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Exclusive interview |
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Iriqa at First Glance
Silence is a sin in its own self. Danish Jabbar Khan’s brain child video, EP’s Irtiqa 3, might just be what the doctor ordered. Consequently, all questions and doubts in Xulfi’s direction have been cleared. Everyone knows that Entity Paradigm is centered around the great lord Maynard’s thoughts, for a band that has its common strings as Tool and A Perfect Circle, but being the over speculative critic of pretty much everything in life, I was sure they would miserably fail short of impressing me. Irtiqa is just too hard a track to handle. The undertoned influx of lyrical power, the vortex the symphony leaves in your mind. I thought it was a track that would eventually be ruined by the flowery lovey dovey videos that we are witness to today. What I experienced has left me breathless. The conundrums of media, and its resulting philosophical babble.The dogmatic and over-opinionated institutions that we are embedded in, living away our lives and existences for a big aggregate void. What we live for is not important anymore, what we accomplish in life is not even mentionable. Each one of us is dreaming of an over-night revolution, the delusional dilemma. The hope that one fine day all will be just how we want it. We wish for so much yet offer so
little to the world ourselves. The video has done the song complete
justice. The video re-emphasizes time and again
the blinding greed and malice of money. The lies that we feed into the
world, and the lies that the world feeds into us. The graphical
innuendos and sublime messages in the video are countless and many, and
it doesn’t take a critic that understands the Mona Lisa in them. The video is profound in its thought, yet its understood at first glance. That’s the melancholic beauty of it. I commend the details, and the importance given to detail in the video. I see no error in shooting angle, or in set placement, which is rare. The details that I mentioned earlier are shown greatly towards the end. The chains pulling mankind along the tracks towards death, certain death. Musically Irtiqa is an intertwined and
mystical masterpiece, backed up by this amazingly well made video
portrayal of its powerful bellowed out lyrics. Over all the video gets a 9 outta 10 rating from my side with the one deducted only for it not being a short film
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"All there
ever was to black and white Does it get more abstract than that?
I'm quite sure not. Faraz Anwer and Babar Shaikh came together once
again under 'Dusk' in 2003 to create a masterpeice which I can't
classify neither as progressive metal or death; so The album kicks of with 'Attachments.'Babar 'whispers' (if I haven't already mentioned) his complex thoughts over the music of what seems to be the organ playing. This somewhat 'eerie' track sets the mood for the rest of the album.'Hidden from senses' outlines dark lyrics with Faraz's intricate guitar work, which only gets better with the restof the album. What follows is probably the highlight of the album: 'Jahilia Calling.' The song starts off with whatseems like voodo chanting (no punn intended) which matures into realatively heavy guitar play laden with evenmore abstract thoughts of our very own desi prodigy: Babar Shaikh! As the song progresses, Faraz surroundsthe listener in an intense guitar solo which continues almost till the end. The melancholy in 'The subduedlight' can be felt throughout the track and is further highlighted by the glum intro and yet another intense soloby Faraz. One thing I must mention is that the rhythm section of this track is incredible; excellent bass work! 'TheSubdued light' is followed by 'Night Bulb Angel' which contains the most complex lyrics featured on the album. It's one of the faster tracks on the album and also one during which (I'm quite sure) the time signature changes. A track one absolutely should not skip. 'As pain becomes liquid' is a 'semi-instrumental' track. I'm using the word semi here because of the fact that after after about 2 mintues into the track, what seems to me as random mumblings (no pun intended) are to be heard; so someone help me out here please! Though the eerie organ music overlayed with piano in the first two minutes or so is quite a good composition. The concept of this 'semi-instrumental'? I guess only Mr. Babar would know. The last track featuring lyrics is 'Decadent little Girl' which is another relatively faster track on the album. The rhythm section on this one has also done an amazing job. Furthermore, the screaming guitar solo on this one makes it another must hear. The last track is another 'semi-instrumental.' Starting off with a sweet melodic piano intro, the track progresses into the 'voodo chanting' I mentioned earlier which continues till the end. And that my friend, is the end. Overall, the album is very technical and the masses of our country are not ready for it yet. I guess that is the reason why its not been released in Pakistan. But do give it a shot. You just might end up liking it. But how do you get your hands on a CD that's not available anywhere in Pakistan? You can leave that up to UMR.
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Social Circus Album Review by Saphiya Khan Gone are the days when I could pop a polo, insert a junoon album in the player and relax on my bed knowing I wouldn’t have to move an inch to either to fast forward a song or spit out my polo. Things have changed massively and the present-day situation might just be an episode of twilight zone, if compared. Ever since Anoushey modeled for Polo, I’ve discarded it as one of my favorite ‘poppers’. The sweet-mint taste is just not the same, or may be it’s my taste-buds. Sad scene,I tell you. Oh and Junoon? Well, it’s the same polo mystery, only worse. Aazaadi and Deewar are worlds apart and as I type this, even that seems less of a distance.
The lyrics are a
marvel-generally speaking. They are fairly intense, having just the
right amount of randomness, a generous sprinkle of rhyme and reason
and then a handful of pain, pleasure, dreams and hopes. Powerful. Very
powerful, I must say. We are talking about lyrics that can swirl in
you and make you get up and run for it-whatever ‘it’ might be. Ali
Azmat has definitely proved his point in this area. He is no Clapton,
but I have to give it to him for creating this magic. The music, on the other
hand, is where he lost points. The creativity is there but its amount
is limited. See, when you speak of Ali Azmat, someone who has been
there, done that for some fourteen years, you don’t want to mean
some pieces of drumming crumpled in with some bass and lyrics that
sink in only after you listen to the song over and over again some
twenty times. Tracks like na re na, mungagan, dil ka jehan and Teree
Perchaeeyaan are no doubt fascinating,to say the least but I wonder
what Ali has to say about Dil ney dil sey kaha and Dil ki sira. Amongst the 11 songs the
artist has produced, I would give the trophy to Mungagan. This
powerful number outstood the others by several miles. It brings back
memories of old junoon, the one that existed before commercialism hit
it hard and it reincarnated into a rather ‘social’ Junoon. Sameer
Ahmed’s ability at his bass-work captures you within the first few
seconds of the song which remains in Azmat’s grip until his husky
voice lowers down, concluding an end. Na rey Na is definitely one
of the finest pieces created. The video is one of the best and won my
million dollar award the moment it aired. The concept along with the
quality of the song has blown the viewers off. The music slows down on
the right spots and Ali displays his ability to take high notes as if
a random conversation was going on. Left to himself, Ali Azmat
has created one definite master piece: Teree Perchaiyaan. The song
effortlessly is a compensation for the other weak pieces and that too
single handedly. Ali has boosted the splendid lyrics for this song
with a beautifully composed tone that has the ability to make you feel
its might. Even if one finds himself in a maze of endless
impossibilities, wrist-slitting pain and worthless wait whenever I
listen to this track and by the time it ends,it’s one long,smooth
road-the maze is gone. That’s what I meant by powerful. It wouldn’t be fair to
say Deewana was a track worth shooting a video on. Sure it can catch
your mind, but that’s after it waves a bright red handkerchief in
front of you reminding you of its existence. Had it not been for the
video, the song wouldn’t be remembered. It lacked spirit and the
composition might have been too seriously done. There’s no smell of
freedom in there, if you know what I mean. Yaar merey yaar doesn’t
seem to tickle the fancy either. Ali could have done much better than
that on those lyrics. It might grow on you though, once you put it on
repeat on your WMP. Main is a rather catchy number, uplifted by the
bass but it’s still not something that would come close to the best
tracks of this album. Dil Ki Sira is however, the track I would
discard, if given the chance. Enough said,me thinks. Piyaas somewhat succeeds in
grabbing attention and moulding it to its beat. The track has also
played its fair share in keeping the album sailing. Dil Ney dil sey
kaha reminds me of triangular party hats and men dressed in all white
with red bows and the women with their cheer-leading pomp pomps. It
failed miserably to cast an impression,too teeny bopper-ish for that. Conclusion is, the album is
definitely worth the 30 or 70 rupees you spend on it or in my case,
the constant back-ache that came as an after effect of staying online
all night for two days to download the entire album (die bloody dial
up die!) It is more of expressions that this guy has promoted with
Social Circus and we should look at it that way, rather than viewing
him with a preconceived impression of a bald, rich rock star. Remember
that: expression good/impression bad. When it comes to judging
someone’s work, you can not use their appearances as the criteria.
