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| T |
| Otar TAKTAKISHVILLI: 1924-1987 Seems to be tonal and tuneful. Haven't heard a lot though |
| Concerto for Cello and Orchestra |
| ? |
| Suite for Solo Cello No.1 Sonata for Cello and Piano in E minor Suite for Solo Cello No.2 in D minor Cello Concerto Partita in six movements for Cello, Harpsichord, Piano, Electric Guitar and Percussion |
| Boris TCHAIKOVSKY: 1925-1996 Definately a composer worth listening to. His writing is very conservative, and influenced by the baroque/ classical periods. Both the Concerto and the Sonata have been recorded and both are recommended as additions to a CD collection |
| 1946 1957 1960 1964 1966 |
| Alexander TCHAIKOVSKY: b1946 No idea at all I'm afraid |
| Cello Concerto Cello Sonata No.1 Cello Sonata No.2 |
| 1974 1981 1984 |
| Pyotr TCHAIKOVSKY: 1840-1893 Possibly the most famous Russian composer ever! Needless to say, all of these pieces have been recorded several times |
| Andante Cantabile for Cello and Strings Op. 11 Nocturne in D minor Op. 19 No.4 Variations on a Roccoco Theme for Cello and Orchestra Op. 33 Pezzo Capriccioso in B minor for Cello and Piano Op. 62 arr. Pezzo Capriccioso in B minorfor Cello and Orchestra Op. 62 |
| 1886? 1973 1976 1887 1887 |
| Boris TISHCHENKO: b1939 Shostakovich admired Tishchenko's music very much, and with good reason. It is at once tuneful and dissonant and savage. It has echoes of Shostakovich, but often becomes far more dissonant than he ever did. At the sme time, there are some beautifully lyrical moments in a far more conservative idiom |
| Sonata for Solo Cello No.1 Op. 18 Concerto for Cello, Seventeen Wind Instruments and Harmonium, Op. 23 Concerto for Cello with forty eight Cellos, twelve Doublebasses and Percussion Op. 44 arr. Concerto for Cello and Orchestra Op. 44a Sonata for Solo Cello No.2 |
| 1960 1963 1969 1979 1979 |
| Avet TERTERIAN: 1929-1994 Very dissonant and exciting music. No recordings for the cello though |
| Cello Sonata Poem for Cello and Piano |
| 1953 1964 |
| Sergei TANEYEV: 1856-1915 The Russian Brahms some say. All of his output is worth a listen |
| Canzona in F major for Cello and Chamber Orchestra Suite de Concert for Cello and Piano |
| ? ? |
| Alexander TCHEREPNIN: 1899-1977 A fair amount of his music has been recorded, including most of the music for cello listed here. He writes in a very conservative idiom making his music lyrical and very approachable. Many clips of his Piano concerot's and Symphonies can be heard on the Tower Records website Nicolai Tcherepnin (1873-1945) also writes beautiful Romantic music |
| Ode for Cello and Piano Georgian Rhapsody for Cello and Orchestra Op. 25 Cello Sonata No.1 in D major Op. 29 Cello Sonata No.2 Op. 30/1 Cello Sonata No.3 Op.30/2 "Mystere," for Cello and Chamber Orchestra Op. 37/2 "The Well Tempered Cello." Twelve studies for Solo Cello, Op. 38 Triple Concerto for Violin, Cello. Piano and Orchestra Op. 47 Suite for Solo Cello Songs and Dances for Cello Op. 84 |
| 1919 1922 1925 1923 (?) 1926 (?) 1929 ? 1931 1971 ? |
| Ivan TCHEREPNIN: 1943-1998 Don't really know - sorry! |
| Concerto for Violin, Cello and Orchestra |
| ? |
| Vladimir TARNOPOSKY: b1955 An active member of the avant-garde, his music is often still, quiet and very atmospheric |
| Cello Concerto |
| 1981 |
| Erkki-Sven TUUR: b1959 A mixture of styles, sometimes writing atonaly, sometimes almost romantically. Also makes use of aleotoric techniques. The Concerto is recently recorded |
| Cello Concerto "Spiel," for Cello and Guitare "Dedication," for Cello and Piano |
| ? ? ? |
| Eduard TUBIN: 1905-1982 Not sure. So far as I'm aware, his writing is approachable and lyrical. I may be wrong |
| Elegy for two Violins and two Cellos Cello Concerto (Unfinished - piano score only) Pastorale for Cello and Organ (From original for viola and organ) |
| 1946 1954/5 1956 |