Bio
This Bio was from
http://www.sweetbox.com/sites/english/
http://www.sweetbox.prv.pl/
Jade Villalon Biography:
A star is born...
I guess I start with the typical rundown of a persons beginnings. I
was born on August 12th in San Diego CA. I moved to Japan shortly
before my third birthday. I guess you could say my career started
there in the land of cherry blossom trees. I did my first commercial
in Japan at age five for what would later become one of my all time
favorite foods Ramen Noodles! Also I did my fair share of modeling and
print work.
Finding my tap shoes...
I could easily have been defined as a proper stage kid. I can’t
remember a time in my life when I wasn’t dying to be in show business.
I had a typical beginning, lots of talent competitions, dance classes,
and of course musical theatre. I was and continue to be a bad looser.
I hardly ever lost a competition, or didn’t get a part, and when I did
I was always convinced the whole thing must have been fixed. I was a
stage kid that didn’t have a stage mother. My mother was the greatest.
She sacrificed immensely in order to help me pursue a crazy dream. My
poor mom, she had no idea how to curl my hair, how to find a proper
talent agent, or any of the usual stage mom tricks. I was left to
guide her with my naive ambitions, and hundreds of frustrating hours
in the bathroom trying to figure out how to look like Baby June, like
all of the other stage kids.
Finding my spot light...
My first big time audition was at age seven on Broadway in good ole
New York City. I had two that day. The very first was for Gypsy, and
the second was for a show that is still a big dream for me Les
Miserables. I had a little trick every time I went on an audition. I
always tried to include a crazy accessory in my outfit that I thought
would be memorable. How could they forget the kid with big hat and the
funny shoes? That day I had picked out red glitter shoes like Dorothy
in Oz. I worked a lot as a kid. Tons of plays, musicals, commercials,
pilots, guest spots etc. But at about fourteen I was hit with puberty
full swing and that put my luck on full stop. (And my crazy accessory
idea just looked ridiculous on an adolescent girl) The industry
prefers eighteen year olds to play teenagers because of child labor
laws, so as you can imagine the competition was fierce. This fact, on
top of acne and a mean bout of insecurity just about annihilated my
dream.
Finding my pen...
It was about this time that someone I idolized convinced me that I had
a much better chance of becoming a songwriter instead of a singer.
Although it took me years after that conversation to regain my
confidence as a singer, I never would have become a writer without it.
I never would have started that great period of self-reflection and
self-discovery that every writer needs. I don’t think I would have
ever believed I was songwriter if I didn’t believe for a time that I
couldn’t be a singer.
Don’t get me wrong it wasn’t all self reflection and poetry converted
to music during this time I was the all American cheerleading partier
in high school. A lot of people don’t admit this but I will any day. I
had a little too much fun during this time. The whole Good girls go to
heaven but bad girls go everywhere theory was my mantra.
Finding my way...
The day after my 18th birthday I moved to Los Angeles to really try to
make it. I moved into a one bedroom apartment with 5 other people, a
dog and a bird. We slept on the floor and only ate peanut butter and
jelly sandwiches. I was very excited and broke. I wanted to go to
college at the same time, so during the day I worked as a legal
assistant, went to auditions, and at night and on weekends I went to
school.
The first moment of disillusionment in this business doesn’t happen
when you’re hitting the pavement waiting to be discovered. It’s when
you get discovered, sign a record deal and find out that it isn’t easy
street from that point on. It’s really the beginning of the uphill
climb from there. I was nineteen when I started releasing records, and
that’s when I realized that I didn’t need to just be a good singer
that could write a few lines, what I needed to be and wanted to be was
an artist.
Finding my music...
I’m not just called sweet box, the music of SWEETBOX is me. Every song
is a piece of my heart, my personality, and a taste of my soul.
Everything you hear is something personal. That doesn’t always
register with everyone. I know this when I listen to some of the
questions I get asked, and I’ve learned that most people don’t ever
really listen to your music like you think they will. I write all the
music with my producer Geo and together we try to realize my vision of
the music.
The idea behind the music of SWEETBOX isn’t all that unusual. I want
to make music that’s honest, personal, enjoyable, and that’s true to
myself. I believe that there are people who deal with the
circumstances they are given, and then there are people who create
their circumstances. I’ve always tried to create my own circumstances
and strive to do that in my music.
Tina Harris Biography:
Tina Harris was born in Ft. Meade Maryland. With her sisters Jackie
and Angel she travelled to San Francisco and then to Germany, where
she is still living. She and her sisters formed the group B.O.Y.
(Because of you). Her sisters then decided to take on other
professions and Tina went solo.
After attending Frankfurt American Military School, Tina went to
Slippery Rock University outside of Pittsburgh. She followed Olympic
dreams and joined the University Basketball Team. Unfortunately she
hurt her ankle during the first season and returned to her family in
Frankfurt.
She started as a dancer for e.g. Snap, who were at those times
represented by Turbo B, her cousin Durron. Tina recorded own songs
with ZZbros as "ZZMusic" and also with other producers. "Stay in love"
(ZZMusic) was released 1993 on ZYX records.
After project-names like "ZZMusic" and "2Secure", Tina took on the
name "Sweetbox", which brought her international success.
"Everything's gonna be alright" hit the European Top Ten and the US
Top 40. Her album sold about 3,5 million times worldwide. Further hits
were "Don't go away" and "I'll die for you".
Now the days of "Sweetbox" are over, and Tina faces a new career -
finally under her realname as her stagename: Tina Harris. She is
currently working on her first solo album with the help of Quincy
Jones and the ZZBros.