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Vivien had a
lifelong devotion to the theatre, and determined to work there
diligently through the years in order to reach the heights which she
afterwards achieved.
Though in her first big success, The Mask of Virtue, she had
taken the critics and public by storm, she knew that her youth and
beauty were the chief factors of her immediate success, and she was
modest and shrewd enough to face the challenge of developing herself
so as to find the widest possible range of which she was capable.
- John
Gielgud -
1935
- The Green Sash
1935 - THE Mask of Virtue
1936 - Richard II
1936 - The Happy Hypocrite
1936 - Henry VIII
1937 - Because We Must
1937 - Bats on the Belfry
1937 - Hamlet
1937 - A Midsummer Night's Dream
1938 - Serena Blandish
1940 - Romeo and Juliet
1942 - The Doctor's Dilemma
1942 - The School for Scandal
1942 - The Skin of Our Teeth
1943 - Spring Party
1945 - The Skin of Our Teeth
1948 - tour of australia and new zealand: Richard III, School for Scandal, The Skin of Our Teeth
1949 - The School for Scandal, Richard III, Antigone
1949 - A Streetcar Named Desire
1951 - Caesar and Cleopatra, Antony and Cleopatra
1953 - The Sleeping Prince
1955 - Twelfth Night, Macbeth, Titus Andronicus
1956 - South Sea Bubble
1957 - eTitus Andronicus
1958 - Duel of Angels
1959 - Look After Lulu!
1960 - Duel of Angels
1961-1962 - Twelfth Night, Duel of Angels, The Lady of the Camellias
1963 - Tovarich
1965 - The Contessa
1966 - Ivanov
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