Now go buy the album, listen to some mungagan and pop in some
spout-old polo days are gone. *Sniff*!
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Hi, I'm doing great ALHAMDOLILLAH. Give us an introduction about yourself ? How you came to the music industry ? Well it all started years back when i was a kid. I always wanted to be a classical singer. I performed in my family musical functions. So at a very young age of 7 i got used to performing live on stage. That's how it all started and step by step I got more interested in becoming a proffesional singer. So i decided to persure my dream and here I am now in front of you with few of my songs and the album will be coming up soon INSHALLAH. Tell us something about ur genre of music ? What type of music Sameer Saleem do.? Basically i'm a classical singer but i love to do all sort of music from CLASSICAL to ROCK, from POP to BLUES, i've also done a HIP-HOP song in my album. You will find 'Sameer Saleem' as natural as he is in all of his songs. Have you had any music related training of any sort? You are inspired by whom ? I wont say I had any 'USTAAD' but I used to train on other legendary singers who r my 'INSPIRATIONS' as well, such as 'Ustad Baray Amanat Ali Khan', 'Ustad Mehdi Hassan Khan', 'Ghulam Ali Khan', 'Salamat Ali Khan', 'Ustad Nusrat Fateh Ali Khan', 'Reshma', 'Abida Parveen', Mohammed Rafi', 'Kishore Kumar', 'Sonu Nigum', Jagjit Singh', Lata Mangeshkhar' & 'Asha Bhosle'. How do you feel on stage? Tell us something about your 1st live performance? I feel really good and comfortable while I'm on stage because I just prefer performing LIVE with only 2 things in my mind, to go out and give my best. I performed live when i was very young i guess i was 7 years old when I performed the song by Kishore Kumar 'Meray Naina Sawan Bhaado'. It was the most difficult song for me to perform. It was one of my fav. songs. I was performing at a Wedding Ceremony which had a large number of crowd. At 1st I thought that people might make fun of me but when I finished the song all of them were amazed to see such a small child performing such a difficult song. How has your family, supported you in terms of music, and whoelse has been supporting you towards it? My family has always been very supportive, especially my Mother, as she supports me alot by backing me up and she really trusts in the music which i do. She gives me ideas all the times. Other than that one of my friend Zeeshan Hayat has supported me alot towards music. Okay, now coming to your single
that has been released "Aa Ja Re" tell us something about
that... How did you composed it, any personal experiences? Also tell us
something about its video. Do you have a home-based studio, or prefer using a professional studio for recording Aa Ja Re and other songs ? I prefer using a Proffesional Studio becasue i cant compromise on the quality of my music. My complete Album is Recorded, Mixed and Mastered at Zeeshan Hayat's Studio. Other than music, what else do you like doing? Any more interests? I'm into a lot of sports, like swimming, tennis, basketball, snooker, soccer and PS2 games....I love hanging out with my friends, Love to walk on the beach alone. I'm a sports bike riding fanatic... also i love to read and write poetry. I Love to push my-self in every aspect.... you can say i'm totally an extremist. How do you think, can the current media scene, support in rising the underground bands and solo artistes? Well I think the current media must support the upcoming solo artists and bands by giving them the oppurtunities to get their videos done at a low rate but with a good quality, like people are still doing. The Pvt.Channels must support all the artists by giving them an On-Air hype, which can really make the rise to the fullest. What do you have to say about the currents scenario of music that is going on in Pakistan at the moment? I think everyone is doing their job perfectly no matter wat the genre is. We have plenty of names in the music field of Pakistan which are called the pioneer's in Music Industry and its good to see so much talent coming up these days. It has really improved the music scene of Pakistan. INSHALLAH soon pak music industry will be among the best music industries in the entire WORLD. What else do you have in store for the fans in future? UmMmMmm.... Well what does a musician or a singer has for his fans.... I will only say that i will give them the best songs i can and INSHALLAH i wont let them down. In the end ...would you like to share some words with your fans? Well there's a lot more to come for my fans but i'm waiting for the rite time to come and would ask all my fans to trust me as they are already doing and would say that i'm in-complete without them so please dear fans, do appreciate my other songs like you did for 'Aa Ja Re'. I wont let you fans down, Thanx for being so supportive. Final Words.. Well my final words.....May ALLAH Bless my country and every person living in it. I hope i would be able to do something good with my songs for HUMANITY & PEACE, INSHALLAH if I would get the chance, i will surely fight to remove poverty, illeteracy, hunger, pain and wahtever is there which harms my fellow country men. May ALLAH TA' AALA always bless Pakistan and this great nation (Ameen).
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| Exclusive_ interview
with Sifaar The Band
Give us an introduction about
yourselves? The band consists of how many band
members? And what role do they play ? When and who initiated ‘Sifaar’ to
form? What does the band name ‘Sifaar’
mean and how did u come up wid such a name? How long have you been involved in the
Pakistani Music scene? How did you enter the field of Music? band? What kind of music does Sifaar play?
And what are its musical influences? Your debut song, 'Hadh', has been
appreciated a lot amongst the fans out there, what was your prediction
of the song, before release? Who helped in composing the song? Tell
us more about your song ‘Hadh’ Are all songs written by ur mother? Have you had any musical training?
What do you think, should a musician have the basic knowledge of music,
is it important? How do you plan to promote it in the
current media scene? Do you plan to release some more
songs, before the video that is? Where do you jam your songs? How do you think, can the current
media scene, support in rising the underground bands? Have you ever performed live on stage?
