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A RIDICULOUS
TRAGEDY
EMMELINE KING had no love-affairs at all till she was
thirty. She was a governess—had been one since she was nineteen—and, as a rule,
governess do not have love-affairs, except in novels. Unfortunately Miss King
was not in a novel, she was in a well-off family in
One day
there came on a visit to Sir George and Lady Ives (her employers) a cousin, in
the shape of a good-looking young man. He had no money. His father, a country
parson, had lately died, and his mother, who had been the daughter of the
bankrupt peer, had gone abroad to help an impecunious
brother through a domestic crisis, while her son stayed in
Then
suddenly another visitor came to stay at
Sir George was looking after Home Rule at the House, and his wife was looking after Female Suffrage at her Club. So the Count, like the youth, was left to his own devices and the kind attentions of Miss King—who, by the way, was considered to be one of the family, and the Member for the Home Department. He promptly and with much earnestness fell in love with her; he did not say so, but it was evident. He never took his eyes off her when she was in the room: he listened to every word she said, as if it had been the profoundest wisdom or the finest poetry. It cheered her up a good deal. She liked to feel that the grey and picturesque being with memories of political intrigues and sunny Italy, and so on, was in love with her, even as she had been in love with her “dear heart,” as she called the young cur who had lied so readily and forgotten so soon; but she had hoped that he would never speak, that he would love her in silence, that he would go back to his own land thinking of her, that he would think to the end of his days and die with her name on his lips, just as she meant to die with the young cur’s name on hers. This, of course, was absurd. So one afternoon, when her pupils had gone out with their maid, and Emmeline was cutting open the new magazines in the back drawing-room, the Count, after sitting by her in silence for some minutes, suddenly put his hands on hers, and said in a dignified, but impassioned manner, “I lofe you.”
“Oh!” said Emmeline, and dropped the paper-knife.
“I lofe you,” he repeated, “and I want you for my wife,” which was a short but direct statement so much more to the point than the protestations with which the young cur had filled in the last few months, that, without rhyme or reason, she burst softly into tears. “Ah!” he exclaimed, “it is too much—you lofe me. I knew it, I felt it in my heart, that is full,” and he put his large hands over it, “that is full of lofe for you.”
“Oh, but—” she began.
“You shall
be mine,” he said impressively; “we will be married next week, and we will go
to
“Oh,” she said weakly, “but I am all alone in the world, and I have never—never been away from home.”
“I am
alone, too,” he answered tragically; and she thought, as his hair was grey and
the lines on his face were deep, and, moreover, as he had known Mazzini, that
he must be telling the truth. “I am alone,” he repeated, with a long sigh, “and
I lofe you. Let us be married, and we will neither of
us be alone any more. We will go to
She thought it would comfort her poor seared heart (she was quite sure that it was seared) to go to Italy and to be a countess, though it was only an Italian one; moreover it would show the young cur that other men, even distinguished patriots with grey hair and noble bearing, were her lovers. Poor young cur, she loved him again for one sweet, sad moment, though he was probably busy lying to some other woman (for the sake of his morals, let us hope it was to his wife this time) with precisely the same words that he had lied to her. But Miss King did not mean to marry one man and think of another. So she softly and for ever laid her young lover to rest in her memory, and turned to her old lover with a look that evidently satisfied him, for he stooped and kissed her forehead, and said fervently:
“Emmeline, you are an angel.”
They were
married a fortnight later. Lady Ives gave the bride her trousseau, so the
eighty-eight pounds, though it was withdrawn from the post-office, remained
intact. It was agreed that the honeymoon should consist of a journey home to
“You shall
see
The
marriage took place early in the morning. By eleven o’clock they were on their
way to
“We are going to be very happy,” he repeated again in the railways carriage, “my wife;” he lingered over the word as though he admired his own pronunciation of it. “To-night we will dine on the Boulevard, and then you shall walk along the Rue de Rivoli; the English lofe it,” and he laughed merrily. He was quite gay. He was almost frivolous. Madame dal Mezzio felt that she was a lucky woman.
They were
to spend four days in
“What is the matter?” she asked.
“My lofe,” he sighed, “I am very miserable.”
“After three days?” she said, with tender reproach.
“I am miserable for you,” he said; “no—it is for myself.”
“But why?” she asked breathlessly.
“I fear you will not lofe me any more, Emmeline. I have deceived you. When we married I said nothing about my daughter—my little daughter.”
“Your daughter!” she exclaimed; “but where is she?”
