| T h e R o s e n b e r g Y e a r s |
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| better known as . . . Delivered As Advertised ! |
| Saint Fran�ois d'Assise |
| Die Entf�hrung aus dem Serail |
| H�nsel und Gretel |
| La Damnation de Faust |
| La Cenerentola |
| Il Trovatore |
| From Stuttgart to San Francisco: Pamela Rosenberg
By David Wiegand As she looks toward the beginning of the first season she planned at the house, the Intendantin of the San Francisco Opera talks about bringing German-style "director's opera" to California and what she really thinks about bel canto. I t's the beginning of the 2002�2003 season, and Pamela Rosenberg has had a year to get used to living her professional life under a kind of chat-room microscope: her every move as the fifth general manager of the San Francisco Opera has been posted, debated, praised, criticized and, at times, misrepresented. |
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| NYC Opera�s Future-G�rard Mortier, who will start running New York City Opera in 2009, will get rid of Butterfly�s and Boh�me�s � he intends to devote his entire first season to 20th-century works. The company will present eight operas in 2009-2010 (down from the current 13), all of them in new stagings, with Stravinsky�s The Rake�s Progress as the opening work. Also on the schedule: Philip Glass� Einstein on the Beach, John Adams� Nixon in China, Britten�s Death in Venice, Messiaen�s Saint Fran�ois d�Assise (in the Seventh Regiment Armory on Park Avenue), perhaps taking the super-expensive sets off the hands of the San Francisco Opera./Story |
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