| Greek Classicism: P. 3 | |||||||||||||||
| The Golden Mean | |||||||||||||||
| The Order in Nature: The Golden Mean Greek Philosophers (except Socrates) studied nature, contemplated the nature of being, of existence. Nature was seen as filled with mathematical ratios; of proportions that conformed to THE GOLDEN MEAN. Parts of our bodies also can be seen to contain this proportion, the ratio of 1: phi (1.618). It is these proportions that were essential to the Classical Greek ideal of aesthetics as well as to the ideal of how to live together in moderation. This ration was used in the construction of the Parthenon and buildings constructed throughout the succeeding centuries. It was also used to determine the ideal proportions of statuary. Golden Mean or Golden Section, golden mean or golden section - A proportional relation (ratio) obtained by dividing a line so that the shorter part is to the longer part as the longer part is to the whole. Another way to describe this: a proportion between the two dimensions of a plane figure or the two divisions of a line, in which the ratio of the smaller to the larger is the same as the ratio of the larger to the whole: a ratio of approximately 0.618 (phi) to 1.0. |
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| From ArtLex | |||||||||||||||
| "The Golden Mean produces a harmonic effect called eurythmy found in nature as well as in a wide variety of works of art and design. Artists of various periods and cultures have found that dimensions determined by this formula are aesthetically appealing." | |||||||||||||||
| P. 4. The Golden Mean in Architecture: The Parthenon | |||||||||||||||