1927/28 - 7th Heaven, Benjamin Glazer (Best Adaptation)
Underworld, Ben Hecht (Best Original Story)
Telling The World, The Fair Co-Ed, and Laugh Clown, Laugh, Joseph Farnham (Title Writing)
1928/29 - The Patriot, Hans Kraly (Achievement)
1929/30 - The Big House, Frances Marion (Achievemant)
1930/31 - Cimarron, Howard Estabrook (Best Adaptation)
The Dawn Patrol, John Monk Saunders (Best Original Story)
1931/32 - Bad Girl, Edwin Burke (Best Adaptation)
The Champ, Frances Marion (Best Original Story)
1932/33 - Little Women, Victor Heerman, Sarah Y. Mason (Best Adaptation)
One Way Passage, Robert Lord (Best Original Story)
1934 - It Happened One Night, Robert Riskin (Best Adaptation)
Manhattan Melodrama, Arthur Caesar (Best Original Story)
1935 - The Informer, Dudley Nichols (Best Screenplay) [rejected]
The Scoundrel, Ben Hecht, Charles MacArthur (Best Original Story)
1936 - The Story of Louis Pasteur, Sheridan Gibney, Pierre Collings (Best Screenplay)
The Story of Louis Pasteur, Sheridan Gibney, Pierre Collings (Best Original Story)
1937 - The Life of Emile Zola, Heinz Herald, Geza Herczeg, Norman Reilly Raine (Best Screenplay)
A Star Is Born, William A. Wellman, Robert Carson (Best Original Story)
1938 - Pygmalion, Cecil Lewis, W. P. Lipscomb, Ian Dalrymple (Best Adaptation)
Pygmalion, George Bernard Shaw (Best Screenplay)
Boys Town, Eleanore Griffin, Dore Schary (Best Original Story)
1939 - Gone With the Wind, Sidney Howard (Best Screenplay) [posthumous]
Mr. Smith Goes to Washington, Lewis R. Foster (Best Original Story)
1940 - The Philadelphia Story, Donald Ogden Stewart (Best Screenplay)
The Great McGinty, Preston Sturges (Best Original Screenplay)
Arise, My Love, Benjamin Glazer, John S. Toldy (Best Original Story)
1941 - Here Comes Mr. Jordan, Seton I. Miller, Sidney Buchman (Best Screenplay)
Citizen Kane, Herman J., Mankiewicz, Orson Welles (Best Original Screenplay)
Here Comes Mr. Jordan, Harry Segall (Best Original Story)
1942 - Mrs. Miniver, George Froeschel, James Hilton, Claudine West, Arthur Wimperis (Best Screenplay)
Woman of the Year, Michael Kanin, Ring Lardner, Jr. (Best Original Screenplay)
The Invaders, Emeric Pressburger (Best Original Motion Picture Story)
1943 - Casablanca, Julius J. Epstein, Philip G. Epstein, Howard Koch (Best Screenplay)
Princess O'Rourke, Norman Krasna (Best Original Screenplay)
The Human Comedy, William Saroyan (Best Original Motion Picture Story)
1944 - Going My Way, Frank Butler, Frank Cavett (Best Screenplay)
Wilson, Lamar Trotti (Best Original Screenplay)
Going My Way, Leo McCarey (Best Original Motion Picture Story)
1945 - The Lost Weekend, Billy Wilder, Charles Brackett (Best Screenplay)
Marie-Louise, Richard Schweizer (Best Original Screenplay)
The House on 92nd Street, Charles G. Booth (Best Original Motion Picture Story)
1946 - The Best Years of Our Lives, Robert E. Sherwood (Best Screenplay)
The Seventh Veil, Muriel Box, Sydney Box (Best Original Screenplay)
Vacation from Marriage, Clemence Dane (Best Original Motion Picture Story)
1947 - Miracle on 34th Street, George Seaton (Best Screenplay)
The Bachelor and the Bobby-Soxer, Sidney Sheldon (Best Original Screenplay)
Miracle on 34th Street, Valentine Davies (Best Motion Picture Story)
1948 - The Treasure of the Sierra Madre, John Huston (Best Screenplay)
The Search, Richard Schweizer, David Wechsler (Best Motion Picture Story)
1949 - A Letter to Three Wives, Joseph L. Mankiewicz (Best Screenplay)
Battleground, Robert Pirosh (Best Story and Screenplay)
The Stratton Story, Douglas Morrow (Best Motion Picture Story)