“She is
here in
“Don’t be unhappy because of her—or of me. We will go to see her in the morning,” Madame dal Mezzio said, when she had recovered from her surprise; “she shall be mine too, now, and we will take her home with us.”
“Oh, Emmeline, you are an angel,” the Count said, and kissed her hand. “We will go and see her; but we will leave her at the Convent for six months.” So the next day Madame dal Mezzio made the acquaintance of a demure little girl of eight years, who sat in the Convent parlour, and was almost afraid to speak, though she ate the chocolates they took her, and stared at her visitors with large black eyes.
The Count
was quite happy again. He gave his bridge the best three-franc dinner in
“And now,”
said the Count as they got up from their feast, “we must leave this place, but
we will remember it very often, for we have been happy. Let us seek the train
for
“You are not sad any more?” she said.
“Oh, my lofe,” he sighed, “if we could
only stay here for ever. I am afraid to go to
“But why?” she asked as they went slowly along the pathway, leaving their gaiety behind with the empty bottle and the little bones of the chicken.
“I cannot tell you,” he answered. “I am afraid. I know what a good heart you have, but I am afraid.”
“Oh, but that is unkind, dear Carlo. You must tell me,” she said entreatingly, and looked up at his deep-lined face.
“My lofe,” he said, with another long-drawn sigh, “at
“Why didn’t you tell me?” she said gently. “Why didn’t you trust me, dear Carlo; of course I will love your motherless little girls. I am glad there are two and not one.”
“Oh, Emmelone,” said the Count, “you are an angel,” and
gradually his spirits revived. So at
“Carlo,” she asked with a start, “is anything the matter?”
“No, my lofe;” but he sighed again.
“No more little daughters in Convents?” she laughed, and he shook his head.
At
“We will be simple,” said the Count, and his voice was anxious. After dinner they walked down the Cannebière to the quay, and looked at the blue water and the hundred sails of ships. The lines on the Count’s face grew deeper, his words fewer, his step slower. When they went back to the hotel Madame dal Mezzio felt that there was anxiety ahead. They ascended the dirty staircase to their room: the window was open, the stars were looking in.
“Oh, my lofe,” said the Count presently, as they stood by the
window, “I am very miserable. To-morrow, when we take the train to
“But why are you miserable?”
“I have deceived you,” and he shook his head more sadly than ever. “My lofe, I was afraid you would not marry me, so I did not tell you—”
“Tell me what?” she asked. He took her hand and looked up at the sky.
“At Alassio there is a
“Yes,” she said, uneasily.
“My two little sons are there,” he added, almost tearfully. “Oh, my lofe, they are both there.”
“Your sons!” she exclaimed.
“Yes,” he echoed sadly, “my sons—they are both there.” She looked up at him, bewildered again.
“Why didn’t you tell me?” she said. “Of course I will love them,” but the words were not said with the alacrity that had been in them when she had heard of his first little daughter. “I think you should have trusted me, it was not quite kind.” Then, as a pained look over came over his face, she put her hand on his shoulder and said gently, “We will try and make them very happy as they grow up, dear Carlo. Perhaps they will be like you.”
“Oh, Emmeline,” he said, “you are an angel.” But somehow Madame dal Mezzio, struggle as she would to shake it off, felt that life was a more anxious thing than it had seemed a week ago. Responsibilities were gathering round her; the holiday time was over.
She was her little step-sons at Alassio. They were grave little youths, with close cropped hair and dark eyes, and as silent as their sisters.
“I am going to be your mother,” she told them, and comforted her heart with the reflection of maternal feeling.
When the
visit was over she and her husband went on by the afternoon train, but they did
not talk much. She felt as if sadness was only a little way off. She looked out
at the
“Carlo,” she said, “I will be very good to the children and try to make them happy.”
“My lofe,” he replied, and stroked her hair.
“Why do you still look so sad?” she asked.
“I have
many things to make me sad,” he answered tenderly, “but I have you to make me
happy.” After a moment he went on suddenly: “We are going to stop at
At
“Let me go with you,” she said.
“No, I will bring her to you.”
There was no gainsaying the Count’s gentle authority, so she waited at the hotel, wondering whether the sister would speak English, and what she would say, and how she would look, and many other foolish things; for though Madame dal Mezzio was thirty years old, she had an almost girlish heart, that made her as simple and as foolish, and nearly as charming, as if she were ten years younger. But when the Count returned it was alone. He entered the bare and faded salon, which they had to themselves, with heavy steps; he shut the door, and sitting down on the sofa put his head on the arm of it, and burst into tears. In a moment his wife was on her knees besides him.
