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MRS. KEITH’S CRIME
CHAPTER IV
WE have just
finished breakfast. Mrs. Marshall only had my note last night, but she has come
already, and is waiting in the drawing-room to see me. Probable she knows of some
likely to do as a nurse.
‘I have had your note, and thought I
had better come and see what could be done.’
She says it grimly, as if she had
resented my writing to her, but thought it her duty to help me. Her eyes look
very round, her nose is very pointed, and she has brushed her grey hair back so
tightly that her face looks harder than ever; her manner is cold, as it always
is. I feel half afraid of her as she sits staring me in the face.
‘It was a great shame to trouble
you—’
‘Not at all. Only, unluckily, I do
not know of any one just now, but I will inquire.’ There is a silence for a
minute, and then she goes on—‘I came to see if you would trust the children to
me in the daytime, as the nurse is gone. You must have a great deal to do.’
‘To do?’ I say, half bewildered.
‘I am very fond of children.’ She
says it so harshly, and looks at me with her eyes so wide open, that I am as
much frightened as astonished, and forget to answer at all. ‘It is a great
trouble to me that I have none of my own,’ she adds hurriedly; and the tears
come suddenly into her eyes and trickle down her cheeks, but she does not seem
to be conscious of her own distress. Hardly knowing what to do, I go a step
nearer. As if she did not know it, she puts out her hand to push me back. She
is a woman whom caresses rather annoy. I wonder what to say, and am afraid of
saying anything.
‘It is very kind—’ I begin,
‘Perhaps they would not like to come
to me,’ she says sharply; and I fear that this is the truth.
It would be a great comfort to have
a free time in which to pack and get ready, but Molly will certainly never
consent to go, even for a few hours. Perhaps Jack would, and Molly is always
content to lie on a sofa, or to be propped up in the corner of one, and look at
a picture-book.
‘The children are shy,’ I say
hesitatingly.
‘You would not be afraid to trust
them to me?’ she asks suspiciously.
‘Oh no, no, indeed,’ I answer
quickly, and this is true enough. Somehow
I feel, too, that if she were alone with the children she would not be
ashamed of being a little tender with them. Perhaps she is only hard and cold
to grown-up folk, or chooses to pretend to be so. If we could look into
people’s hearts there would be a vast number of surprises for us.
‘Perhaps you do not like to be
without them?’ she remarks, in a polite and frigid manner. ‘But it might be
more comfortable for them if they came to me while you are busy, and I would
try to find them some amusement.’
‘Oh no, no,’ I answered quickly,
feeling as if I had been reproved. All the time I am quite aware that I hate
the thought of Molly being away all day.
‘I would bring them back by four in
the afternoon, and I could fetch them every morning.’
‘It is very kind of you,’ I begin
once more, but she looks so hard I have not the courage to go on, or to say
that I fear she will frighten them out of their wits. I remember Jack asking me
once why she had such round eyes.
‘Suppose we see what the children
say to the idea?’ she suggests; and they are sent for.
Molly runs up to me instantly. Jack
hesitates for a moment, and then, in a business-like way, follows his sister to
my side.
‘Would you like to go home with me?’
Mrs. Marshall asks. ‘I would take you back in the carriage, and on the way we
would stop and buy some toys.’
Jack is interested, but does not
move. Molly shrinks from the idea, and creeps up closer and hold me tight.
‘There is a snow-white kitten at my
house; don’t you think you would like to come and play with it?’ she adds.
‘Wouldn’t you, Molly darling?’ I
whisper; but she only shudders and clings closer.
‘Oh no,’ she says, shaking her head;
‘can’t leave mummy.’
‘But Mrs. Marshall will bring you
back this afternoon, my pet,’ I say, meanly thankful in my heart that she will
not go, for it is evident that nothing will tempt her away from me.
‘Want to stay with you,’ she
whispers, and there is no moving her.
Jack, however, is evidently
wavering; Mrs. Marshall’s gravity impresses him, he feels that what she says may
be depended on. He rubs his round, rosy cheek against mine, and says
condescendingly—
‘I don’t mind going for a little
while, but I shall want to come back to mother soon.’
It is a great relief. It had seemed
so ungracious to refuse her kindness altogether. Mrs. Marshall tries to follow
up her advantage.
