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| Frangiz ALI-ZADEH: b1947 His music seems to be very much influenced by the local folk music, and is what you might call 'conservative' 20th century in style. Some of his comopsitions are avaliable with clips to hear at the Tower Records Website |
| "In the Style of Gabil-Sajahy," for Cello and Prepared Piano. "Azhk Havasi," for Cello. (From "Silk Road" cycle) "Dervish." Septet for Violin, Viola, Tutek, Kanun, Gosha-Nagra, and Tape with Solo Cello. Cello Concerto |
| 1979 1998 2000 2001 |
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| Elegy for Cello and Piano Poem - Monologue for Cello and Piano |
| Fikret AMIROV: 1922-1984 Amirov's music is very conservative in nature. I'm thinking along the lines of the film scores by Shostakovich. There are several clips available on the Tower Records website |
| 1948 1948 |
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| Anton ARENSKY: 1861-1906 A contemporary of Tchaikovsky and writing in a similar vein. Several of these pieces have been recorded by Olympia |
| Anatoly ALEXANDROV: 1888-1982 Very little known - tonal I think |
| Andante Patetico for Cello and Piano Op. 15 |
| 1915 |
| Two pieces for Cello and Piano Op. 12 (Little Ballad and Capriccioso Dance) Pieces for Cello and Piano Op. 56 (Oriental Melody, ?, Chante Triste, Humoresque) |
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| Vyasheslav ARTEMOV: b1940 |
| Coming soon |
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| Alexander ARUTIUNIAN: b1920 Also writes in a conservative manner. His Violin Concerto is similar to the Violin Concerto by Khachaturian, though perhaps with a little less bombast! |
| Concertino for Cello and Orchestra Impromptu for Cello and Piano Poem for Cello and Piano |
| 1971 ? ? |
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