Which has been your most rememorable concert of all times? What are the feelings that you go
through before a show and after it? Something you want to share regarding
your roles with Atif and Jal ? Future Plans? Share few words… Thank You for your time Sifaar the band, it was really nice having to know about you guys, We on UMR wish you all the best with all your future ventures and also hope to see you perform live in a concert. |
| Exclusive_ Imik's
'Zamana
Badley Ga!'i
Imik, not an ordinary name in the Pakistani Industry, with his debut launch of the song Piya, this youthful artists grabbed attention instantly in the market. And since then he has been reknowned for his vocal capabilities in Music. Today we come forth with him, telling us more about himself, his experiences, his future plans and what his message is towards his followers.
'Zamana Badlay Ga' is a very aspiring sort of title for an album, why did you choose this title and wht are you aiming to change in the current ‘zamana'? Although Zamana Badlay Ga is not the best track in my album but i kept it as a title track because there is a positive message in the song. The song itself is very aspiring for me cause the time I was recording my album it was a lot of work and struggle. There was nobody there to guide me, I was doing everything on my own. Such as running after musicians, directors, hiring studios then going to different channels, radio stations and then convincing them to play my songs. Trust me its not an easy job for a single guy to do all that stuff. I also had very less support from my family but I had complete faith in my self as well as in God and I finally made the album and all my hard work is now paying off. (thank u God for giving me courage and patience). So basically the song is about, if you want to get somewhere in life you have to be focused and consistent and you should struggle for it till you get what you want. Never give up and have faith in yourself, in God and in your work and never lose hope. You of course come from Pakistan, What do you have to say about the current rock/grunge genre of music that everyone has adopted. If music is about culture then how does rock music depict our culture? Its a good thing that people are finally developing ear to listen to different genres of music especially rock music and this is, thanx to our media who are promoting such bands. Rock music doesnt depict our culture but there is no harm in adapting it, we need to get out of stone age we should open up our minds and broaden our horizons. Your album has a mix of different types of songs, it has romantic as well as ambitious songs in it, how has the response been so far? The response has been tremendous, I wasnt expecting that things would start changing so fast. This is just the beginning of my career, and im not a seasonal artist, im here to stay(inshallah)i will keep giving my fans quality music and songs in the future too. Which band/artist has inspired you the most and why? And name the Pakistani artists you enjoy listening. My favorite artist is Dave Matthews, not only the guy is a good singer but he is also a true musical genius. His song writing is so closed to reality, and in real life he is very down to earth, sweet and humble, i enjoy listening to all the the new Pakistani rock bands. Kamran the guy in your first video ‘piya' is your brother? Do you think your album would have been a different piece altogether if he was here and helping you out with music? Well i dont think so, Kamran is into music but not as much as I am. He never wanted to pursue music as a career, hes a good song writer but not a good musician.
This is true that there are a lot of singers out there, who don't know jack about music or singing but they are singing and they totally depend on computer softwares to tune their vocals. But the public is not dumb they know that whose the real deal and whose not. I never had any formal musical training from anywhere, I'm a self taught musician, i learnt music from tutorials, books, guitar magazines and tablatures. I feel that im blessed in more than one way.
What else do you have in store for the fans in future? I know its still too early to ask for new singles (lol) , but perhaps another video wouldn't harm =) I will soon be working on my next vdo, but I cant tell you the name of the song yet. Before we end, where was ‘akhiyan milalay' shot and whats the concept or story behind the video? My perfomance was shot at Shara-i-Faisal behind duty free shop and the female car shots was done at sea view. Basically its a performance video not a conceptual one. The director wanted to show in the video that I'm an underground singer whose having a concert and he really looks forward that the girl of his dream would come to his concert, but the girl whose very rich and spoiled shows up at the concert very late. For the fans.......... i would like to give them this message, "catch one of your dreams and follow it". Download Imiks Tracks: Interview Conducted by Batool Tahir |
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Every body knows you (ofcourse), But
like they ask in every interview, introduce yourself ?
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| Exclusive_Deewane's
Sneak Peak into Ali's Social Circus
Deewane's Sneak Peak into Ali's Social Circus
Finally, Ali Azmat's long awaited video of Deewane, from his solo album Social Circus, has exploded onto all the major music channels of Pakistan. A great surprise of its release, hyped up all his fans and foes in generating their curiosity for the album. Rumoured to release in about weeks time, the video itself, has projected an image of what Social Circus has instored for the market. A conceptual phase of what Ali commented to be his life experiences and what he is, Social Cicus depicts the true Ali Azmat, and not what Junoon has offered him in the past. Although when heard Deewane, during the album leakage on the Internet conspiracy, i felt as though it would just be another lovy dovy song, which Ali would sing. But after listening to it, i really got addicted to the song. And never had i ever imagined of him, releasing the video at this score. Ali's latest video, Deewane, directed by Jami, was nontheless an eye opening for the Pakistani Music uprise into the professional video market to the level of where American and Indian Music videos are evaluated. Having Jami, on board with professional cast projectors i.e Tariq Amin, Angeline Malik, Sajid Hassan, Shamoon, the ever beautiful Ayesha Toor and the man himself, Ali Azmat. The technical team which plaus a major role in makiing this video, includes Zain Haleem as the Director of Photography and Aamir Wasim, as the Animator. Having prfoessionals on board has surely made a huge difference not only on the level of video making in the Pakistani Media, but has also shown the slightest bit of each scene of the video, a touch of perfection with a sense of building up the creativity of the characters image in this video. Compared to other video of Ali i.e Garja Baras, this with its cinematographic work has passed through the nominal high budgeted conceptual videos. Set in the futuristic venue, the whole video focuses on the part where i feel Ali presents his song, Deewane, a fight between good and evil. Somewhere round the concept of Minority Report where Tom Cruise is framed for a murder. With Ali's acting position in the video, would really make people think about his abilities in terms of opting acting a part of his media career as well. Although the camera angles, and the heavy animation work done by Aamir, the video has perfectly blended with the storyline, the atmosphere and the shots taken for the whole theme of Deewana. I guess its time to wait for the album to release and watch out for Ali Azmat's next video, which is 'Na ra na na' and is supposed to be directed by Saqib Malik[Khamaj]. Its making is expected to begin by the 10th of April, and would be worked through the whole month and would be released by the first week of May. Now lets see how much time does it really takes the video to drive upto the channels, and what effect does this bring out to Ali's image for his first solo career and the patience of his fans. |
| Exclusive_interview Imik's
- 'Zamana
Badley Ga!'
