| African Tribal Art: Power and Focus | ||||||||||||
| P. 2 | ||||||||||||
| AFRICAN ART has two complimentary areas of focus: The village: The place of women and things associated with them. The wilderness which is linked with male activities of hunting and connecting with the sprit world for the benefit of the community. These areas of tribal life are complimentary in a special way: Masks with animal features are the visible faces of male spirits. Masks with human features are the visible faces of female spirits. African religion asserts that humans can influence, manipulate the spirit world for good of the human world. In a mask there is the power of an animal, of the spirit of an ancestor. The well being of an entire group of people is invoked during masked rituals. Making the invisible visible. Masks are used in ceremonies and rituals as part of a full body dress. The full accumulation of the power of masks is brought out in ceremonies, drama, music and dance. Many people are required to complete a masked costumes. An entire village participates in the preparation of and staging of a ceremony. Western societies put art into museums. African art, even when it is functional, is always connected to spiritual concerns. |
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| Headrest from the Benin People, Nigeria. Carved wood with metal studs: Used to protect an elaborate hairdo or headdress. Q. What artistic qualities do you see? Examine the elements, lines, curves, surface texture, form. |
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| P. 3: African Tribal Art: The Benin Kingdom | ||||||||||||