| African Tribal Art: The Benin Kingdom | |||||||||||||
| P.3 | |||||||||||||
| The Benin Kingdom: Art, Power, Divinity In the Benin kingdom was a divine ruler (an OBA) who was therefore given special treatment. The Oba dominated almost all events and issues of society, religion, and political concerns. Benin art was created to preserve the kingdom and the Oba. Benin portrait heads were of brass or bronze because these materials would not rot or deteriorate, thus preserving the visible symbol of ancestor worship. Deceased fathers were continuously honored on special altars. They were called upon in times of celebration and times of joy for advice, blessings, help. Without the blessing of the honored fathers the culture could not endure. Q. Is there any similarity between the Benin practices and the way we treat our ancestors today? |
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| Left: Royal Benin Portrait 1750-1850. 21" high. This type of regal portrait was originally placed on Benin shrines next to other objects of the Oba. Queen mothers (Iye Oba) were revered in metal portraits because they provided continuity of the royal lineage. The mother of the King was ranked as a high chief and was consulted by the Oba in matters related to leadership. The entwined neck ornament is characteristic. Q. What animal "signature" element do you see? |
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| Right: An ancestral shrine in an Oba's house with Benin portrait heads on the altar. | |||||||||||||
| P. 4: African Tribal Art: The Artist | |||||||||||||