'Aee Kurriyay.' That's right, the album kicks off with Imik's hit second single 'Akhiyan Mila Ley.' The song's got the much too cliched 'guy-trying-to-get-the-girl' theme and gets monotonous after sometime. Another thing which i kept wondering after listening to the song was that why does he want the 'kurri' to dance for him after they lock eyes? The lyrics over power the melody of the song and what saves the song from being a disaster is its catchy beat. 'Zamana Badley Ga' reaches out to the youth of the nation with the theme of fulfilling one's dreams and changing the world altogether for the betterment of it all. An uplifting song with good riffs, and a sweet solo in the middle and a treat to listen to compared to the rest of the album. A slower number, 'Sohni Kurri' revolves around the same 'guy-girl' theme though the use of the flute in this song is commendable. 'Piya' and 'Deewana' once gain revolve around the same theme though 'Deewana' has a more mature feel to it and in this track Imik's vocal quality suddenly improves. Where 'Piya' is concerned, the song has a sweet melody to it and a catchy beat and can easily emerge as a favorite from the album. 'Dil Key Rishtey' is a 'sweeter' composition once again aimed at a chick who our Imik is searching for, though with a more mature melody. Now if you thought that the next track would be another song about a chick, then you were wrong. Just before I was about to stop listening to any more Imik, a fresh break of air came my way through 'Jab Talak Maula.' Perhaps the best composition in the entire album, the song features patriotic lyrics, comparatively heavy riffs and a thumping bassline to go with it. Kudos to Imik on this track. Though it's funny that every upcoming band comes out with a patriotic number. Care to guess why? The sound of this album still matures with 'Bhula Deh Yeh Gham' which has a technoish and electronica feel to it. It's easily the odd one out from the album where production and mixing is concerned. The song structure is very different compared to other trakcs on the album. If looking for something different on the album, then don't miss this one. 'Tere Paas' and 'Nach Len Day' have more or less the same lyrical content though the latter is a more mature track and the solo in the track makes it a good hear. What's funny (or maybe not) is that in some places the song sounds strikingly similar to 'Akhiyan Mila Ley.' 'Jisko' is an acoustic instrumental on the album with a quite mystical feel to it followed by 'Din Nakalta Hai' which has not too great a melody. The only consolation is that the lyrical conetent deviated slightly from the 'guy-girl' trend throughout the album. To wrap things up, an unplugged rendition of 'Piya' is featured in the end.
In a nutshell, Imik's 'Zamana Badley Ga' was neither pain nor too much pleasure to listen to but rocked somewhat between these two extremes. Given that he came up with 'Piya' in one night when he was only 16, Imik will definitely become a force to be reckoned with in coming years. His album comprises of good melodies throught out though I do wish he would deviate from 'pyaar influenced' lyrics and replace them with something more substantial. Imik's melodies are mature towards the end and if he continues to do good work, then ‘zamana definitely badley ga!'
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| Exclusive_interview ALI
CHARLIE
mehlive.com [Underground Media] - : Name?. mehlive.com: Profession?
mehlive.com: Type of music you like?
Dino: Music I like is anything wit a feel anything that has a meaning mehlive.com: Type of music you hate? Dino: The kind that was written for no reason and no feel mehlive.com: How do you guys feel when you are playing live? Dino: The live feeling I get when playing is been the same eth time I 1st went on stage its like home I belong there I feel at peace wit who I am what I do and there no boundaries its me and my music mehlive.com: What inspires you when composing a song? Dino: Its like probably its taken me so long 2 make the album coz each song I have written when I was either in the mood 2 write on or it just came 2 me mehlive.com: What comes deeper from your soul, Music or Lyrics? Dino: Music and lyrics can't be compared cause both are equally important and both come from the depth of yours soul mehlive.com: How would you like to remembered? Dino: And I would like 2 remember as some 1 who was loved and loved wit his all mehlive.com: Favorite musicians? Dino: I have 2 say 4 Quincy Jones ...Pharrel Williams nerd ....john Mayer .....and locally Mekaal Hassan and I love the vital signs mehlive.com: Favorite songs? Dino: English lets stay together by al green and Urdu have 2 be to many 2 fit in mehlive.com: What do you think about Jumpy? Dino: I think jumpy is a site 2 watch out for there always doing great and new things check'em out there fit mehlive.com: Final comments? Dino: I know I have taken a while 2 finish my so kall3d album but wait for it I hope yr not bored when hearing it |
Exclusive_interview RUNGG band

Rungg, a merger of two immensely talented
musicians from backgrounds and experiences so different, their chance
meeting in a Lahore jam session created electrifying sparks. A
realization of dreams and aspirations showed itself to the new band, as
only Kafka's words could explain, "An axe for the frozen sea inside
us".
Questions to IFU
mehlive.com
[Underground Media] - : Name?. Ifu : I was recently in France and was listening to a lot of French pop and rock music. Of course I liked some of the stuff I heard over there, but I honestly felt that Pakistani pop music has so much potential for international exposure, despite Urdu and Punjabi not being widely spoken languages. I think at large we are making better pop music than the French and I think this comparison is reflective of how I see Pakistani music extending itself in future. mehlive.com: What do you think
about other Pakistani artists?
us to have at Least 3 albums Out by then
(I wanna sound different on each album)... I wanna push the
Boundaries Of music (it doesn't have any boundaries intrinsically,
but we humans(i Hope i don't Sound like an alien) have made some
for ourselves).
mehlive.com: How would you like to be remembered? Sarmad: As an inventor...lets see if that happens (right now I'm learning all The Rules and Techniques, so I can break them and come up with my own). mehlive.com: What do you think about Jumpy? Sarmad: Jumpy is doing a great service to music, to bands and their Fans.......keep it up! mehlive.com: Final comments? Sarmad: If you're our fan....thanx for believing in us...never stop that! .... / It's all About choices!....what you choose now affects your life later.... And Remember, not Choosing is a 'choice' as well.
Questions to ZULFIQAR:
mehlive.com [Underground Media]
- : Name?.
Zulfiqar: Zulifiqar ul Hassan mehlive.com: Date of Birth? Zulfiqar: 15th Jan 1980. mehlive.com: Place of Birth? Zulfiqar: Lahore mehlive.com: Hobbies? Zulfiqar: Listening to music, socializing. mehlive.com: Role in Rungg? Zulfiqar: Rhythm guitarist. mehlive.com: What kind of a person are you? Zulfiqar: Explorer. mehlive.com: How would you like to be remembered? Zulfiqar: In good words. mehlive.com: What do you think about Jumpy? Zulfiqar: Doing a great job in promoting bands and their music. mehlive.com: Final comments? Zulfiqar: Thanks for your support.
mehlive.com [Underground Media] - :
Name?.
Wasim: Wasim Kamal mehlive.com: Date of Birth? Wasim: 10th Jan 1982. mehlive.com: Place of Birth? Wasim: Peshawar. mehlive.com: Hobbies? Wasim: Drumming, Reading, Camping, Partying. mehlive.com: Role in Rungg? Wasim: Drummer. mehlive.com: What kind of a person are you? Wasim: Nice to everyone.
mehlive.com: The most
memorable and most embarrassing moment of your life?
Wasim: After I performed at Nandos. Up till now this is the most memorable moment. The most embarrassing is when I broke up with my girlfriend. mehlive.com: How would you like to be remembered? Wasim: A great man....a greater drummer. mehlive.com: What do you think about Jumpy? Wasim: Excellent site. Promotes good music. mehlive.com: Final comments?