“Oh, what is the matter?” she said, “what is the matter?” She had never seen a man cry in her whole life before; it went to her heart, and cut her like the lash of a whip. “Carlo, my poor dear Carlo, what is the matter?” She raised his head and wiped away his tears with her little cambric handkerchief—one of the two dozen that Lady Ives had given her in her trousseau. She smoothed the lines on his face with her slender white fingers, and looked up at him with so much affection that he gathered courage.
“Oh, my lofe,” he said, “she was not there, she had gone to
“Your baby!” she gasped with astonishment.
“Yes, my lofe,” and he shook his head and sighed with a sigh that was almost a sob.
All her life Madame dal Mezzio remembered that moment, and could see her grey old husband of the indefinite family broken down with sorrow over the illness of his little child.
“But have you—a baby?” she asked in dismay.
“Yes, my lofe, a little baby of eighteen months. My poor wife died when it was born.”
“Oh,” she said. It seemed as if in the whole language there was nothing else to say.
“And it is ill,” he exclaimed, “it is very ill; we must go to it at once. We must start in the train that goes next—in two hours from now. You will lofe it?” and he looked up at her entreatingly, “you would not refuse to lofe my little baby that is very ill?”
“Yes, I will love it,” she said, in a low voice.
His eyes filled with tears.
“Emmeline,” he said, “you are an angel.” Then they walked up and down the bare room together, sad and silent.
“Oh, my lofe,” he said presently, “it is terrible to think of my
little one who is ill. I have seen so much, such great men, such grand
movements, so much ambition; I have worked and troubled, but I have never known
anything like this—the news that my little one is ill, and there is no train
for two hours. My sister is poor, she may not have money for all the things
that she will want, and perhaps while I have been in
Then Madame dal Mezzio’s heart grew heavy as lead. It was all so different from what she had imagined.
“It will come right again,” she said chokingly, “it will all come right;” but words failed her, and again they walked up and down in silence.
“My lofe,” he said presently, “I will go and order an omelette, we must not be ill, we must make ourselves strong to bear this sorrow,” and he went slowly down the stone staircase. Then, when she was alone, Madame dal Mezzio reproached herself for being cold and selfish. Why should she be so much dismayed on hearing of the little child’s existence? She hated herself. She thought of her young lover of a few months ago, and of how she had loved him a thousand times more than she would ever love this grey old man of many lines and cares and memories. But she gave a long sigh of thankfulness as she remembered that he had deserted her. The best that he could have given was not worth considering in the same day with the tenderness of the man who had married her, and was breaking his heart because his child was ill. Perhaps she could make his unselfish life a little better, and lighten his anxieties. As for herself, if life were not to be the holiday she had expected, why it would be something to share the working days with him. Then he came back.
“It will be ready in ten minutes,” he said: “some macaroni, and an omelette, and some figs. You lofe green figs, Emmeline, and I saw some on the piazza as we came from the station.” He lighted a cigarette, and began to smoke it slowly.
“My lofe,” he said, presently, “we shall be poor, we shall have to work, but you will not mind; you did not marry me for riches. It is very difficult to work and work when there are many things you want to think of, and that make you sad—” he broke off, and then went on vehemently, “Oh, my lofe, if my sister had no money, and my little one is ill, I shall never forget that we have been spending all we had in being happy, ah! so happy, when we ought to have been miserable—”
“But, dear,” she said, “we did not know. I have some money,” she added, and she thought of the eighty-eight pounds; “and I can teach too, then there will be more than if you taught alone.”
“My lofe,” he said, “you are too good; but you shall be happy,
for I will lofe you, and the children will lofe you, and we do not want riches, we will be simple.”
Then the little meal was announced. “We will come,” the Count nodded to the
waiter, “we will come in one minute.” He shut the door, and turned to his wife,
“I must tell you everything,” he said; “it is better to have courage. I have
seen so much and so many things in the world, I will not let myself think that
I am without courage, and I will trust to you to lofe
me. At
“Oh, are there any more?” she gasped.
“Yes, my lofe,” he said, “there are more.”
“Tell me how many?” she entreated; “let me know how many children you have altogether, and I will care for them and work for them though there are fifty, but I must know many there are.”
He stooped, and solemnly kissed her forehead.
“Oh, Emmeline,” he said, “you are an angel, and there are seven.”
And together they went down to their meal.