THREE WOMEN

isabel by bacon
Isabel Rawsthorne
by
Francis Bacon
Muriel Blecher
by
Francis Bacon
Henrietta Moraes
by
Francis Bacon

 


 

    belcher by deakin

    photo by John Deakin

  • MURIEL BELCHER: (Started the Colony Room in 1948):

pass cursor over images

Belcher by Bacon left panel  Belcher by Bacon center panel  Belcher by Bacon right panel

FRANCIS BACON
"Three Studies of Muriel Belcher," 1966, oil/canvas

    MURIEL BELCHER, "A handsome, Jewish dyke," as one Colony Room club member recalls, started the club, also called 'Muriel's by the older clientele, in 1948 and ran it till her death in 1979. "Muriel was a benevolent witch, who managed to draw in all London's talent up those filthy stairs. She was like a great cook, working with the ingredients of people and drink. And she loved money." (Melly) She attracted many gay men to the club - a lot of them brought in by her Jamaican girlfriend, Carmel. Belcher had good antennae for interesting people, gave Bacon free drinks in return for new custom and established the Colony's close-knit member profile. Belcher and BaconShe also established a cult of rudeness. Belcher's favourite word was "cunt", delivered in ringing tones, and a hierarchy of insults ensued. "'Cunt' was a term of abuse, 'Cunty' was meant affectionately," says the Chairman. "And if she called you 'Mary', you were really in." Men would be called "she". "Muriel made everything sound good, even when it wasn't exactly a Wildeanepigram," says Melly. "She was camp, and the very delivery of camp makes your sentences sound witty." The Colony thus became a kind of anti-Cheers, where everyone may have known your name but instead called you "cunty."

    Licor-ish: by Oliver Bennett
    Guardian Unlimited, Saturday January 16, 1999

    above: Muriel Belcher & daughter (Belcher's name for Francis Bacon) at Wheeler's Resturant, photograph by Peter Stark



    FRANCIS BACON
    Head of a Woman (Muriel Belcher), 1960
    oil on canvas   (artnet.com)


    sphinx

    FRANCIS BACON
    Muriel Belcher (Sphinx), 1979
    oil on canvas

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    moraes by deakin

    photo by John Deakin

  • HENRIETTA MORAES:

    • Francis Bacon: Three Studies of Henrietta Moraes, 1963, oil

    • Henrietta Moraes

      henrietta by bacon left panel"Henrietta Moraes became the celebrated muse of Francis Bacon and Lucian Freud in 1950s Soho Bohemia. Drinking buddy of Marianne Faithfull and the Stones, lover of Lucian Freud, Henrietta Moraes published her memories in Henrietta, a social history of London and a honest account of 40 years of alcoholism. Henrietta Moraes died in 1999."   � Henrietta Moraes

    • Life on a broad canvas by Tim Hilton (January 8, 1999) Henrietta Moraes, who has died at the age of 67, was one of those people whose life was divided into two periods: the first devoted to drink or drugs (both, in her case), while the second half was clean and sober. Her autobiography Henrietta, published i...
      Also: "My spirited model," by Maggi Hambling

    • Still Life by Elisabeth Mahoney (August 9, 2000) Henrietta Moraes, model and muse for Francis Bacon and Lucian Freud, was christened Audrey. This duality between suburban ordinariness and bohemian excess structures this engaging one-woman show about her life and wild times as part of the Soho drinking ...

    • Maggi Hambling: Henrietta Moraes   Marlborough Fine Art, London, October/November, 2001

      henrietta by hamblingHenrietta began to pose for Maggi Hambling at the end of May 1998. "I became her subject, rather than she mine. She seized power as ruthlessly as a Borgia. Her death in January 1999 left me with 'unfinished business' and her confrontational presence continued to fill the studio. The bronzes began after she died, and several of the paintings, which had been unsuccessfully attempted during her life, only became possible after it. . . She inhabits me still, and I hope this exhibition is a celebration of her undefeated spirit."

    • RETURN TO: THE COLONY ROOM

    return to Colony Room members






deakin photo 1952 : 

JOHN DEAKIN: photo of Rawsthorne, c. 1952
FRANCIS BACON: painting of Rawsthorne, c. 1965

  • ISABEL RAWSTHORNE: (1912-1992):

    • Bacon: Three Studies of Isabel Rawsthorne,   1967, oil

    • NGP Image: Alan Rawsthorne, 1966, oil oncanvas

      In 1954 Alan Rawsthorne married Isabel Lambert, widow of the composer Constant Lambert. Well known as the model for major paintings by Francis Bacon, she was herself a painter and stage designer of some distinction.