‘And won’t you come too, if Jack
does?’ she asks Molly. But Molly only shakes her head again, and stands by me
stoutly. ‘Perhaps Jack would like to go to the Zoo, then, if Molly won’t come.
It would have fatigued her too much.’
‘I should like to go to the Zoo,’
Jack says, the delights of dissipation opening out before him.
‘Perhaps he will stay a few days and
be content,’ Mrs. Marshall suggests, when Jack has gone to be made ready.
‘There is a little room he can sleep in next to mine. I will telegraph if he is
quite happy at the thought of staying. In two or three days you may have found
a nurse.
So Jack goes off with Mrs. Marshall.
He looks so pretty as he starts. He wears his little velvet suit, and, fearing
lest he should feel chilly in an open carriage, Mrs. Marshall ties a blue silk
handkerchief round his throat. ‘I brought it for Molly, thinking it would suit
her,’ she says, in an apologetic voice. It suits Jack too, and my heart swells
with pride as I look at him. He throws his arms round my neck, and then round
Molly’s, who has been watching him with admiration, not unmixed with awe, and
then he runs gaily down the steps. He turns and shouts to me—
‘Mummy dear, let Molly have my best
paint-box, if she likes. She won’t hurt it. Give her a good big painting rag,
and tell her to wash the brushes well.’
Unselfish little Jack, with the dash
of practical common sense in him! Mrs. Marshall gets into the carriage after
him, and waves her hand to me. There is a smile upon her face; she looks almost
happy.
‘Ah, poor dear,’ I think, as I watch
them out of sight; ‘there was a mother’s love in your heart, and never a little
one came to fetch it.’
Then I go into the house and shut
the door. It is very quiet without Jack. I realise that instantly, thought Jack
is not always in the house, nor always making a noise. How odd and still the
place seems; Molly and I look at each other, and I know that we both feel
lonely.
‘Come and kiss me, mother,’ she
says, and she clings to me, whispering, ‘You’ll let me be with you all day,
won’t you?’
I take her in my arms and sit down
with her, trying to clear my head of cobwebs, and to think over an idea that
came to me this morning. When I said that we had no relations I meant that we
had no near or intimate ones. We have some cousins, but, with one exception, I
do not even know their addresses, and have never beheld them. The exception
lives in London; she is married and well off. We used to know each other a
little years ago; she sometimes went to see my father, but after he died we
ceased to meet. She seemed to resent my marriage, because it was not a good one
from a worldly point of view. The idea that has presented itself is that, after
all, I will tell Alice Grey (what a pretty name it is) of the trouble that has
come upon me. She is my cousin; why should I feel so certain of her want of
sympathy?’
‘Molly, would you like to go out
with mother?’ I ask. She brightens at the words; so half an hour later we are
looking our best, as folk who go to see their grand relations should; and drive
in a hansom to Harley Street. Mrs. Grey is at home; we are shown into the
drawing-room, and sit waiting for her, trying to forget that we are uncertain
of our welcome. Oh dear, I think, as I look round at all the handsome things in
the room, if these things were only ours, or even half of them were ours, I
would sell them; then there would be no more difficulty about the money, and we
would start on our journey south to-morrow.
‘How do you do, Margaret?’ Mrs. Grey
says, and shakes hands, and very formally kisses me. ‘How do you do, dear?’ to
Molly, and she pats her cheek and sits down. We talk a little formal talk, and
a quarter of an hour passes, and Mrs. Grey looks a little bored. I ask to see
her children, and two pretty, well-behaved mites are brought in. As they leave
the room, I ask if Molly may go back to the nursery for ten minutes. It is odd
that she has not noticed that Molly looks ill. ‘Oh yes,’ she says, ‘Molly shall
go to the nursery for ten minutes; and then I must send you away,’ she adds,
‘for I have some people coming to luncheon.’
‘Oh yes, we must go,’ I answer. ‘I
have a great deal to do. I came to tell you,’ I say, when Molly has gone, ‘that
Dr. Finch says Molly must winter abroad. She is very delicate—very; she is
threatened with—with what killed dear mother.’ It is said calmly, thank
goodness.
‘How very trying,’ she says.
‘Yes, it is very trying,’ I say
drearily.
‘I am sure it is,’ she answers.
‘If Arthur had been alive—’ I begin
vaguely, not knowing how to go on.
‘It was a pity that your marriage
turned out so badly,’ she says, in a sympathetic voice.
