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MRS.
KEITH'S CRIME
CHAPTER
XV
THIS morning all
sense of weariness has gone. Molly looks well, though the doctor looks at her, as
he always does, with an anxious expression on his face; it seems sometimes as
if he understood all the past, and in some dim way held the secret of the
future. But it is a rest and comfort to hear his voice; he is a man in whose
presence it seems as if nothing can go very far wrong; it gives one strength to
see him. He comes in slowly, and quite naturally taking Molly on his knee
begins to talk with her, a little happy, trivial conversation such as children
love. When it is over he looks round the room and admires it, and going up to
Mollys portrait on the easel sees the good points and the bad ones and remarks
on them. I ought to get you some commissions from the Spaniards, he says.
I do not know the people here very well as yet, but I will find out about them.
As yet all Spaniards disappoint me; they are so apathetic.
Apathetic? I say, in surprise.
They are passionate, he explains,
but they are forgetful, as passionate people usually are; and seem capable of
no sustained feeling. Lord Bexley was saying this only last night.
Is Lord Bexley interesting? I
ask.
He is pleasant and full of fun,
he answers. I only say him last night, when he seemed to be a little inclined
to make fun of Mrs. Greenside. I am
afraid she lends herself rather easily to it; but she is a very kind person. I
notice that Dr. George, as he is called by every one here, always sees the best
side of people. By the way, Mrs.
Keith, I have been wondering if you would care to have a piano in your room.
There is my brothers and it is spoiling for want of use. Why shouldnt you
have it over here?
It would be very nice, I answer;
but your brotherperhaps he would not like it to be moved.
Oh yes; I asked him about it
before he started, and he said I could do what I liked with anything in the
house. Ill have it brought over, and Molly shall play to me next time I come.
Mummy plays best, Molly says;
and she sings, but not like Jack. Jack used to sing lovely songs, and rock on
the rocking-horse.
He has been told about Jack before,
so he makes no answer; only kisses her and lifts her gently off his knee, and
gets up to go.
Do the Spaniards grieve very much
when anyone belonging to them dies? something makes me ask.
They accept all the inevitables
with dignity, he answers, never rejoicing or grieving over-much. But I must
go. I think Molly is doing very well. Keep her out-of-doors. He is shaking
hands with me, when Mrs. Greenside enters. She is delighted to get hold of him.
I am so glad to see you, she
says, in her heavy, earnest manner. What an interesting talk you had with
Lord Bexley last night. He is a delightful man.
He is very pleasant, the doctor
answers, with a twinkle in his eye.
Now, do tell me about Mrs. Keith.
Dont you think she is very fragile? she asks suddenly.
I am quite well, I say
emphatically.
She is so devoted to her child,
Mrs. Greenside sighs.
Dr. George sees that I do not want
the subject continued, so abroitly changes it.
When are your relations coming,
Mrs. Greenside? he asks. Every one in the hotel takes an interest in Mrs.
Greensides relations.
To-day. I have just had a
telegram, and wanted to tell Mrs. Keith at once, for I knew she would
sympathise with me. She understands a sensitive nature like her own; and Mrs.
Greenside sighs again.
I am very glad they are coming; it
will be a great pleasure to you, he says.
Oh yes, she answers, with another
long-drawn sigh, as if no words can measure the happiness it will give her. I
hope you and my brother will be great friends, she adds earnestly.
He delights in
clever men. The doctors eye twinkles again.
I shall be very glad. But now I
fear I must say good-bye. Then, Ill send the piano over, Mrs. Keith; and he
escapes.
I am so glad to hear your good
news, Mrs. Greenside. How did it come? I ask her.
Oh, they telegraphed the moment
they knew where I was, and said they would start immediately, she says, as if
she wondered whether I had expected they would do anything else. How charming
you have made your room. You have so much taste. And then she stands before
Mollys portrait, and seems charmed by it. It is a great thing to have your
talent, Mrs. Keith, she says a most precious thing. I wonder if, when you feel
stronger, you would take a commission from me to paint my niece? I would give
anything to have a portrait of her; not a full-size one, but one like this of
Molly. Oh, there is Miss Martin. Miss Martin, do come and look at this
portrait. Miss Martin comes slowly into the room and shuts the door; she
stands before the easel for a few minutes.
Yes, it is very nice; it is very
like, she says gently, and goes to the window. It is an odd characteristic of
Miss Martin that whenever it is possible she looks out of window.