    • More than a face to remember
      by Martin Gayford Daily Telegraph (July 25, 1998)
      "There are careers which are Napoleonic without being military. One such was that of the painter Isabel Rawsthorne; her milieu was not the battlefield, but artistic bohemia, and there she conquered the commanding heights as model and muse to not merely one great artist, but several. . ."

    • Prodigal riches thrown carelessly away by Nicholas Dromgoole, Electronc Telegraph, November 15, 1997

      ". . . She had an astonishing life. In the 1930s she was sculpted by Jacob Epstein, then in Paris she was painted by Derain, by Picasso, sculpted by Giacometti, and as if that were not enough, back in London in the 1960s, Francis Bacon got his horribly skilful hands at work on portraits of her. . .She liked to drink, and she liked men who liked to drink. She married three of them: Sefton Delmer, a foreign correspondent; Constant Lambert, distinguished conductor, composer and one of the leading lights in the founding of what is now the Royal Ballet, who died of delirium tremens; and then the composer Alan Rawsthorne . . ."

    • Francis Bacon - Retratos

    rawsthorne

    FRANCIS BACON
    Study for a Portrait, 1964
    oil on canvas

    rawsthorne

    FRANCIS BACON
    Portrait of Isabel Rawsthrone
    Standing in a Street in Soho
    , 1967
    oil on canvas
    (photograph by John Deakin)

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INDEX

 



Stage design
by
Isabel Lambert (Rawsthorne)
(image source)

 

INDEX

 

 

SOHO, LONDON

"'When I first knew Soho the prostitutes were all over the streets.
The streets were more fun, more amusing.
The prostitutes gave a living sense to the streets." - Bacon to Farson

  • Map of Soho @ Soho Society

  • Bacon's Soho

    • Colony Room: "Lazy afternoons, drinking champagne in Dean Street's Colony Room, was Francis Bacon's favourite muse throughout the 1950s; meanwhile his reputation grew from low-life rent-boy to the world's greatest artist. Here he was surrounded by an entourage - not the bitchy queens, snooty art critics and aspirant artists, whom he loathed and later claimed harangued him out of Soho (he hated the insincerity of fans) - but his real friends; Soho eccentrics of a bygone age. As he put-it, 'Champagne for real friends, real pain for sham friends!'"

    • 'Old Compton Street at the base led into Brewer Street, lined with restaurants and food and wine stores...Blocks of ice outside the shuttered restaurants started to dribble across the pavements, and kept the fish fresh at Richards. The markets were alive with fruit and vegetables: Rupert Street smaller and posher; Berwick Street, heading north, cheaper, noisier and more crowded.'

    • Wheeler's , Bacon's favourite restaurant. "The speciality was oysters - unsurpassed for succulent. Bacon was always welcomed by the manager, despite the tendency of his rambunctious crowd to scare off wealthy tourists, and his credit tab running into thousands of pounds (which he eventually settled with a painting)"

    • The Caves de France was where Bacon drank with Robert MacBryde and Robert Colquhoun. "Known as the Two Roberts, after meeting at the Glasgow School of Art in 1932, they lived together for the rest of their lives."

    • Also: The York Minster, known as The French Pub, The Rockingham Club, The Golden Lion, and The Gargoyle in Meard Street.

  • Museum of London: Creative Quarters: Soho 1950s

    • The Gargoyle Club   on Meard's Street was another haunt for many artists. "Founded in 1925, it had been the epitome of decadent glamour, but by the 1950s had become a seedy drinking den. Francis Bacon and Lucian Freud were regulars and painter John Minton was known for his frenetic solos on the dance-floor. He committed suicide four years after this portrait was painted." - Museum of London

    • Wheeler Restaurant   ". . . A typical day for Bacon would start with furious painting followed by lunch at Wheelers in Compton Street, his favourite Soho restaurant selling seafood and oysters, where he would buy everyone champagne. . ." -Museum of London.

  • Soho Society Present Artists


 

INDEX

 

 

MISCELLANIOUS LINKS:

 

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RETURN to COLONY ROOM LINKS part 1

 

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