kajira positions
Bara :

A slave lays on her belly and presses her head to the ground, crosses her ankles, crosses and places her wrists in the small of her back, and waits motionless to be bound
Belly:

A slave lays on her belly, parts her legs, shoulder-width apart, laying her arms by her sides, palms up, and her forehead to the ground then crawls to Master's feet, continuing to remain on her belly.
Bracelets:

A slave kneels, thighs spread wide, and her back arched, and extends her arms before her, wrists together in preparation for being bound, and head held high, eyes lowered in submission. (A Master may require the wrists behind the back.)
Bracelet High:

This position is also used to put on slave bracelets for chaining a slave. She stands with feet a shoulder width apart, turning her hips out a bit to the left, her body straight and erect, holding her head high with eyes lowered submissively, her arms out before her with wrists pressed together... ready for binding.
Collar (kolar):

slave kneels, leaning back on her heels, her arms extended, wrists crossed, her head between them, down. (also known as Position of female submission)
Crawl:

A slave drops to all fours, her forearms flat on the ground, and lowers her head so that it is slightly above, but not touching, the ground, and raising her rask high; she then crawls to the Master placing her head next to His boots.
display:

A slave stands with her feet shoulder width apart, shoulders back, head high with her eyes cast downwards to the ground. Her chest is out, hands laced behind her neck.
Gorean bow:

(This position is very painful to maintain for longer than 5 min) A slave kneels, thighs spread wide, leaning over backwards their head to the floor; she/he then places their hands by their head, he/she then pulls themselves up, arching their back, exposing their heat and breasts for the Master's enjoyment.
gorean sex:

slave moves to their hands and knees, their legs parted widely, their head straight, she remains motionless waiting for the Masters command and pleasure.
Hair:

Slave stands up and bends at the waist flinging their hair over their shoulders and letting it hang down over their head. They move their hands to behind their back and crosses their wrists, their feet are placed shoulder width apart. They then turn to Master and offer their hair for his use or to be led around by.
Heel:

A slave kneels just behind their Master's left foot; as He moves, a slave remains just behind His foot, but never come in contact with it at any time.
Karta:

A slave kneels on the ground, their thighs spread wide (to allow them to lay their chest upon the floor), for the Master's viewing pleasure, leans forward and places their breasts and forehead against the ground, arms fully extended and palms against ground, crossing their ankles A slight variation on this is the "suga", which involves the slave crossing their wrists instead of placing their palms on the ground.
Kneeling whipping position:

A slave kneels, thighs together, head to the floor. Their face turns slightly to the left with their arms crossed across their chest with fingers resting upon their shoulders. Their hair is pulled over their left shoulder baring their back for punishment.
Leading position:

A slave approaches their Master's side and bends at the waist, gathering up their hair to present to their Master, so He may lead their by the hair. (note:if Master/Mistress is right handed go to his/her right side.. if left handed go to his/her left.)
Lesha:

A slave kneels with their back to their Master; their thighs spread wide, they�re back arched. She crosses their wrist in the small of their back, holding their shoulders straight. She holds their head high turning it to the left, eyes lowered in submission. ready for the leash.
Lesha, High:

A slave stands, their back to their Master, placing their feet shoulder-width apart, their wrists crossed at the small of their back, holding their head high, turning it to their left, lips slightly parted and eyes lowered in submission and awaits His leash.
Nadu:

A slave kneels with their thighs spread wide for Masters pleasure, arching their back slightly bringing their shoulders back, lifting their breasts high, head held high and eyes lowered in submission, their hands flutter lay palms-up on their thighs. This is the position of a pleasure silk. (unrestricted: palms up... restricted: palms down)
Obedience:

A slave lies on their belly face down before the Master and places their chin on their Master's feet kissing them lightly.
Prostrate:

This is used when waiting to enter a room. She kneels and touches their forehead to the floor stretching their arms out before them with palms face down and fingers spread.
Run:

