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II
From Stuttgart to San Francisco: Pamela Rosenberg
By David Wiegand

As she looks toward the beginning of the first season she planned at the house, the Intendantin of the San Francisco Opera talks about bringing German-style "director's opera" to California and what she really thinks about bel canto.


I t's the beginning of the 2002�2003 season, and Pamela Rosenberg has had a year to get used to living her professional life under a kind of chat-room microscope: her every move as the fifth general manager of the San Francisco Opera has been posted, debated, praised, criticized and, at times, misrepresented.
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