photo by John Deakin
MURIEL BELCHER, "A handsome, Jewish dyke," as one Colony Room club member recalls, started the club, also called 'Muriel's by the older clientele, in 1948 and ran it till her death in 1979. "Muriel was a benevolent witch, who managed to draw in all London's talent up those filthy stairs. She was like a great cook, working with the ingredients of people and drink. And she loved money." (Melly) She attracted many gay men to the club - a lot of them brought in by her Jamaican girlfriend, Carmel. Belcher had good antennae for interesting people, gave Bacon free drinks in return for new custom and established the Colony's close-knit member profile. She also established a cult of rudeness. Belcher's favourite word was "cunt", delivered in ringing tones, and a hierarchy of insults ensued. "'Cunt' was a term of abuse, 'Cunty' was meant affectionately," says the Chairman. "And if she called you 'Mary', you were really in." Men would be called "she". "Muriel made everything sound good, even when it wasn't exactly a Wildeanepigram," says Melly. "She was camp, and the very delivery of camp makes your sentences sound witty." The Colony thus became a kind of anti-Cheers, where everyone may have known your name but instead called you "cunty." Licor-ish: by Oliver Bennett above: Muriel Belcher & daughter (Belcher's name for Francis Bacon) at Wheeler's Resturant, photograph by Peter Stark FRANCIS BACON Head of a Woman (Muriel Belcher), 1960 oil on canvas (artnet.com) FRANCIS BACON Muriel Belcher (Sphinx), 1979 oil on canvas
photo by John Deakin JOHN DEAKIN: photo of Rawsthorne, c. 1952 FRANCIS BACON: painting of Rawsthorne, c. 1965
Stage design by Isabel Lambert (Rawsthorne) (image source)
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SOHO, LONDON
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