Claes Oldenburg

Claes Oldenburg was born in 1929 at Stockholm. The son of a Swedish Consul General, he came to Chicago in 1936. After finishing his studies at Yale University, New Haven, he started working as a reporter. In 1952 he attended a course at the Chicago Art Institute, published drawings in several magazines and began to paint pictures influenced by abstract expressionism. In 1956 he moved to New York and came into contact with Jim Dine. In 1958 he met Allan Kaprow and took part in his Happenings. In 1958/9 he arranged his first sculptural, neo - dadaist assemblages of plaster and garbage soaked in striking colors. These led to his environments ("The Street", "The Store", etc..). He also started at this time to make replicas of foods like "Hamburgers", ice cream and cakes, which prepared the ground for his "soft sculptures". From 1965 he designed his "colossal monuments". In 1964 and 1968 he was represented at the Venice Biennale, and in 1968 and 1972 at the "documenta 4" and "documenta 5", Kassel. In 1972 he arranged his "Mouse Museum". A comprehensive retrospective of his projects, documents and sketches was shown at the Museum of Modern Art, NY, in 1969. He was From 1976 he collaborated on large - scale projects with Coosje van Brugen, whom he married in 1977. his environment "Mouse Museum/Ray Gun Wing" was arranged in 1979 at the Museum Ludwig, Cologne. In 1983 he made his large sculpture of toothbrush for the Museum Haus Esters, Krefeld. In 1984 he made his proposals for the large project "The Course of the Knife" for Venice, which was shown in collaboration with the architect Frank O'Gehry at the Campo dell'Arsenale, accompanied by performances which he took part in himself. He then went on to collaborate with Gehry on other projects related to architecture.