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Paso Fino Judging ... Frequently Asked Questions

Lynn Gallup, a Senior Certified Paso Fino judge offers these tips from a judge’s view
to help make your horse show a more positive experience.

Show exhibitors

How do I know what class my Paso Fino belongs in?
This question is a common one. Exhibitors should get several opinions from qualified professionals, such as experienced breeders, trainers, and judges within the breed. What is one person's opinion of a performance or fino horse is someone else's pleasure horse. Videotape your horse's performance and get it reviewed if you can't get the horse critiqued in person. Ask the reasons why the professional feels such to help understand the reasoning of the opinion.

Why did a certain horse place lower that never made a mistake over one that did?
A horse that is a average or marginal horse that shows no ambition or spark in its performance generally doesn't do enough even to make a mistake. This horse is performing at a 65-70% level of what the ideal would be. Meanwhile, another horse is performing at a 95% level of the ideal. It makes a minor mistake, and is moved down to a 90% level; it makes another mistake, and moves to a 80% level, but still it is superior in its overall performance than the horse performing at a marginal level. Obviously, if the original 95% horse keeps making more mistakes, he is not performing to the ideal and will drop below the 65% horse.

Why did one horse place well in one class, but not in another at the same show?
Every class can be seen as a "different" horse show". A horse who did not place well in one class due to his mistakes, may come back in another class and perform flawlessly and win. A horse may improve with more time and experience in the show ring with each class entered OR get more tired and not perform as well.

Why is more than one judge often used at Paso Fino shows?
Besides earning multiple points for class placements at one show, the exhibitor is getting more than one judge's opinion or judgement. If an exhibitor does not agree with a certain judge's opinions, the use of more than one judge at the same time lessens possible political decisions. Most people, exhibitors, and/or breeders do not want all the breed's future resting in just one judge's opinions.

Basicly, how are Paso Fino gait traits judged in a class?
Qualitative traits of the gait's cadence are judged subjectively as they can not be measured. "Beauty is in the eye of the beholder", such as quality, beauty, and harmony of movement. Quality expression is considered more difficult to judge, so the more judges used would give a better average.
Quantative traits of the gait's cadence can be judged objectively as they can be measured, such as tempo, quickness or frequency of footfall, timed distance to travel, and energy and recoup level.

Why do some classes and judges take longer to judge than others?
Besides the fact of a large class entry size, it comes down to the degree of similarity among entries. In this case, there are only small differences between the contestants in their performances and often will include workoffs. For each class, the time needed will also be determined by meeting all the class requirements in a manner to view all the
exhibitors perform at each gait. Otherwise, judges that take longer to judge than needed can give the impression of a lack of confidence in their decision making process.

How do judges apply the their decisions in their placements?
When the class is run, a judge will compare entries to the "ideal" class standard or criteria first, next compare the entries to each other, and then place the class accordingly. Close performances may be called for a workoff.

What is involved when a judge calls for work-off tests at a Paso Fino show?
Paso Fino judges may call for work-off tests only after the regular class routine is run to further evaluate closely contested horses/exhibitors. Judges will call those contestants for a work-off that are performing to a similar level of quality to help decide which is the more efficient performer during the workoff test routines. Work-off tests may involve railwork and can include predescribed tests as per the Paso Fino rules. Multiple reverses on the rail and use of the sounding board are frequently used.

What is the purpose of the sounding board and how much emphasis is placed on the horse's performance in a Paso Fino class?
The sounding board may be used after the class routine by some judges before line-up, though the sounding board is not described in the rules as part of the regular class procedure. In this circmstance, the judge should still place the emphasis on the railwork performance in choosing the class placements and not solely on the sounding board performance. Its use as per the rulebook is for an extra work-off test (for closely contested
horses). It is to be known the sounding board is used for one main purpose: to hear the eveness of cadence of the Paso Fino gait. In the Classic Fino class, it is also used to hear the quickness of the footfall.

What is the judge looking for in the use of the sounding board as a workoff test?
When judging the contestants on the sounding board or also called the "fino board" in the Classic Fino class, the judge may even look slightly away or down to concentrate on the sound of the hoof beats' rhythm going over the sounding board. The judge is not ignoring the contestant or being disrespectful, but in fact concentrating on the sound of the cadence while tuning out the cheering of the spectators or distractions. The judge may
also evaluate the way of going as in "tracking" (ideally the same hind foot follows the path of the front foot fall in a straight path) of the horse at while using the board.

