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Le Cafe Singe Bleu Serving generous portions of history and mystery from our monthly menu Volume 1, Issue 1, January 2003
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Maxwell House Coffee TimeStarring George Burns and Gracie Allen Guest Star Howard Duff Transcribed script |
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Regan |
Okay, Spade. |
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Spade |
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Gracie |
Are you Sam Spade? |
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Spade |
Well, if I had known then what I know now, I would have thrown myself under the wheels of a passing Sunset bus! But I'm a ham and I figure she's maybe a fan so I answer in my best Pasadena playhouse voice ''Why yes, I'm Sam Spade.'' |
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Gracie |
The butler didn't do it. |
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Spade |
Huh? |
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Gracie |
You've got the wrong man. The butler didn't jerk that kipper. |
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Spade |
Jerk that kipper? |
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Gracie |
Yank that copper? |
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Spade |
You mean pull that caper? |
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Gracie |
That's it!....You sent an innocent man to jail. |
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Spade |
No I didn't. |
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Gracie |
Yes you did. |
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Spade |
Lady, I think you're a little mixed up about me. I'm just an actor on CBS. |
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Gracie |
That's what everybody says. |
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Spade |
Look, uh, little lady. I'm tired. It's been a tough day. I'll, uh, see you around, huh? |
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Gracie |
Now, just a minute, Sam Spade. I heard you arrest that butler. Now, you've got to let him go free. |
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Spade |
You, uh, wouldn't give me a rib, would you? |
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Gracie |
Anything to free that butler. Which rib do you want? |
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Spade |
I tell you what. Why don't you write me a letter? With a dull pencil. Don't use anything sharp. |
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Gracie |
I'll do better than that. I'll come to your office. Where is it? |
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Spade |
I haven't got an office. |
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Gracie |
Ah oh ho. Playing cagey, eh? All right, I'll come to your house. Where's that? |
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Spade |
321... Oh, no, I'm not talking. I want to get some sleep tonight. So long. |
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Gracie |
So long. |
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Spade |
[Footsteps. Woman's footsteps]. Why are following me? What do you want? |
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Gracie |
Got a cigarette? |
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Spade |
Sure. Here you are. |
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Gracie |
Thanks. Got a match? |
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Spade |
Sure. Want me to light it for you? |
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Gracie |
No thanks. I don't smoke. |
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Spade |
Then why did you ask me for a cigarette? |
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Gracie |
Well, I thought I better have it in case somebody asked me for one. |
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Spade |
I see. |
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Gracie |
Would you like a cigarette? |
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Spade |
No thanks. |
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Gracie |
Well, good night. |
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Spade |
Goodnight. [Footsteps. Woman's footsteps] Okay, okay, now what? |
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Gracie |
Got the time? |
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Spade |
Yeah, it's exactly uh, ten ten. |
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Gracie |
Thanks, thanks. |
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Spade |
I meant it's ten minutes after ten. |
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Gracie |
You're wrong. My watch says fifteen after ten. |
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Spade |
You've got a watch? |
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Gracie |
Sure. |
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Spade |
Then why did you ask me the time? |
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Gracie |
Want a cigarette? |
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Spade |
No! |
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Gracie |
Well, good night. |
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Spade |
Good night. [Pause. Footsteps. Woman's footsteps] Look, lady, stop following me. |
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Gracie |
Oh, it's you again. |
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Spade |
Yeah, fancy meeting me here. Can't I uh, give you the slip? |
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Gracie |
Please! I couldn't accept a thing like that from a strange man! |
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Spade |
All right. What do you want this time? |
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Gracie |
Got a road map? |
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Spade |
A road map? Are you lost? |
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Gracie |
No. |
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Spade |
May I make a suggestion? |
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Gracie |
What? |
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Spade |
Get lost! |
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Gracie |
Well, good night. |
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Spade |
Good night! [Footsteps. Woman's footsteps. Running.] Well, I've had enough of this, little lady. You've seen the end of me. |
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Gracie |
Yes, for two blocks. |
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Spade |
This time I'll lose you. Hey! Taxi! Taxi! [Cab brakes screeche, door slams] Let's get out of here cabbie, but fast! [MUSIC] Here's my house, cabbie. Pull up. That was real driving, buddy, keep the change. Good night. |
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Cabbie |
Good night |
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Spade |
[Footsteps. Woman's footsteps] Oh, no! Oh, no! How did you get here? |
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Gracie |
On the back of that cab. |
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Spade |
Who are you, anyway? |
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Gracie |
Oh, no, no, I'm too smart to tell you who I am. If I did you'd complain to my husband, George Burns. |
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Spade |
Oh, so you're Gracie Allen. |
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Gracie |
How did you find out? |
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Spade |
You forget I'm a detective. |
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Gracie |
Oh. |
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Spade |
And now I know what the National Safety Council means when they say 'don't be a Gracie.' |
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Gracie |
Oh, never mind that. Are you going to let the butler go? |
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Spade |
Look, Gracie, there's really no butler in prison and I'm not really Sam Spade. |
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Gracie |
Oh, ho, now don't give me that story about your mother being a typewriter. |
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Spade |
What? |
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Gracie |
You're not talking to a child. I'm older than I look. |
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Spade |
Okay, Gracie, I see there's no use arguing with a smart girl like you. I'll see that the butler gets out. I'll get him the best mouthpiece in town. |
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Gracie |
Get him out first, fix his teeth later. |
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Spade |
Okay, okay, goodnight! MUSIC Well, Lieutenant, I thought that that would be the end of the episode. |
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Regan |
But it wasn't, eh? |
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George |
Brother, you haven't heard anything yet. The next morning... |
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Regan |
Wait a minute, Mr. Burns. Before I listen to any more of this story I'll have to send out for some aspirin. |
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George |
Here, have some of mine. |
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Regan |
Hey, how come you walk around with your pockets full of aspirin? |
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George |
I'm married to Gracie Allen. |
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COMMERCIAL: Music.
And now, back to the city jail, where George and Sam Spade are trying to explain how Gracie put them there.
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Thank you so much |