Wasim: Fans keep your eyes open for
Rungg's album! Thank you for all your support!
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Exclusive_interview FAAKHIR MANTRA The magical spell of FAAKHIR MANTRA
In a normal musical situation, this would be a compliment. In this case however, it’s really really not. The collection of “enchanting melodies” starts off with the song “Tauba Hai”. Now I like the percussions in this song and the way they change from somewhat tribal to electronica and the production in this song is quite fit too. But the lyrics, as expected, suck like hell (I had no other expression to use). And further on into the song, due to the destructive drought in the lyrics and the repetition of the same music pattern, it gets extremely monotonous. Compared to the rest of the album, as you will see, “Mahi Ve” is like a breath of fresh air. This song has really grown on me. The groovy chorus and the beat that is running with it are quite cool. Just one flaw: what is it with the “Yodlay hi hoo” part?!! Why Faakhir? Why?! Ok. “Kaash” is a song which left me totally confused. I realized at the end of the song that I was unconsciously banging my head against the stereo. I stopped and came to the conclusion that either the first verse of the song doesn’t fit anywhere, or the rest of the song doesn’t fit in anywhere. :S I’m still reeling with the effect of that song. “Din mein teri yaad” was pure torture. It had a “mafia” start. There was no connection between different parts of the song. There was everything in this track from opera singers to Spanish singers with just one thing missing: sense. Really can’t go without that man! “Jiya na jaaye” is typically Indian in its feel and music. The use of the Sitaar in this song is interesting but it does not at all settle down with Faakhir’s voice. And the monotony persists. “Kurri”. “Chal utth chaliyay”. A peaceful soothing “Anarkali” type start. Sitaar. Alaap. Opera?!! The music hints a “Dil na lagay” extended version. Lyrically it is a deviation from the formulaic boy-girl love-hate cycle to the formulaic using-patriotism-as-an-ATM-card cycle. Vocally the song sucks. Yes, more than usual. The effect that Faakhir bhaiyya is trying to produce in the chorus is clearly… failing. By the time I had gotten so far into the album every single time that I heard it, I was sick to the core. “lag lag” was another song which was different just for the heck of being different. Jerking out of my fitful stupor during the song “Preetan” made me wonder if I had purchased a Waris Baig album, or maybe some Pakistani Movie’s soundtrack by mistake (Heaven Forbid). One word to describe the title track: hilarious!! As far as the lyrics are concerned, Faakhir seems to be trying (pay attention to the word in bold) his hand on some life philosophy now. The song structure is hilarious! It left me rolling on the floor with tears streaming down my face unable to stop my laughter. The feel does not coincide with the lyrics in more than just one place. “Kaddi haan kehndi” and “yeh dil ab tera ho gya” do not make for an impressive end. The former being written in a blissful spell of extreme self-love and the latter just being written. Overall, this album was painful to listen to. You have to hand
it to them that, technically speaking, I think that a lot of effort was put into
the production. But the songs seem to be made in sections and jumbled together
without any connection whatsoever. And even despite all the jumping around in
songs, more than one becomes too monotonous to handle. Urgent help with the
lyrics required.
My last sentence on the album: Different just for the heck of it.
Exclusive_interview Bombay Rockers
Bombay Rockers‘Badshahs’ of the UK Urban music scene... Bombay Rockers, the current ‘Badshahs’ of the UK Urban music scene, have made it a point to party everyone with their upbeat hip pop bhangra music around the world. With likes of Jay Sean and Rishi Rich on the block, Bombay Rockers, proved that Hey, we’re here to Rock with Bhangra ;)
Till what extent do you think
have gone to be what you are at the moment? What do you think it takes to be a
successful artist who has broken into the world market?
How did the formation of this
awesome duo start? What did you have in mind when you first started? Was it to
target the clubbing scene or just produce good music for self-satisfaction? Exclusive_interview Saraab
eXclusive interview with The Band Saraab....
Saraab, notoriously famous in the year 2000, when they first released their debut album Yeh Faaslay, which was digested by many, and soon found themselves amongst the best bands in the mainstream. Provided their music for a tele-film ‘Titliyan’, with immense success, Saraab was nowhere to be found. Now after 5 years they return… with a brand new look, a brand new music, and whole new Saraab…. Give us an introduction about yourselves? How long have you been involved in the
Pakistani Music scene? How did you enter the field of Music? Saraab, that is a very different type of a
name, who and how did you come up with it and what does it mean? Describe your role in the band respectively? Have you had any musical training? What do
you think, should a musician have the basic knowledge of music, is it
important? Have you ever performed live on stage? Which
has been your most rememorable concert of all times? What are the feelings
that you go through before a show and after it? How do you, the music that you make is any
different from what other bands and solo artists are creating now a days?
Whats the main difference? How would you define the music that you create? How many albums have you released up till
now? How do you feel, did the audience/ listeners react with your previous
album? Was it satisfactory? Are you currently working on any new
projects? If so tell us about them. How many videos have you released up till
now? What do you feel takes a video complete and defines the song? How does a
strong video help the song to be betterly understood? What are the requirements, in your point of
view, to make a band or solo artist complete and successful? What can we expect from ‘Saraab’ in the
future, where and how do you see yourself in the next 3 years? How has being in this unpredictable field of
music changed or reshaped/shaped your life? Tell us about your own likes and dislikes
when it comes to music? Which Pakistani musician[s] do you listen to? Final words for fans? Exclusive_interview Surkh
An Interview with Surkh, One of the best Upcoming Bands...
How did Surkh come about and who are the band
members? Besides music, I am currently doing MS in computer sciences from FAST and also working in an IT organization as a process engineer. Shoaib: (Guitars) Beside music, I am currently working as Management trainee officer in a Bank. Raheel: (drums) Who came up with the name ‘Surkh’ since it
translates simply as ‘Black?’ The song ‘Lerzish’ seems to be telling a
story. What is going on in the song and what is it about? The debut track ‘Lerzish’ consisted of
soulful lyrics and an amazing composition. Who helped with the technicalities of
the song and are you guys happy with the way it has been received? Coming to the second part of the question, hats off to Zulfi for helping us with the technicalities, maturing the arrangement and his solid guidance at each phase of recording and mixing. While working on songs, are the lyrics penned
down first or is the composition laid down first? What are your musical influences; bands or
artists that made you guys say ‘Yes, this is what we want to do?’ Mansoor: Among vocalists, I love listening to Bono of U2, Chris Martin of Cold Play Ronnan Keating, Don Mclean, Alanis Morissette and Celine Dion. And musically my inspirations are Pink Floyd, Porcupine Tree, Sting, Vital Signs (Hum Tum) and A.R.Rehman. Shoaib: Well been into listening for so long, stared with Matallica, Gunzzz and Megadeth, Pearl Jam then biggest inspiration for me been n still Jim Morrison from The doors and made me serious about playing guitar and about music and then Alice in Chains, Mad Season, Nirvana, Black Sabbath, Led Zepplin, Alanis Morissette and in instrumentals love to listen Steve Vai and Eric Jhonson and some blues stuff Raheel: I love Matallica, Lars (drummer) been my first inspiration the way he hits the snare its amazing. I also like Tool, Megadeth, Black Sabbath, love Mad season Tell us about the equipment you guys use, the
studio setup and how long have you guys been involved in the music scene? Mansoor: I use a basic Yamaha keyboard for vocal practice and basic compositions at home. And at our jam place what can say but a MIC is a vocalist’s best friend ? Raheel: I’ve just sold my old Proking Drum set and hope to buy a better within next month looking for a best one How supportive has the media been regarding
the debut release on matters such as promotion, coverage etc? What’s cooking in the studio for Surkh fans
out there. Any new audio or video releases we can expect? Any live performances
the audience can expect? Thank you for taking out time for UMR. We wish you the best of luck with all your future ventures.
