Initially, the Apollo project required unusually high levels of internal secrecy and of specially focused publicity. In order to succeed, global black ops had again to consult their true masters - the sundry groups of secret cabals that long had exerted influence in controlling Earth�s high finances and its various governments. The mass media had to be prevented from delving into the �right places� and destroying this very expensive cover-up. Essential government departments and their allied agencies, which were involved in the Apollo project, needed to be kept from taking part in any sudden �independent investigations�. A manufactured �united front� such as this was needed to carry out the massive cover-up successfully. Thus, at all times. Apollo had to create the outward appearance of being non-military. According to this fiction, Apollo was simply a fact-finding scientific expedition to our closest neighbor - the Moon. On the contrary, Apollo was actually global black- ops� mission to show the dark �aliens� our secret trump card, thereby gaining much-needed concessions from them.
For Apollo to reach the Moon, global black ops employed some of its back-engineered alien technology, which was expressly designed to assist Apollo in successfully landing on the Moon and returning to Earth. This equipment was also able to protect the three-man crew from any dangerous radiation they encountered while in Earth-Moon space. Global black ops deeply believed that both good and bad aliens would closely watch over Apollo�s many voyages to the Moon. Therefore, they developed a specific code to communicate important facts to ground control. But this code had a second, more sinister intent - to keep the public from knowing what was really happening to Apollo. For example, on one flight, UFOs were identified as �Santa Claus� and, during a Christmas circumnavigation of the Moon, one astronaut stated, �There really is a Santa Claus�. According to the code, he meant that many alien observational craft (or UFOs) surrounded Apollo. Many other �tricks� were involved in carrying out this elaborate cover-up.
A Trip to the Moon
Each manned Apollo mission to the Moon was carried out as a three-part project. First, the actual Apollo crew and their immediate equipment. Second. the constant series of secret television studio work that was needed to convey the image of a dark, foreboding and airless Moon. Lastly, the post-flight photo shoots that provided much-needed �doctored� lunar photographs. As mentioned earlier, these photographs were meticulously produced to keep the Apollo cover-up going. A series of global black ops �producers� and their large crews wove all of these elements together. These producers had direct access to the Apollo mission and to its major ground stations, including Apollo mission control centers in Texas and Florida. Every aspect was followed according to a pm-arranged script. The ill-fated Apollo 13 mission was the only exception. However, Apollo 13�s difficulties were due, not to an exploding fuel cell, but to carrying an illegal cargo, consisting of a small plutonium bomb, to the Moon.
This mission was cut short by the rapid, well-placed burst from a particle beam weapon carried onboard a trailing UFO craft. The true secret agenda of global black ops had been duly discovered and thwarted. Global black ops intended to send such �devices� to the Moon and use them to gain additional concessions from their dark off-world allies. Global black ops also used incidents such as these to illustrate one crucial point to their dark allies.
