Helen Sanderson

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Helen Sanderson - Artist, Brisbane, Australia

Helen Sanderson at work in her studio

Biography

After teaching art in secondary schools in Queensland for many years, Helen Sanderson established her own textile business. On completion of further studies in Visual Arts at the Queensland University of Technology, has exhibited her work in Australia since 1991. Her work explores storytelling, documenting and recording history through the Australian landscape, dance, and music. She is involved with painting, printmaking, textiles and artist’s books. She has had nine solo exhibitions, three of which toured her home state of Queensland. She has been involved in many group exhibitions throughout Australia, including Paper as Object an international paper exhibition currently touring Australia. She has had experience managing the Queensland Arts Council Art Gallery, and been involved in project managing some of their touring exhibitions. Sanderson was the artist in residence for the Australian Folkloric Dance Company in 1996 and Edwards Dunlop Paper in 2001. She has participated in three collaborative exhibitions with the Queensland Performing Arts Centre and the Queensland Arts Council. She is the curator for the Australian content of Lost and Found.


Curriculum Vitae   -  Helen Sanderson

Objective

  • To be actively participating in my visual arts practice through exhibitions, teaching, project management and curating opportunities.

Studies

  • 1993-5    Brisbane Institute of Art 
  • 1989       Advanced Diploma in Visual Arts
                 Queensland University of Technology
  • 1971       Graduate certificate in Secondary School Art Teaching
                 Kelvin Grove Teacher's College

Employment

  • 1999-01       Workshop tutor, and exhibition judge 
  • 1997-8         Acting Gallery Director, touring project manager, Queensland Arts Council
  • 1975 – 87     Self employed 
  • 1972-8         Secondary school Art Teaching Stanthorpe State High School, 
                      All Hallows School Brisbane
  • 1978            Lecturing McCaulay College, Australian Catholic University.

Professional activities

  • 2001        Artist's Talk - Paper as Object - Noosa Regional Gallery
  • 2000-01    Artist-in-Residence for New Possibilities in Paper Project
  • 2000-01    Committee member  - 
                   Australian Decorative & Fine Arts Society, Brisbane
  • 1999-01    Board member for TAFTA (The Australian Forum for Textile Arts, Ltd)
  • 1998        Selector - 2 exhibitions Warwick Regional Art Gallery
  • 1998        Curating QAC exhibitions
  • 1998        Project Manager Q’ld Arts Council 
                  Oliviero Toscani – 15 years of images for United Colors of Benetton
                  
    exhibition touring Australia
  • 1996        Artist’s Talk - Prospect Gallery Second Look  
                   National Textile Biennial exhibition. 
  • 1996        Artist-in-Residence Australian Folkloric Dance Company

Publications

  • 2001     Paper as Object - book produced to promote exhibition
  • 2001     Eyeline magazine issue, about to be published,
               article by Margaret Maynard 
  • 2001     Paper Links, in house publication for Edwards Dunlop Paper, artist in residence  
  • 2000     Textile Fibre Forum Vol 19 Issue 3 No59 
  • 2000     South West news       The Music Series 
  • 1999     Stanthorpe Border Post 16.6.99 Fruit of the Vine 27.5.99 
                – Artist recaptures her childhood memories 
  • 1998     Craft Arts International No.42 1998 Portfolio 
                No 169 Helen Sanderson Branching Out 
  • 1998     Queensland Arts Council April 1998 Vol 2 No. 1 
                Helen Sanderson Monoprints
                Crafts Arts International No 44 1998 Buyers Guide No.17 
  • 1998     Review Courier Mail 18.12.98 Nature exhibition at 
                Craft Queensland Gallery by Jeff Shaw.