A slave runs toward their goal, taking small rapid steps, their legs almost straight, their feet barely leaving the ground. As she runs, their back is straight, their head is turned to the left, their arms are at their sides with palms facing outward at a 45 degree angle. Upon reaching their goal, she drops gracefully to their knees and assumes the position of Nadu.
serar:

With this position you would drape your body over the legs of your Master, who would be seated. If you are able, keep your hands and feet planted firmly to the floor on each side, raising your posterior, giving complete access to your Master. The important part of this position is that your derriere is in such a position that it becomes easily accessible to the Master, for discipline purposes, or training your posterior opening for other purposes.
She-sleen:

A slave gets down on their knees and elbows, clasping their hands over their head, and raising their hips; she then parts their thighs and arches their back, forcing their hips even higher, exposing themselves completely to Master's view; they ready themselves to be beaten or taken sexually like an animal, depending on their Master's whim.
Slaver's Kiss:

A slave drops to their hands and knees, their forehead lowered to the ground their hips raised high. She spreads her thighs wide, exposing their slave heat for their Master's pleasure. Master then touches with a slave whip, watching her reaction.
Slave Lips:

slave moves over to Master and kneels down with her knees spread wide apart. Their hands drift slowly behind their back and cross at the small of their back as they arche their back a bit. their shoulders are pulled back as they offer their breast to the Masters touch. their head is tilted back and her lips presses together for a kiss. They hold this position and do not speak until they are released from this with a Kiss from Master.
stand:

slave stands their body erect shoulders back, chest thrust forward, belly in, she turns their hip out a bit, their hands are at their sides, she points one foot, head up and eyes lowered, she stands beautifully as a kajira, their head high and eyes lowered.
standing bracelets
slave stands beautifully as a slave girl, their hips turned, back erect, wrists behind back or front  and crossed, head left, ready to be bound.
Submission:

A slave kneels, bending at the waist and placing their cheek to the ground, then takes their Master's right foot and places it upon their neck, and their arms behind their back with their wrists crossed. A slave might assume this position if she has displeased their Master, as it shows total and complete submission, His foot on their neck showing that she offers Him even their life freely.
suga:

This is very similar to Kar-ta but in this their wrists are crossed. She kneels, knees wide apart and lays their head to the floor, forehead down and arms stretched over head and wrists crossed, lying quietly.
Sula:

A slave lays flat on the ground on their back; their feet spread shoulder width apart . She places their wrists above their head and crosses them. Their eyes remain lowered in submission as she silently awaits their Master's pleasure.
Sula-ki:

A slave lays flat on the ground; face upward and to the left, they then move their  hands down their sides, palms pressed firmly to the ground. Their legs are spread wide in preparation for their Master's pleasure and she slowly lifts their hips up and down inviting the touch and use of their exposed slave heat.
Table:

A slave serves many uses to their Master, one of which is to present themselves as a table, to support his feet or meal. The slave moves to all fours, making sure that their back is level, their head held straight, and their eyes lowered in submission. To ensure and increase stability, the slave should part their thighs widely and lock their elbows. The slave should ensure she is stable, so as not to risk spilling the meal, or disturbing their Master, and should remain totally motionless.
Tower:

A slave kneels with their knees pressed modestly together, with their back straight, resting their rask upon their heels, eyes are lowered, and their palms rest upon their thighs, palms up wrists crossed. (The Gorean Free Woman kneels in this manner but with their palms face down.)
Walk:

When this command is given to a slave, the slave then turns in a graceful spiral their hair swinging, and walks quietly across the room or camp, so eloquently that their feet hardly seem to leave the ground, their hips sway sensually, and their body is erect and proud. When she reaches their goal she halts and stands, their body erect and their shoulders back, their chest thrust forward and their belly sucked inward. The slave then turns their hips out a bit, with their hands at their sides, and lifts and points one foot downward; their chin is held high and their eyes are lowered.
Whipping position:

A slave quickly drops to their knees and raises their hips pulling their knees together and leaning over their knees; they then place their head to the ground and cross their arms across their belly. Waiting motionless, ready to accept their Master's punishment. Slaves with long hair will pull their hair from their backs so as to ensure their backs are fully exposed for the whip.
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