‘It did not turn out badly,’ I say,
lifting up my head. ‘If Arthur had lived he would have been a great artist; there
was the making of one in him.’
‘And of course you would have been
very badly off if you had remained single, for poor Uncle Robert’s pension died
with him.’
‘I had other offers besides dear
Arthur’s,’ I say rather indignantly, and not from any wish to boast, but
because it seems rather insulting to Arthur to suppose that he married a girl
no one else could have cared about, and to me to suppose that I married him for
any reason except the right one. ‘I married him because we loved each other,
and money isn’t everything.’ I am getting incoherent, but it does not matter.
‘What I mean is, that I always think
it is a pity to marry a man who has nothing to settle on you,’ she explains, as
if she were in the habit of marrying at least once a year herself, and knew all
about it. ‘Then, too,’ she continues, ‘I think it is a pity to marry a man who
has no relations. If anything happens they are bound to look after you, to a
certain extent.’
‘Not more than one’s own relations,
surely?’ I say, rather astonished at the business-like eyes with which she
looks at marriage all round.
‘Oh yes, dear,’ she answers sweetly
and softly. ‘When a woman marries, she belongs to her husband and to his people
a great deal more than to any one else. I always feel that; indeed, I feel it
so strongly that I consider myself bound to do a great deal more for my
husband’s family than for any member of my own. But tell me, where are you
going?’ she says suddenly, thinking, perhaps, that she has given me a hint that
may prevent possible trouble for the future.
‘I don’t know,’ I answer; ‘it is not
settled.’
‘Of course, most people go to the
Riviera; but it is fashionable and expensive.’
‘And we should be out of place among
fashionable people.’
‘Yes, dear,’ she says compassionately,
as if we were beggars, and went about
in rags and tags, with packs on our backs. For some unknown reason, Alice Grey
is making me angry.
‘Malaga is a good place, I am told,’
she says, much more pleasantly, as if to make amends. ‘The Vincents are going
to winter there this year. Some friends of their rave about it, and say it is
the best climate in Europe. That might do for you, Margaret; Spain would be an
interesting country to see.’
‘It is a long way off.’
‘And for that reason it may be
cheap.’
There is something in that, and I
should like to see Spain.
‘I wonder if many English go there?’
‘It is a health-place, so probably
they do.’
‘I want to paint some portraits, if
possible, while we are away; it would help with expenses. I fear I should not
get much to do at Malaga.’
‘It is impossible to say, of
course;’ and her voice is a shade more distant. I understand why: she is
determined to have nothing to do with our arrangements. Perhaps she is afraid
of my trying to borrow, so I promptly relieve her mind.
‘It is a great comfort that Uncle
Clement left us some money, or wintering abroad would have been impossible.’
‘Of course it would,’ she answers
cordially. She is evidently a good deal relieved. ‘Perhaps,’ she adds
graciously, ‘if you do go to Malaga, you might like to know the Vincents. They
are very pleasant people. And, by the way, I think you used to know Ralph
Bicknell very well. You and he were children together, were you not?’
‘Oh yes, we knew each other very
well,’ I answer, and straightway think of his pinches. ‘What about him?’
‘He is always supposed to be sweet
on May Vincent, if he is ever sweet on any one except himself; but, as it has
been going on for a long time, and nothing has come of it yet, it is probably
all nonsense.’
‘What is he like?’ I ask.
‘Oh, he is rather good-looking,
and—and—’
‘Conceited?’ I suggested, thinking
of her previous remark.
‘No, not exactly; but he rather
gives himself airs, as if he though himself an important person, and he is very
fond of snubbing people.’
The description makes me laugh. It
is just what Ralph used to be, and yet there was a fascination about him. I
wonder if it exists still.
‘I should like to see him again,’ I
say curiously. ‘It is so odd to hear of him after all these years.’
‘Well, probably you will see him if
you go to Malaga, for I heard that he was going there with the Vincents. I
suppose they like him. I think he is a very disagreeable person myself, and I
believe he dislikes me. Luckily, tastes differ. But I am afraid I must send you
away, Margaret,’ she says, in an apologetic tone, and looking at her watch. ‘If
you do go to Malaga, and come across the Vicents, remember me to them.
Good-bye, dear.’ She kisses Molly, who has been sent for, and kisses me, and forgets
to say that she hopes it will do Molly good to winter south—forgets everything,
except that she is very anxious to get rid of us.