1950 - All About Eve, Joseph L. Mankiewicz (Best Screenplay)
Sunset Blvd., D. M. Marshman, Jr., Billy Wilder, Charles Brackett (Best Story and Screenplay)
Panic in the Streets, Edna Anhalt, Edward Anhalt (Best Motion Picture Story)
1951 - A Place in the Sun, Michael Wilson, Harry Brown (Best Screenplay)
An American in Paris, Alan Jay Lerner (Best Story and Screenplay)
Seven Days to Noon, James Bernard, Paul Dehn (Best Motion Picture Story)
1952 - The Bad and the Beautiful, Charles Schnee (Best Screenplay)
The Lavender Hill Mob, T. E. B. Clarke (Best Story and Screenplay)
The Greatest Show on Earth, Frederic M. Frank, Theodore St. John (Best Motion Picture Story)
1953 - From Here to Eternity, Daniel Taradash (Best Screenplay)
Titanic, Walter Reisch, Charles Brackett, Richard Breen (Best Story and Screenplay)
Roman Holiday, Dalton Trumbo (Best Motion Picture Story)
1954 - The Country Girl, George Seaton (Best Screenplay)
On the Waterfront, Budd Schulberg (Best Story and Screenplay)
Broken Lance, Philip Yordan (Best Motion Picture Story)
1955 - Marty, Paddy Chayefsky (Best Screenplay)
Interrupted Melody, Sonya Levien, William Ludwig (Best Story and Screenplay)
Love Me or Leave Me, Daniel Fuchs (Best Motion Picture Story)
1956 - Around the World in 80 Days, John Farrow, S.J. Perelman, James Poe (Best Adapted Screenplay)
The Red Balloon, Albert Lamorisse (Best Original Screenplay)
The Brave One, Dalton Trumbo (Best Motion Picture Story)
1957 - The Bridge on the River Kwai, Carl Foreman, Michael Wilson, Pierre Boulle (Best Screenplay Based On Material From Another Medium)
Designing Woman, George Wells (Best Story and Screenplay Written Directly For The Screen)
1958 - Gigi, Alan Jay Lerner (Best Screenplay Based On Material From Another Medium)
The Defiant Ones, Harold Jacob Smith, Nedrick Young (Best Story and Screenplay Written Directly For The Screen)
1959 - Room at the Top, Neil Paterson (Best Screenplay Based On Material From Another Medium)
Pillow Talk, Clarence Greene, Maurice Richlin, Russell Rouse, Stanley Shapiro (Best Story and Screenplay Written Directly For The Screen)
1960 - Elmer Gantry, Richard Brooks (Best Screenplay Based On Material From Another Medium)
The Apartment, Billy Wilder, I. A. L. Diamond (Best Story and Screenplay Written Directly For The Screen)
1961 - Judgment at Nuremberg, Abby Mann (Best Screenplay Based On Material From Another Medium)
Splendor in the Grass, William Inge (Best Story and Screenplay Written Directly For The Screen)
1962 - To Kill a Mockingbird, Horton Foote (Best Screenplay Based On Material From Another Medium)
Divorce-Italian Style, Pietro Germi, Alfredo Giannetti, Ennio de Concini (Best Story and Screenplay Written Directly For The Screen)
1963 - Tom Jones, John Osborne (Best Screenplay Based On Material From Another Medium)
How the West Was Won, James R. Webb (Best Story and Screenplay Written Directly For The Screen)
1964 - Becket, Edward Anhalt (Best Screenplay Based On Material From Another Medium)
Father Goose, Peter Stone, Frank Tarloff, S. H. Barnett (Best Story and Screenplay Written Directly For The Screen)
1965 - Doctor Zhivago, Robert Bolt (Best Screenplay Based On Material From Another Medium)
Darling, Frederic Raphael (Best Story and Screenplay Written Directly For The Screen)
1966 - A Man for all Seasons, Robert Bolt (Best Screenplay Based On Material From Another Medium)
A Man and a Woman, Claude Lelouch, Pierre Uytterhoeven (Best Story and Screenplay Written Directly For The Screen)
1967 - In the Heat of the Night, Stirling Silliphant (Best Screenplay Based On Material From Another Medium)
