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Middle of the month, dear room, a swing |
| past glad, this bouquet, the rose held |
| glasses on my head | because I can't |
| see anything | the years |
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upon the breast, payment for, of, the sea |
| they say. The train. The ticket. The prisoner |
| so indifferent | to me |
| and my whining | tight socks |
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swam for miles, and the storm, before he drowned. |
| Expect what brought winter, the triangular. |
| and enough blood | to send forward |
| into the next | | colonization |
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What did he do so damned heavy, so wrong? |
| The table snows, and hungry, his book |
| of garden vegetables | and daily |
| prayers | to hold my job |
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slaying deer for gold, this century. |
| I had no idea we'd go there. |
| bagging groceries | and a movie |
| on television | | the versions |
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A word for this age: something to forget. |
| Modernity answers its calls. Regret |
| of women | scrolling |
| across the screen | just like the river |
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made from pure electricity, beauties |
| left in the office for the nonce, a voice |
| in the sermon | before the spaghetti |
| and fried chicken | I will sleep |
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to eat or stare at antique paint, duties |
| of bets, almost every lunch hour, a choice |
| we will all | sleep |
| and the river | | will glitter |
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in Algonquin meaning "Starry Heaven." |
| His soul says no, it's true. |
| and continues | to carve an "S" |
| into | | the forest |
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His heart says spring, though the ledger |
| from his meditation, the almanac |
| this too | is what you asked for |
| not a narrative | or monologue |
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from the jewel weed: a man begins to lumber |
| beds; the season is willing. The pheasant |
| discussing | with empty space |
| the manner | of your next |
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painting. Make a wish upon the number. |
| The small French impressionist, ever-present |
| battering the microscope | so you walk |
| the sandy retriever | past the library |
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More Poetry |  |
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