Exhibitions

Individual Exhibitions

  • 2002   Remembered and Seen … an exploration of the local landscape through memory and observation - Warwick Art Gallery, S.E. Queensland
  • 2000-2001    Helen Sanderson: the Music Series touring regional Queensland 
  • 2000           Helen Sanderson: The Music Series collage works QPAT 
  • fruit of the vine… landscape paintings Trevenen House Gallery, Brisbane
  • Dance Series monoprints QUT Theatre Foyer
  • 1996           The Spirit of the Dance paintings, books & monoprints, 
                     Gilchrist Galleries, Brisbane 
  • 1996          Helen Sanderson: The Folkloric Dance Series monoprints,
                    Queensland Performing Arts Centre 
  • 1996- 97    Helen Sanderson: The Queensland Symphony Orchestra Series
                   
    QPAC, touring Queensland 

Group/selected

  • 2001     Paper as Object Noosa Regional Gallery, part of 
               New Possibilities for Paper Project, touring Australia until 2003
  • 2001     Postcards from the Island, State Library of Tasmania
  • 2001    Secrets and Longings Port Macquarie 
               Hastings Regional Gallery, N.S.W.
  • 2000     Mixed Exhibition Trevenen House Gallery, New Farm, Brisbane
  • 1999     Festivity Trevenen House Gallery, New Farm, Brisbane
  • 1998    artist’s books + multiples fair Grahame Galleries, Brisbane
  • 1998    Turkish Delights Artrysts Gallery, Roseville, Sydney
  • 1998    Nature Craft Queensland Gallery, Brisbane
  • 1997    universal languages Gilchrist at the Cannery, Teneriffe Q’ld
  • 1997    Artist’s Books Main Street Editions, Hahndorf S.A.
  • 1997    Mind Maps Metro Arts Gallery, Brisbane
  • 1997    The Director’s Choice Tony Gill Galleries, Montville
  • 1996     Second Look Prospect Gallery Adelaide South Australia 
               National Textile Biennial.
  • 1996     The London Artists’ Book Fair Barbican Concourse London.
  • 1996     A Different View National Touring exhibition curated by Kim Mahood

Exhibitions in Preparation

  • Landscape painting solo exhibition Land Lines Warwick Regional Art Gallery 2002. 
  • Curating the Australian end of Lost and Found a co-operative exhibition with four Hong Kong artists to be shown in Hong Kong in 2002, and furthermore organising a reciprocal exhibition with same group to come to Australia possibly in 2003.
  • Negotiating artist in residency with Dance North for 2002/3 and subsequent exhibitions.
  • Curating paper exhibition for Gallery 482, Brisbane mid 2002

Major Commission 

  • 1995 HTM Wilson stockbrokers Riverside Centre Brisbane

Collections

  • Department of Primary Industries Qld
  • James Hardy Library of Aust Fine Arts Collection
  • Qld Arts Council
  • Toowoomba TAFE College Library 
  • many private collections.

Lost and  Found  -  Helen Sanderson

I would like to explore the concept of lost/found relating to land…ownership/ stewardship/ guardianship/ participating in land ownership/management for a part of one’s life, for some people for generations within the one family and the expectations that come of this.

In Australia we have the oldest landmass on earth. It is a beautiful country. The land has been in existence the longest time…and scientists now think various peoples have existed here for as long as man has been on earth. The history of Australia is being rewritten today. The scientists are looking at the prehistory through archaeological explorations and discoveries. Our past and present are inextricably linked.

The early written history of Australia is now viewed as Euro centric. The long history of Australian aboriginals is only now being recorded in written terms. Early aboriginal history was recorded in folklore, dance and paintings handed down through countless generations. Aboriginal land rights are a major political issue today. Their relationship to the land is paramount to their existence.

English/European ancestors from both my fathers and mothers families migrated here in mid 1900’s and settled on the land in the same area. Four generations of the family worked on the farming land before my generation moved on to other occupations and interests and in some cases migrated away themselves. My own feelings of loss when confronted with the sale of this family land were significant, but not as great as my fathers who had to move away after a lifetime of passionately loving living and working there. What rights do people have to feelings of attachment to the land? The land will continue in whatever form regardless of "man’s" brief stay.

For people with no attachment/involvement to the land it must be difficult to understand how people could experience loss when it comes to something like land ownership. The land has existed "forever" and each "man’s" stewardship is in the scheme of things is so insignificant. Careless or destructive stewardship is devastating.

Within my work I will explore my personal relationship with the land I grew up on…the feelings of loss I experienced and finding of a broader perspective on reflection. I hope that by taking personal experience, I will be working towards one that is more universal.

Helen Sanderson
Brisbane
Australia

www.helensanderson.com.au
[email protected]

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