Manila
San Nicolas Church (Recoletos Church), Intramuros
-the church together with the Pipe Organ was completely
destroyed during the Second World War and was never rebuilt again.
-the Pipe Organ was built by Father Diego Cera in
1798 before he built the Bamboo Organ of Las Piñas.
-The organ is said to have 33 stopknobs, Bass and
Treble stops altogether. Probably there are 14 stops for the
Bass and 15 for the Treble, a Bombarde (reed 16' or 8'?) stop to reinforce the
Contra de 13 Pedal stop which is always on (no stop knob required which is
common), and finally the three common ornamental stops like the Tambor,
Pajaritos and Campanilla.
-There are probably at least three sets of reed pipes on
both manual Bass and Treble. Another reed is for the pedal. Based on
the description of Mr. George Miller, there is a Cornet stops probably with
seven ranks which was housed in a box.
-One of the stops is made of Bamboo (this stop probably
inspired Fr. Diego Cera to construct an organ whose entire pipeworks are made of
Bamboo)
-Excerpts from the following books best describe the organ.
"In its original form the organ was a remarkable
construction. It has always stood in its present position in the south
gallery of the nave, but as first built there were a number of figures of
angels scattered about the cornice of the church, each of them holding to
its lips a trumpet. The trumpet pipes were connected with the main organ
by tubes. and any or all of them could be sounded at the will of the
player. The effect of the tones coming from all over the church is said to
have been most striking..."
"The pipes are arranged in most peculiar fashion in
groups scattered about the interior of the space ranged along the wall.
The sixteen-foot pedal bourdon is reinforced by a set of wooden reed pipes
of conical form, and way tip above the chest is a box thick with pipes a
foot long and less, like a veritable Pandora's box of whistles."
"It was an excellent organ, without its equal in
the entire Philippine archipelago. Gigantic and monumental in its
dimensions, it not only proudly showed its majestic façade, but like colossal
monster, full of harmonies, it stretched its countless feelers through the
whole church. It occupied the entire lenght of the two side balconies,
the ornament atop the high altar, and even the vaulting of the church with its
enormous number of cherubs that are attached to it. Each of them carried
a different instrument, by means of which the organ flung forth its
harmonies. In this way, it elicited the admiration of the faithful and
lifted up their spirit into the highest regions of harmony."
Manila Cathedral, Intramuros
-The organ was completely destroyed during the Second
World War.
-Little is known of the organ. George Miller, in his
book, "Interesting Manila: Old Choirs and Organs", described only the
Bellows, which is most probably a wedge bellows.
" The old cathedral organ has a form of bellows that
went out of general use about 1560, but somehow crept into the organ that
was sent over here."
-The organ had a stud pedal (pegs pushed up through
the floor)
Santo Domingo, Intramuros
-The Church together with the organ were completely
destroyed during the Second World War.
-It was probably the biggest Spanish-type Pipe Organ in
the country with an open 16' pipes for the pedal.
-George Miller in his book "Interesting Manila"
written in 1912 described the organ as follows:
"Perhaps the best organ
in the city is the one in Santo Domingo. It contains a fine "double open
diapason" on the pedals with the longest pipe reaching up eighteen feet
above the floor. Like all the old organs it is rich in reeds and the full
organ is some thing terrifying in the empty church. The European plan of
placing the heavy needs in a horizontal row just above the player's head
has the advantage of getting the most noise out of a given number of
pipes, but it must be a boiler-factory experience for the organist. The
organ referred to contains some dozen stops on each manual and has three
or four "mixtures". Rough as the effect may be, when the full organ is
used as support for forte passages with full choir, the result is
impressive and has a tonal dignity that can not be disregarded. What such
effects must be upon the native worshiper, with his susceptibility to
impressions alike of sights and sound, may be better imagined than
described."
-Mr. Miller also described the Bellows of the organ
as follows":
"The pumping device employed at Santo Domingo is much
older than the organ. Instead of a handle or a crank to turn, the muchacho
steps upon two treadles which he works by shifting his weight from over to
the other, not a bad mechanism."
Santa Cruz, Manila
-probably built in the later part of nineteenth
century.
-It has a detached console with the
organ at the back of the organist.
-The organ probably
stood on the choir loft facing the Altar