Guess Who's Coming to Dinner, William Rose (Best Story and Screenplay Written Directly For The Screen)
1968 - The Lion in Winter, James Goldman (Best Screenplay Based On Material From Another Medium)
The Producers, Mel Brooks (Best Story and Screenplay Written Directly For The Screen)
1969 - Midnight Cowboy, Waldo Salt (Best Screenplay Based On Material From Another Medium)
Butch Cassidy and the Sundance Kid, William Goldman (Best Story and Screenplay Based on Material Not Previously Published or Produced)
1970 - M*A*S*H, Ring Lardner, Jr. (Best Screenplay Based On Material From Another Medium)
Patton, Edmund H. North, Francis Ford Coppola (Best Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced)
1971 - The French Connection, Ernest Tidyman (Best Screenplay Based On Material From Another Medium)
The Hospital, Paddy Chayefsky (Best Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced)
1972 - The Godfather, Mario Puzo, Francis Ford Coppola (Best Screenplay Based On Material From Another Medium)
The Candidate, Jeremy Larner (Best Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced)
1973 - The Exorcist, William Peter Blatty (Best Screenplay Based On Material From Another Medium)
The Sting, David S. Ward (Best Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced)
1974 - The Godfather Part II, Mario Puzo, Francis Ford Coppola (Best Screenplay Adapted From Other Material)
Chinatown, Robert Towne (Best Original Screenplay)
1975 - One Flew Over the Cuckoo's Nest, Bo Goldman, Lawrence Hauben (Best Screenplay Adapted From Other Material)
Dog Day Afternoon, Frank Pierson (Best Original Screenplay)
1976 - All the President's Men, William Goldman (Best Screenplay Based On Material From Another Medium)
Network, Paddy Chayefsky (Best Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced)
1977 - Julia, Alvin Sargent (Best Screenplay Based On Material From Another Medium)
Annie Hall, Woody Allen, Marshall Brickman (Best Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced)
1978 - Midnight Express, Oliver Stone (Best Screenplay Based On Material From Another Medium)
Coming Home, Robert C. Jones, Waldo Salt, Nancy Dowd (Best Screenplay Written Directly For The Screen)
1979 - Kramer vs. Kramer, Robert Benton (Best Screenplay Based On Material From Another Medium)
Breaking Away, Steve Tesich (Best Screenplay Written Directly For The Screen)
1980 - Ordinary People, Alvin Sargent (Best Screenplay Based On Material From Another Medium)
Melvin and Howard, Bo Goldman (Best Screenplay Written Directly For The Screen)
1981 - On Golden Pond, Ernest Thompson (Best Screenplay Based On Material From Another Medium)
Chariots of Fire, Colin Welland (Best Screenplay Written Directly For The Screen)
1982 - Missing, Donald Stewart, Costa-Gavras (Best Screenplay Based On Material From Another Medium)
Gandhi, John Briley (Best Screenplay Written Directly For The Screen)
1983 - Terms of Endearment, James L. Brooks (Best Screenplay Based On Material From Another Medium)
Tender Mercies, Horton Foote (Best Screenplay Written Directly For The Screen)
1984 - Amadeus, Peter Shaffer (Best Screenplay Based On Material From Another Medium)
Places in the Heart, Robert Benton (Best Screenplay Written Directly For The Screen)
1985 - Out of Africa, Kurt Luedtke (Best Screenplay Based On Material From Another Medium)
Witness, William Kelley, Earl W. Wallace, Pamela Wallace (Best Screenplay Written Directly For The Screen)
1986 - A Room With a View, Ruth Prawer Jhabvala (Best Screenplay Based On Material From Another Medium)