Exclusive_interview Jal the band Har Jagga Hai Jal….’
People have been desperately waiting for Jal's album to come out ever since the instant hit 'Aadat' was released on the Internet in early 2003. Mid of 2004, news of the band's breakup really put one into doubts whether there WAS an album to wait for. But Atif Aslam and Goher (former line-up of JAL) decided to pursue their music career, despite the breakup, and went their own ways. After the release of Atif Aslam's album Jalpari, the wait for Goher's version to come out was even greater than before. And... FINALLY! Out came 'Aadat'; an album by a nameless band (the name JAL cannot be used as the case is still pending in the court of law) consisting of three members, Goher Mumtaz (composer, songwriter, lead guitarist and vocalist), Farhan Saeed Butt (lead vocalist) and Shazi (bass guitarist). The album kicks off with 'Rangon Main', the song that first introduced Farhan as Jal's vocalist. And Farhan does not fail to impress one at all. Awesome music to compliment the upbeat melody. The next track, 'Woh Lamhey', has been airing quite frequently on local music channels lately. The song is a medium-beat song, where the vocals keep switching from Farhan's to Goher's and then Farhan again. But the voices seem to gel together perfectly and add a significant touch to the song. The following two tracks, Ik Din Aye Ga (vocals by Farhan) and Panchi (vocals by Farhan and Goher), are just completely mesmerizing; the lyrics, the compositions, the music, the vocals... it's all worth appreciating! 'Ik Din Aye Ga' is about having faith in one's self when the world around you, everything you have ever known, is falling apart. 'Panchi' is about pursuing one’s ambitions, struggling to achieve one's goals, going against all odds. Half way through the album, we have 'Bikhra Hoon Main', a whole
new version of the 'Aadat' we have been listening to for so long. The song is so
different from the original one that I am not sure whether it really passes off
as a 'version' of Aadat. Completely different lyrics and way different music...
it IS in fact a whole new song. Thumbs up to Goher Mumtaz who created an amazing
composition out of an already existing song. Since most people associated the
song 'Aadat' with Atif Aslam (since he was the vocalist when the song was first
released), 'Bikhra Hoon Main' was written to signify Farhan's existence. It was
written to express Goher's feelings in words and to confirm Farhan as the
vocalist... thus, promising the existence of the new line-up of JAL! Next, we have 'Teri Yaad', a slow romantic track. Flutes by Ahsan (Pappu) are the main attraction of the song. Farhan's vocals are par excellence. 'Manchala' is one of the few fast tracks on the album. Since I'm running out of synonyms for great, awesome, outstanding... I think I'll just let you find your word for it. ‘Har Jagga Hai Jal’… a perfect end to a perfect album! I would have said it’s very pompous of the band to include this particular song in their ‘debut’ album, but then… it IS very pertinent. Other than these ten songs, the album contains two instrumental tracks, which fail to gain one’s attention. Many fans would have preferred a couple of unplugged versions of the songs as album-fillers, rather than instrumentals. Jal, as a band, have in fact achieved a transcendent significance with their debut album ‘Aadat’. The band has proved its worth. The much-criticized vocals of Farhan Saeed are praiseworthy. Goher’s lyrics and compositions express their originality with songs like ‘Bikhra Hoon Main’. The applaud able efforts of the musicians, Shazi, Goher, Salman Albert, Waqar A. Khan, Mekaal Hasan, Farhad Hamayun, Ahsan (Pappu) and most importantly Xulfi, give life to the remarkable compositions. In my opinion, after Vital Signs, Jal is the only pure pop band that has fulfilled the needs of pop-lovers. ‘Aadat’ is a classic indeed!
Exclusive_interview Corduroy The Morning After All Rock, No Roll Review......
Somewhere in 2000, in the culturally barren wasteland known as Islamabad a new band Corduroy, the brainchild of aspiring songwriter/vocalist Mobashir Noor and guitarist Sarmad Faraz was formed. Corduroy combined Moby’s influences including Pearl Jam and REM with Sarmad’s fiery fretwork based on the style of Eddie Van Halen, Steve Vai and Joe Satriani. From the early days the band was insistent on writing original material. One remembers an early effort released locally through Audiocity. The only praise that could be given to that work is that at least the band had put in some effort in writing and recording their own songs. Now 3 years later the band comes up with their ‘debut’ album ‘The Morning After’ although anyone following their recording career will realize that this is the probably the third album they’ve purchased (a second effort consisted of badly recorded versions of songs from ‘The Morning After’). This time they are no major complaints from the recording quality. The album kicks off with the upbeat ‘Your Song’ a two-chord stomp in the vein of Ten-era Pearl Jam. The song flows smoothly until the break after the chorus. It’s here that Sarmad adds a bluesy guitar part, which could have done the song, wonders, but is strangely out of time and out of scale. This part sticks out like a sore thumb in what is otherwise a good opener to the album. Up next is the album’s highlight and debut single ‘Leeway’ which is all set to hit the airwaves soon with a video directed by EP’s Xulfi. Great song and great lyrics. No complaints here except the sequenced drums seem to be too muffled and in the background. A comparison of the live performance of this song with the recorded version would have me believe the album version was recorded on dope! Somehow, the energy of Corduroy’s live performances doesn’t translate that well onto record. ‘Ground Zero’ keeps up the adrenalin of the
record. Another song which would make Pearl Jam proud. Moby’s Vedder
imitation is spot-on and Sarmad’s guitar fireworks The next good song after ‘Ground Zero’ comes on the 8th track ‘Blue Chip’. A mercurial rocker, this song shines equally well on record as it does when the band plays it live. However like ‘Your Song’ the band makes another blunder. Moby’s scatting along with Sarmad’s guitar part in the last minute is again not exactly in key. ‘[end]’ is next and is my personal favorite from the album. A good departure from the rest of the album, the song has a instantly likeable melody and great words “I’m the picture that’s never taken, the house with the lonely view”. Profound indeed. The solo could have been improved upon as Sarmad is found lacking where more feel and subtlety is required. ‘Dystemper’ sounds like something I’ve heard before complete with irritating scale change. The album’s last track ‘Aas’ is also its solitary Urdu number. If you thought Faraz Anwar sounded bad trying Scott Stamp then Moby doesn’t do much better singing like Eddie Vedder in Urdu. Not required methinks. Now since I’m done picking out the
album’s faults, a list of the album’s attributes would be in order.