Note: as per show management or request from association committees, it has been suggested to judges to use the sounding board besides just for workoffs. Since judges work for show management, they generally will comply. These reasons can be:

  • Excitement and entertainment for the show and spectators
  • The spotlight in which for each exhibitor to shine
  • Experience for horses that may return for the championship class
  • Everyone loves the Paso Fino sound over the board
  • Education for spectators to hear correct or incorrect rhythm

Does it matter where a judge stands in a ring to best officiate?
A judge who stands at one end of the arena or the other has a better view of seeing up to 85% of the entries at any time by pivoting. While a judge who stands in the middle of the ring has a more limited view, as their back is to 50% of the arena immediately behind them. Exhibitors may show better in different areas of the arena, and also may correct their horses when they think the judge is not looking. When more than one judge is used, one judge may see this while another does not, so the judge's position in able to see the most entries is important.

Why is conferring among judges not a judging system used often?
Judges may be viewed as having different "criteria" when judging. Also, when conferring, the spectators and exhibitors do not know the individual judge's "criteria" used to judge by and what was the level of independence of each judge. One judge will generally have more importance in breaking decisions when there is not a unified decision made.

Judges tieing a class at a Paso Fino Show

The Judge’s Side of The Story

Originally from “Stud Manager’s Handbook”, Vol. 2. Credit to “Horse Lovers” Magazine Sept.-Oct. 1967; *edited for the Paso Fino by Lynn Gallup

Many times one hears a horse show judge criticized unmercifully. Perhaps in some cases such criticism is justified. However, if the exhibitor or the spectator would put themselves in the shoes of the person passing judgment on a class, he might possibly see another side to the story.

There are a number of important factors that the exhibitor, the spectator and particularly the judge must take into consideration when preparing for a show. The complete exhibitor, the knowledgeable spectator, and the qualified judge will be all well versed in certain necessary areas. Although this discussion will be made from the viewpoint of the judge, the exhibitor and the spectator would in most cases, be less vociferous in their discussions of the show if they took heed and followed some of these
suggestions.

First of all, the judge must have a clear picture of the ideal. This ideal may be a * Bellas Formas Classic Fino, Performance, or Pleasure horse; but in each class the qualified judge will know exactly what he is looking for. They will observe each horse closely, comparing him with the ideal. Their observations must be complete and they must be accurate. When the comparisons made are based on complete and accurate observation, a logical and correct conclusion can be made, and the class is placed accordingly.

Now then, let’s observe the exhibitor and the spectator while the class is being judged. The exhibitor is showing his horse the best he can, and has little time to properly evaluate the performance of his competitors. His first and most important concern is showmanship, and not judging. The spectator, on the other hand, has much time to watch the class as does the judge. He can observe all the horses work and reach his own decision. Maybe it will be a good one. He may, however, have had some distraction from his neighbor or perhaps he has a friend or relative showing one of the horses and he spends a little more time watching that particular horse or person and misses something of importance, or he just might not have an unobstructed view of the class at all times.

The important points are: The judge has only one thing on his mind, and that is to place the class to the best of his ability. The judge is mentally tuned to use a system to logicly determine placements of the class. The judge has the best view in the house. Of course, he may miss something when his back is turned, but if he/she is truly qualified and follows definite procedures the things missed will be of little
consequence.

Knowledge of the ideal for each class has been mentioned. The judge must also have a complete understanding of the rules, qualifications, tack, and attire governing each class. Most shows follow rules that can be found in the Handbook published by the *USEF. In some local cases, “local” rules of a specific association, may supersede *USEF rules. In all cases, the judge is duty bound to become familiar with these rules. By the same token, the exhibitor and the spectator must know the rules. Many controversies could be avoided if everyone concerned knew the rules of a particular class.

And finally a good horse show will have:

  • Good horses
  • A good physical plan
  • A qualified judge
  • *Enthusiasm and good sportmanship among exhibitors

The judge will be thoroughly trained and will conduct their self in a manner that is a reflection of the position they hold, one of professionalism and integrity. The judge will attempt to satisfy:

  • His/her own conscience
  • The exhibitor
  • The spectator

If the exhibitor and the spectator train themselves as judges, and if they gain some appreciation of the work that the judge does, our shows might become a truly educational and rewarding experience.


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