Hannah and Her Sisters, Woody Allen (Best Screenplay Written Directly For The Screen)
1987 - The Last Emperor, Mark Peploe, Bernardo Bertolucci (Best Screenplay Based On Material From Another Medium)
Moonstruck, John Patrick Shanley (Best Screenplay Written Directly For The Screen)
1988 - Dangerous Liaisons, Christopher Hampton (Best Screenplay Based On Material From Another Medium)
Rain Man, Barry Morrow, Ronald Bass (Best Screenplay Written Directly For The Screen)
1989 - Driving Miss Daisy, Alfred Uhry (Best Screenplay Based On Material From Another Medium)
Dead Poets Society, Tom Schulman (Best Screenplay Written Directly For The Screen)
1990 - Dances with Wolves, Michael Blake (Best Screenplay Based On Material Previously Produced Or Published)
Ghost, Bruce Joel Rubin (Best Screenplay Written Directly For The Screen)
1991 - The Silence of the Lambs, Ted Tally (Best Screenplay Based On Material Previously Produced Or Published)
Thelma & Louise, Callie Khouri (Best Screenplay Written Directly For The Screen)
1992 - Howards End, Ruth Prawer Jhabvala (Best Screenplay Based On Material Previously Produced Or Published)
The Crying Game, Neil Jordan (Best Screenplay Written Directly For The Screen)
1993 - Schindler's List, Steven Zaillian (Best Screenplay Based On Material Previously Produced Or Published)
The Piano, Jane Campion (Best Screenplay Written Directly For The Screen)
1994 - Forrest Gump, Eric Roth (Best Screenplay Based On Material Previously Produced Or Published)
Pulp Fiction, Quentin Tarantino, Roger Avary (Best Screenplay Written Directly For The Screen)
1995 - Sense and Sensibility, Emma Thompson (Best Screenplay Based On Material Previously Produced Or Published)
The Usual Suspects, Christopher McQuarrie (Best Screenplay Written Directly For The Screen)
1996 - Sling Blade, Billy Bob Thornton (Best Screenplay Based On Material Previously Produced Or Published)
Fargo, Ethan Coen, Joel Coen (Best Screenplay Written Directly For The Screen)
1997 - L.A. Confidential, Brian Helgeland, Curtis Hanson (Best Screenplay Based On Material Previously Produced Or Published)
Good Will Hunting, Ben Affleck, Matt Damon (Best Screenplay Written Directly For The Screen)
1998 - Shakespeare In Love, Marc Norman, Tom Stoppard (Best Screenplay Written Directly for the Screen)
Gods and Monsters, Bill Condon (Best Screenplay Based On Material Previously Produced Or Published)
1999 - American Beauty, Alan Ball (Best Screenplay Written Directly for the Screen)
The Cider House Rules, John Irving (Best Screenplay Based On Material Previously Produced Or Published)
2000 - Almost Famous, Cameron Crowe (Best Screenplay Written Directly for the Screen)
Traffic, Stephen Gaghan (Best Screenplay Based On Material Previously Produced Or Published)
2001 - Gosford Park, Julian Fellowes (Best Screenplay Written Directly for the Screen)
A Beautiful Mind, Akiva Goldsman (Best Screenplay Based On Material Previously Produced Or Published)
2002 - Talk To Her (Hable Con Ella), Pedro Almodovar (Best Original Screenplay)
The Pianist, Ronald Harwood (Best Adapted Screenplay)
2003 - Lost In Translation, Sophia Coppola (Best Original Screenplay)
Lord of the Rings: The Return of the King, Philippa Boyens, Peter Jackson, Frances Walsh (Best Adapted Screenplay)
2004 - Eternal Sunshine of the Spotless Mind, Charlie Kauffman,
Michel Gondry, Pierre Bismuth (Best Screenplay Written Directly for the Screen)
Sideways, Alexander Payne, Jim Taylor (Best Screenplay Based On Material Previously Produced Or Published)
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