Let’s face it: I’m scared of Moby; he’s big, he looks mean and I can see
him breaking my neck in the same swift motion with which he breaks a mic
stand. If I don’t come up with something positive about the album my first
review could be my last. First of all, great lyrics by Moby that more than
stand up to the test. NFP sums it up best by calling it a criss-cross between
Bowie’s quirky eccentricity and Vedder’s irreverent, satirical pessimism.
A lot of the songs more than conjure up images of Ziggy Stardust-era Bowie and
early Pearl Jam wordplay in all their glory. As far as the band performance is
concerned, Moby’s vocals have improved immensely and bass playing by Ahmed
is solid throughout. Sound quality and overall mixing is very impressive
considering the limited recording equipment I’ve heard the band has.
Packaging is next. Good inlay and interesting credits: issues with LSD and
Hells’s Angels! Isn’t this a rock’n’roll band? And where’s Osama Bin
Laden? His organization Al-Qaeda and best buddy Dubya get mentions but the
Sheikh himself is absent. Overall a good effort by this band that should serve
as a catalyst for other Pakistani underground bands to come up with something
of their own. Nuff said!
Exclusive Interview JIGGA
DOWNLOAD JIGGA FEZ's EXCLUSIVE SONG
Full Name : DATE OF BIRTH LOCATION PROFESSION HOBBIES FUTURE PLANS HOW LONG YOU HAVE BEEN
INVOLVED IN MEDIA? WHAT INSPIRED YOU TO MAKE
MUSIC? My Indian Inspirations are Punjabi MC, Bombay Wikings, Bally Sagoo, and ofcourse the new sensation Rishi Rich Project. Pakistan I like a whole mix but consider Junoon and Vital Signs the main force behind starting the POP and ROCK scene which is now turining into HIP HOP.
HOW HAS YOUR EXPERIENCE
WITH PAKISTANI MEDIA BEEN SO FAR? ANY PLANS FOR A NEW VIDEO
ANYTIME SOON? HOW FAR DO YOU SEE
PAKISTANI MEDIA EXTEND ITSELF? TELL US ABOUT YOUR
RECORDINGS
TYPE OF MUSIC YOU
LIKE? HOW DO U GUYS FEEL WHEN U
R PLAYING LIVE?
WHAT COMES DEEPER
FROM YOUR SOUL, MUSIC OR LYRICS? FAVORITE MUSICIAN? FAVORITE SONGS? FINAL COMMENTS
Exclusive Interview GAAJ's Full Name : AGE : DATE OF BIRTH : PLACE OF BIRTH : LOCATION : PROFESSION : HOBBIES : FUTURE PLANS : HOW LONG YOU HAVE BEEN INVOLVED IN MEDIA
? WHAT INSPIRED YOU TO MAKE MUSIC ? HOW HAS YOUR EXPERIENCE WITH PAKISTANI
MEDIA BEEN SO FAR ? ANY PLANS FOR A NEW VIDEO ANYTIME SOON ? HOW FAR DO YOU SEE PAKISTANI MEDIA EXTEND
ITSELF ? WHAT FLAWS DO YOU SEE IN PAKISTANI MEDIA
TODAY ? WHAT ABOUT YOUR MUSIC EDUCATION ? TELL US SOMETHING ABOUT YOUR MUSIC
EQUIPMENT ! TELL US ABOUT YOUR RECORDINGS ! SOURCES OF INSPIRATION ? OTHER OCCUPATIONS ? TYPE OF MUSIC YOU LIKE ? TYPE OF MUSIC YOU DO NOT LIKE ? HOW DO U GUYS FEEL WHEN U R PLAYING LIVE
? WHAT INSPIRES YOU WHEN COMPOSING A SONG ? WHAT COMES DEEPER FROM YOUR SOUL, MUSIC
OR LYRICS ? HOW WOULD YOU LIKE TO REMEMBERED ? FAVORITE MUSICIAN ? FAVORITE SONGS ? WHAT DO YOU DO TO EARN FOR LIVING ? WHAT DO YOU THINK ABOUT ePM ? FINAL COMMENTS !
Exclusive Interview SUR THE BAND
WHAT EUIPMENT DO YOU/BAND USE(S) ? We Use 1 Lespol Guitar, 1 Starsun Acoustic Guitar, 1 Zoom Processor, Real Drum Kit. WHY MUSIC ? Because for most of the times in our lives music has come to rescue and we were always fascinated by its power. HOW LONG HAS IT BEEN SINCE YOU HAVE BEEN INTO MUSIC ? About 4 Years we are in Music Field. ABOUT EDUCATION ? Nabeel: Masters in Computer Sciences (Punjab College UCP). Kashif: Masters in Business Finance (Punjab College). WHO AND WHAT IS YOUR MUSICAL INFLUENCE(S) ? Well it includes names from all genres of music. But some major influences were Junoon, Vital Signs, Pink Fllyod, Nusrat Fateh Ali Khan and Mohammad Rafi. HOW DID YOUR BAND'S NAME COME INTO BEING ? Me & Kashif were class fellows and childhood friend so there is no big story about it and we just started working together. HOW CAN YOU DIFFRENTIATE YOURSELF/BAND/MUSIC BY ANY ONE (OR MORE) THING(s) FROM EVERYONE ELSE ? We r just announcing our hearts out so there is no comparison. We just bring out what we feel in real lives and our own emotions. WHO WORKS ON WHAT IN THE BAND ? Kashif: Lead Vocal / Composer. Nabeel: Lead/Rhythm Guitars, Composer, Music WHAT DO YOU THINK YOU ARE IN COMPETITION WITH ? I think its unfair to declare any competition as we believe everyone out there in this industry is releasing what one feels is good enough. WHAT DISTINGUISHES YOU FROM OTHER BAND'S ? Our Songs. ON STAGE, WHAT DO YOU FEEL ? We enjoy our stuff and try to give a best. That why we attracts to our fanz. WHO/WHAT FACTOR WOULD YOU LIKE TO RESPONSIBLE FOR
REACHING SO FAR ? WHERE DO YOU SEE YOURSELF AFTER 5 YEARS ? WHAT DO YOU SEE IN MUSIC ? HOW DO YOU PERCEIVE IT ? IF YOU HAD ONE CHANCE TO GO BACK IN PAST AND CHANGE IT
ALL, WHAT WOULD YOU CHANGE ? WHAT DO YOU LIKE MOST ABOUT NATURE ? IF YOU WOULD HAVE BEEN UNSUCCESSFUL IN REACHING SO FAR
AND GOTTEN NO CHANGE TO DO ANYTHING AT ALL IN MUSIC, WHAT WOULD YOU BE DOING
RIGHT NOW ? ANY MESSAGE FOR THE PEOPLE ? Exclusive Interview EVOLUTION's
Full Names : PLACE OF BIRTH : LOCATION : PROFESSION : HOBBIES : FUTURE PLANS : HOW LONG YOU HAVE BEEN INVOLVED IN MEDIA
? WHAT INSPIRED YOU TO MAKE MUSIC ? HOW HAS YOUR EXPERIENCE WITH PAKISTANI
MEDIA BEEN SO FAR ? ANY PLANS FOR A NEW VIDEO ANYTIME SOON ? HOW FAR DO YOU SEE PAKISTANI MEDIA EXTEND
ITSELF ? WHAT FLAWS DO YOU SEE IN PAKISTANI MEDIA
TODAY ? WHAT ABOUT YOUR MUSIC EDUCATION ? TELL US SOMETHING ABOUT YOUR MUSIC
EQUIPMENT ! TELL US ABOUT YOUR RECORDINGS ! OTHER OCCUPATIONS ? TYPE OF MUSIC YOU LIKE ? HOW DO U GUYS FEEL WHEN U R PLAYING LIVE
? WHAT INSPIRES YOU WHEN COMPOSING A SONG ? WHAT COMES DEEPER FROM YOUR SOUL, MUSIC
OR LYRICS ? HOW WOULD YOU LIKE TO REMEMBERED ? FAVORITE MUSICIAN ? FAVORITE SONGS ? WHAT DO YOU THINK ABOUT ePM ? FINAL COMMENTS !
