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The veteran
actor David Horne had starred with Vivian in The Village Squire
and Gentlemen's Agreement and at the beginning of 1935 he was
rehearsing for The Green Sash, a stage romance set in
Florence, when the actress cast as his flirtatious young wife fell
ill. Horne remembered Vivian. Could Gliddon (John Gliddon was her
first agent. He was a former actor and journalist who had just
started an agency in order to promote the creation of new British
movie stars. A mutual friend introduced the two and Vivian was his
first client) rush her down for an audition? He recalls:
'There were the
usual questions - "What have you done?" etc., etc. Stage
work, they meant. Of course she hadn't done any. But she started to
say, "The Com�die Fran�aise..." and I cut her off
abruptly. She'd been going to add, "... used to send a teacher
to instruct us at my finishing school in Paris". But Leon M.
Lion was duly impressed. "Let her rehearse for the day on
approval", I said, "and if she's no good, say no".
Well, of course, with her beauty and willpower, Vivian got her way'.
The role of
Giusta wall still beyond her experience and by all accounts not very
well written, but her self-confidence was such that her shortcomings
tended to be blamed on the writing. Vivian's fellow cast mates were
helpful to her and she managed to charm the critics regardless of
her inexperience.
'The
dramatists have given so vague a sketch of Giusta', said novelist
Charles Morgan, then The Times dramatic critic, 'that Miss
Vivian Leigh has little opportunity for portraiture, but her acting
has a precision and lightness which should serve her well when her
material is of more substance'. (The Times, February 26th
1935)
If The Green
Sash failed to make theatrical history, it brought Vivian's
first important press notice. At that time, a word of praise from
Morgan carried more weight than a paragraph from another critic.

The
beautiful young actress at home in 1935
Sources:
Vivien: The Life of Vivien Leigh - by Alexander Walker
Love Scene: The Story Of Laurence Olivier and Vivien Leigh - by
Jesse L. Lasky Jr. with Pat Silver
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