founder of the Goju style, - Master Chojun Miyagi. This meeting proved to have a profound affect upon Yamaguchi's outlook on karate. Previously he had only considered the hard aspect of Goju but after his meeting with Master Miyagi he was determined to train himself spiritually as well as physically. Master Miyagi thought highly of Yamaguchi who seemed to have mastered the hard aspect of Goju so well and gave him the nickname Gogen, meaning `Rough'. He then appointed Gogen Yamaguchi as his successor of the Goju school in Japan.

During the years to follow Gogen Yamaguchi often spent long stays at Mount Kurama where he subjected himself to ascetic exercises and hard training with sanchin, meditation and fasting. Between 1938-1945 he was sent to Manchuria on government and military assignments. On several occasions during his stay there, he could thank his skills in karate and his mental training that he stayed alive. During the Japanese-Russian war -45 Yamaguchi was taken prisoner of war and sent to a prison camp in Mongolia. He was kept there under harsh conditions for two years. Once again his strength and skill were severely put to the test. During all these years he still continued to train and develop Goju-karate.

After his release and return to Japan, Yamaguchi became one of the most exciting figures in karate history. Known throughout the world as the `cat' because of his grace and speed in movement and because of his favourite fighting stance which is called neko ashi dachi (cat stance).


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