I am glad you like it. I feel
chilly as I speak, and wrap a little black shawl over my shoulders, saying that
it is cold.
Oh, you are not well, Mrs.
Greenside says, with great concern in her voice. I could see you were not
well the moment I entered. Miss Martin, where is my white Shetland shawl?
It is in the Indian trunk.
Will you please get it? and Miss
Martin goes off obediently. Mrs. Keith, you ought really to speak to the
doctor about yourself.
It is only the reaction after all
the worry, I answer. But I will speak to him if I do not get stronger.
You must, indeed.
He is so very kind
And he is devoted to you; I could
see that on board the ship.
Devoted to me? I say coldly, the
blood going from my face, for I feel that she is making it impossible to ask
personal advice from him. He is not more devoted to me than to any one else.
Oh yes, he is, she says
earnestly.
You must not say that, I answer;
please never to say that again, Mrs. Greenside, either to me or to any one
else.
But, my dear Mrs. Keith, why
should I not say it, and how can he help admiring you? Her tone worries me
more than I can say.
Oh no, indeed; it is all a
mistake. Please never think anything of the sort again; it is cruel and
untrue
And suddenly the door opens, and
Phillip the doctors man and Don Carlos the landladys friend appear, bringing
in the piano, and the former has a basket of fresh oranges for Molly, which
Doctor George has sent. Mrs. Greenside looks at me, but before she can make any
remark, Miss Martin returns with the shawl. Don Carlos says that seρora Manuela
(the landlady) will come presently to see that the piano is placed as I like,
and he bows and departs with Philip.
Mrs. Keith, have you one of these
shawls? Mrs. Greenside asks, holding up a soft white Shetland one, so fine that
it looks like lave. Then, you must have thisyou must indeed. Let me give it
to you
But indeed, Mrs. Greenside, I do
not feel the cold, and I do not like to take so beautiful a thing
Oh, but you must, she says. It
was given to me by a very sweet woman two hours before she died. She was very
dear to me, and I tried to save her life just as if it had been my own, did I
not, Miss Martin?
Yes, Mrs. Greenside, you did,
Miss Martin answers, still looking out of window, with her face turned in the
direction of the sea.
And she died? I asked Mrs.
Greenside, with a shudder. Somehow the history of the shawl fascinates me.
Oh yes, she died, Mrs. Greenside
says, in a voice of compassion, but as if dying had been a matter of course:
and the last time I saw her, she took this shawl off her shoulders and put it
on mine. I never saw her afterwards, and I have never worn it since, and now I
want you to have it. You wont mind accepting it as a token of my great
admiration for your courage in coming all this way alone with your child.
But there is nothing to admire in
that. It is only what any mother would do.
All mothers would not feel so,
she sighs; but, dear Mrs. Keith, your little child is so sweet I do not
wonder at your devotion to her. And so in a minute she makes me grateful.
Suddenly Miss Martin turns from the window; I fancy that there are tears in her
eyes, but it must be only fancy.
Mrs. Keith, she says, Mrs.
Greenside does not want me just now. Shall I take your little girl for a walk?
I look at her in surprise. She is generally too much like a machine to think of
this kind of thing. Perhaps you are not well enough to go out yourself
to-day, she says;
you look very
tired.
I want to stay with you, mother,
Molly pleads. Miss Martins offered kindness.
I wish you would go, darling. You
might gather some flowers for me, I say; and she asserts. So I tie on her little
white calico hood, and she goes off in the sunshine with Miss Martin towards
the walk by the sea.
Have the Vincents made up their
picnic? I ask Mrs. Greenside.
Yes, she answers. The Vincents
and Lord and Lady Bexley, and that Mr. Bicknell.
Tell me what Mr. Bicknell is
like.
He is nothing remarkable, she
answers. But no doubt the Vincents are anxious to see their daughter married.
Girls are great responsibilities until they are married; they are like trees
waiting to be planted.
But you are not anxious to see
your niece married? I say maliciously.
Oh, but she is like my own child;
and I should be glad to see her married too, only I feel that so few young men
of the present day are worthy of her. I shall bring her in to see you as soon
as she comes, if you are not downstairs. Sometimes when you are tired you must
make her play to you, she adds.
Is she very musical?