Exclusive Interview Black Warrant
Band's Name : Black Warrant
Music Genre : Heavy Metal Website : http://www.BlackWarrant.com Your Name : Ali Raza Farooqui Age : 24 Your Role: Lead guitarist & vocalist Date Of Birth : 4th Nov. Education : BSE Computer Science Profession : IT Manager Hobbies : Music, computers, reading & internet Future Plans : Allah knows better, what comes in my mind I do it, no special plans. How long you have been involved in media ? What inspired you to make music ? How has your experience with Pakistani media been so far ? Any plans for a new video anytime soon ? What flaws do you see in pakistani media today ? Tell us something about your music equipment ? Tell us about your recording ? Type of music you like ? Type of music you do not like ? How do you guys feel when you are playing live ? What inspires you when composing a song ? What comes deeper from your soul, Music or Lyrics ? How would you like to remembered ? Favourite musician ? Favourite songs ? What do you do to earn for living ? What do you think about ePakimusic ? Final Comments !!
Exclusive Interview With IRE.........
IRE,
an American based Pakistani band from Washington DC, brings forth with itself,
the passion of rock, and the passion of their country, fusing with only one
thought, to enjoy and to progress their skills in music. UMR introduces you
all to IRE with this interview carried out by Ubaid Khan
First off, can you tell us about your band?
How was it formed? How it became of birth & who are its current members? Samir: When & why did you guys start playing?
Were you in any other band before joining Ire? Samir: Sharjeel:
Samir: Sharjeel:
What instrument and other equipment do you
use?
What genre would you classify your music?
Samir:
Do you feel nervous while performing on stage? Samir: Sharjeel:
Samir: Sharjeel:
Samir: Sharjeel:
Samir: Sharjeel:
Samir: Sharjeel:
Samir:
Samir: What can we expect from Ire in the future?
Shed some light on its plans. Samir:
Samir:
Sharjeel:
Samir: Sharjeel: Interview With Ali Khan.... Hello
Ali, how you doing today? You have recently launched your two songs,
Surmai and Saathiya, and received a respectful amount of appreciation from the
nation, how does it feel? What expectations did you have from the songs? What inspired you in making music? And how
long have you been playing? Listening to your music, we figure, pop is the
highlight, but are there any other genres, that you prefer doing, or would be
doing in your upcoming album? Album, when are we expecting it to release?
Can we expect anything different/experimental from the normal pop/trance scene
in the market? Do you play any other musical instrument, or
prefer working more on your vocals? Have you taken any vocal training before? Or
was it all self-experimentation and practice. Tell us about the equipment you use at home
and in the studios Do you want to do a concept album? Where do you drive your lyrics from? Are there any upcoming events in which you
will be performing live? With the current progress in the Pakistani
music scene, what benefits do you feel for your music genre? Till where do you
think it would be appreciated? Are you interested in any other media fields,
like modeling, direction and etc? Who helps you in composing music, and writing
lyrics for your songs? Are there any plans of making your video of
any of the released songs? If so, then who are you expecting to direct? Going through some of your unreleased tracks,
I came across the versatility in your musical projection, how confident are you,
in releasing them, and getting the same amount of appreciation from the masses? While releasing your songs into the media
scene, had you face any difficulties? Are you working on a separate project with any
other musicians in the field? Who and on what are you working? What do you plan to do in the future? Couple words to your fans….. Thank You for your time..
exclusive_interview Tarb the Band.....
When
and who initiated ‘Tarb’ to form? The band
consists of how many band members? And what role do they play in the band? Faisal writes & composes songs and these songs are then being processed by Abdul basit. Basically it’s a sort of work, which these guys share, & they do know how to raise hell out of em? What does the
band name ‘Tarb’ mean? What kind of
music does Tarb play? And what are its musical influences? As far as influences are concerned then we must say, tarb is really a big big fan of Anathema, Beethoven, Mozard, Iron Maiden, Korn, Metallica & Tarb? Your debut
song, Sarab, has been appreciated a lot amongst the fans out there, what was
your prediction of the song, before release?
Faisal wrote this song & composed its rhythm pattern way back 31st dec. 1999 eve heheheh and after forming tarb he composed the song along with Abdul Basit. Overall as we mentioned before they are the key guys for us. How do you plan
to promote it in the current media scene? Any plans of
working on its video? Or do you plan to release some more songs, before that? We seem to
believe that the recording of the song ‘Sarab’, lacks quality, but keeping
in mind that you being an underground band, what do you think was the
disadvantage to the lack of quality in recording? Where do you
jam your songs? How do you
record your songs? In a home based studio or do you record it in a professional
Studio? How do you
think, can the current media scene, support in rising the underground bands? After your
first release, do you now plan to play concerts in your city? Future Plans? We wish The
band Tarb, all the best for their upcoming ventures, and hope to see them rise
in the underground music scene. news JilaWatan Cricket Torunament? Strings and Umar Anwar - A New Funda? What?!?! New Albums! Deewane? :S Yaadein in Making JilaWatan Cricket Torunament? Videos worth waiting for.... Noori Censorship! Razam....
Babars Tour www.duskhorde.com
Atif Aslam was
in Dubai on 31st August to Shoot his Video Mahi Ve for the Album Jal Pari.The
video is Directed by Farhan Nadeem.The video is expected to air next month.
Videos of this unplugged performance will also be available very soon. news
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