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Acknowledgements... SUMMER FESTIVAL: The button shows a bit of merrymaking at an inn at Miya, stop #41 on the Toukaidou; this drawing by Hiroshige appears on an Edo-period parcheesi board titled Ukiyoe-hizakurige "Ukiyo-e journey on shank's mare" (reprint Tokyo, Okuno Card Shop, no date). The board is inspired by the comic novel "The Toukaidou on shank's mare." I do not know the source of this recording of Tankou bushi. 1. Matsuo Basho, A Monkey's Raincoat, tr. by Maeda Cana (New York: Grossman Publishers, 1973). 2. Janine Beichman, Masaoka Shiki (Tokyo and New York: Kodansha, 1986). 3. R. H. Blyth, Haiku. Volume 1 Eastern Culture (Tokyo: Hokuseido Press, 1949). 4. _____, Haiku. Volume 2 Spring (reprint, Tokyo: Hokuseido Press, 1981). 5. _____, Haiku. Volume 3 Summer - Autumn (reprint, Tokyo: Hokuseido Press, 1982). 6. _____, Haiku. Volume 4 Autumn - Winter (reprint, Tokyo: Hokuseido Press, 1982). 7. Paula Doe, A Warbler's Song in the Dusk. The Life and Work of Otomo Yakamochi (718785) (Berkeley et al.: University of California Press, 1982). 8. Patricia Donegan and Yoshie Ishibashi, Chiyo-ni. Woman Haiku Master (Rutland, Vt.-Tokyo: Charles E. Tuttle Publishing, 1998). 9. Harold G. Henderson, An Introduction to Haiku (Garden City, N.Y.: Doubleday, 1958). 10. Lewis Mackenzie, tr., The Autumn Wind. A Selection from the Poems of Issa (Tokyo-New York: Kodansha, 1984). 11. Makoto Ueda, Basho and his Interpreters. Selected Hokku with Commentary (Stanford: Stanford University Press, 1992). 12. Yuzuru Miura, Clasic Haiku. A Master's Selection (Rutland, Vt.-Tokyo: Charles E. Tuttle Publishing, 1991). |
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