| �Horses of the Night�
~ Margaret Laurence � Vanessa tells a limited amount, not much about herself � Not limited, because we find out more about herself � We measure the story through the eyes of a little girl and her impressions � We can believe her observations, view them and interpret them � She sees a fantasy about Chris First person point of view: � Vanessa is a dynamic character (indulges change) � Chris is a static character, always retreats under pressure Character foil: � Contrasting characters designed to focus on the protagonist *** (A) External Conflict � Man � Society � Nature (environment) � Supernatural (Chris suffers it) => couldn�t sell: vacuums, magazines, socks Man vs. Man � Vanessa�s mother loved her, but pitied Chris � Mother � sublime, not that important � They had the money to send him to University but �they�ve done enough� � Grandfather holds a grudge against Chris, not even knowing him � *Sins of the father are visited on the son* (Chris pays for his father�s errors) (A) Internal Conflict � Chris is fighting an internal battle, Vanessa is not � WAR: Chris gets �drafted� Chris vs. himself (inability to face reality) � the suspense comes out of conflict SETTING � Depression o Affects Chris, but not Vanessa o Physical and psychological reality o All Chris�s dreams are destroyed o Psychological: micro and macro (group and individual) o Matches Chris�s depression o Vanessa was almost superstitious, sees it as this threatening evil o The whole time that threatening evil is with Chris from the very start o Chris is most comfortable with children � step to insanity o He�s ok as long as kids, Vanessa is there o Goes insane in the world of adults o First casualty of war is innocence � The war is too much for Chris to handle � THE WAR HORSES, get stuck in the mud, cant get out, further they struggle, further they get stuck, when their eyes are �Berserk with fear� o That�s Chris� � The fear drives him out of his own body o Sinks into the mud of despair and insanity |
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