Oh yes, she answers, in a tone
that signifies that as a matter of course she is everything. It is quite
certain that Mrs. Greenside is very staunch to her relations; it is impossible
to help liking her for it.
I wonder a great deal what Miss
Josephs will be like, and whether she cares for the sardine, and if people here
will take kindly to Mrs. Greensides relations, for they do not care much about
her. They will stay three or four weeks at least, Mrs. Greenside thinks, and
the only thing that appears to disturb her is that Lord and Lady Bexley are
going away soon. They (the Bexleys) want to go back to Italy, to a villa they
have somewhere near Bordighera, and where they expect friends from England
immediately after Christmas. Of course, my brother will delight in meeting
Lord Bexley, Mrs. Greenside explains; he is so very interesting, and full of
information.
When Molly comes back, Mrs.
Greenside and Miss Martin go away together, and leave me with the remembrance
of their kindness, and with the dead womans shawl about my shoulders. As they
go out of the door, Molly runs after Miss Martin and puts her arms round her
neck and kisses her.
Take me out again another day,
she says.
Miss Martin colours, and says in her
mechanical manner, I will, if Mrs. Greenside can spare me; and follows her
employer from the room.
It takes me by surprise; she took no
notice of Molly on board ship, and has no ways that please a child. I wonder
what has happened, and yet I do not like to question Molly; it would seem like
looking into some recess into which I am not meant to see. But Molly soon tells
me all about it of her own accord.
Oh, mummy dear, she says, we
went a little way, and sat down and looked at the ships, and then Miss Martin
began to cry because her brother had gone a long way across the sea and hadnt
said good-bye to her. And then I told her about Jack, and how he used to sing;
and then she told me that once her brother was a little boy, and she used to
love him very much, and they used to have all manner of games together, but now
he is a man, and it isnt half so nice as when he was a little boy; and then
she cried, and I didnt know what to do, so I cuddled her up and kissed her and
told her not to cry, and she called me a little darling.
Poor Miss Martin.
Yes; and she has got a little tiny
penknife in her purse, and it has been there ever since her brother was a
little
She stops and looks tired and faint;
the fatigue has been too much for her. I take her on my lap to rest, and soon
she is asleep; but her breathing is short, the fever burns on her face, and for
a moment all the old fears come back.
The landlady enters to arrange a
place for the piano; she looks at Molly carelessly, and shrugs her shoulders.
She dislikes children, and it is an unfortunate thing that the only
woman-servant in the house seems also to dislike them. Seρora Manuela stops
before Molly for a moment with a curious expression on her face.
Ah! she says, she will never be
strong. It is no use wishing the weak to live. What are they to do with life?
Ones own child, I answer, while
my heart turns cold.
It is not oneself, but ones
child, for whom you should desire what is best, she says, with another shrug
of the shoulders. Life is not always best; she looks at me and laughs, as if
to let me see that she says it from no ill feeling, but from calm, philosophical
foresight. My sister had a child; it was ill for three months, she goes on.
Ah, poor dear! it was a good thing when it died; it is no good living to bear
pain. She says all this more to herself than to me as she leaves the room. The
door does not fasten easily: without thought of the sleeping child, she rattles
the catch, and finally bangs the door.
Molly awakes with a start, and looks
about her. Poor Miss Martin! I am so sorry for Miss Martins little brother,
mummy, she says, and closes her sweet eyes again; when she is once more
asleep, I carry her into the next room and put her gently down on the bed, and
sit beside her and watch. She is still sleeping when, two hours later, Mrs.
Greenside taps at the sitting-room door again, and enters with a girl beside
her.
Mrs. Keith, she says, this is
my niece. She is very tired with her journey, but I wanted her to come at once
to see you and your little Molly.
I look at the girl curiously. She is
fair and pale. She has a long nose, soft grey eyes, and pretty light hair
twisted round her head, much in the fashion that I wear mine. I notice
instantly that she has very beautiful hands. She wears a simple black gown, and
no ornaments of any kind. I say some polite words of greeting, and as she looks
up I see, almost with surprise, the sweetness of the smile that lights up the
shy, grave face.
I am very glad to meet you, she
says. My aunt has told me of your kindness to her. I hope I may come and see
your little girl to-morrow, when I am rested.
She says it in a low musical voice
that makes me long to hear her speak again; but she seems a little frightened,
and looks at me with a look that says, Let me go away, and I do not try to
keep her.
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