Giorgi Leonidze

 

Giorgi Leonidze, the Georgian poet, writer and philologist, was born in the Kakhetian village Patardzeuli (near Sagarejo, ca. 20 km east of Tbilisi) the 27th of December 1897. His parents were Nicolaus Leonidze, a local priest and teacher, and Sofio Gulisashvili. Though his poems were systematically published already from 1911, only later, after his article about Oscar Wilde (1915), his literary views, tending to modernism, could be revealed. He issued the almanach Saphironi (“sapphire”) by the money obtained from the selling his father’s house in Tbilisi.

 

After finishing the Clerical Seminarium of Tbilisi he studied Philology at the State University of Tbilisi. Being member of the symbolistic order “Blue horns” (from 1918) he, like his colleagues, was engaged in the technical improvement of the Georgian poetry. At the same time he was the chief-editor of the weekly newspaper Bakhtrioni issued by the above circle.

 

Though Giorgi Leonidze paid a big tribute to the modernism in his early years, he is a very distinctive and deeply national poet who was connected more than his contemporaries with the ancient Georgian literary roots, existing from the 5th century A.D. In the opinion of John Steinbeck, Leonidze was a most original poet, more than anyone else closely bound up with the mysteries of the language in which he wrote [Boris Pasternak, in: Nobel Prize Library, By William Faulkner, John Steinbeck, Eugene O'Neill. 1971, p. 280]. English writers coming to Georgia considered him as ever-genial with a gargantuan, truly leonine figure with an unbounded capacities for good food, drink and talk. Gogla has taken an active role in every Georgian literary movement for the last half-century [The Anglo-Soviet Journal By Society for Cultural Relation witth the USSR (Great Britain), vol. 23-25, 1962-1965, pp. 29, 36] John Lehmann, who translated Leonidze’s The Guinea Fowl, [see: John Lehmann. Collected Poems 1930-1963. London: Eyre & Spottiswoode, 1963, p. 87, or The Age of the Dragon. Poems, 1930-1951. New York: Harcourt, Brace, 1952, p. 53, or Forty Poems. London: Hogarth Press, 1942, p. 41], characterizes him as, huge and courteous who gave him impression of a powerful intellect [John Lehmann. Promotheus and the Boolsheviks, New York: A.A. Knopf, 1938, p. 178].

 

His poems bear the tint of an extraordinary merging of the old chivalrous traditions with the asthetism. Being a very good expert of the Georgian history, he dedicated many poems to the past of his homeland. One of them, a long poem Samgori”, where he assigned to Georgia the role of a defender of civilized societies from the invasion of nomadic northern tribes. At the same time he expressed the idea of its common fate with the western world. The reason why he was severely criticized by the governmental newspaper Komunisti”in the article “Splinters of symbolism”.

 

The more and more heavy interference and compulsion of Soviets in every sphere of the cultural life beginning from the early thirties put some imprint  also on G. Leonidze’s poetry. Therefore his best poems belong to the preceeding time; e.g. “Vision in the night” (1915), “Autoportrait” (1921), “Sun tabasta” (1922), “On the gallows” (1922), “Slaughterhouse of Tiflis (1923), “Tsitsari” (1925), “The night of Iori” (1925), “The night of Ninotsminda” (1926), “The song of the first snow” (1926), “Mating season” (1928), “An Appointment with Qipchagh” (1928), “Qipchaghian night” (1928), “Ole” (1931). He created again new masterpieces at the sunset of his life when the control by authorities had been weakened – among them the book of short stories “The tree of desire”, an amalgamation of epic stories with a strong poetic stream. This book was filmed by the film-producer T. Abuladze with a big success in 1976.

 

His closest friends and brothers in poetry, Titsian Tabidze and Paolo Iashvili, as well as his brother Professor Leon Leonidze (microbiologist), became victims of Communist repressions of 1937-1938. The fact that G. Leonidze already worked on the long poem dedicated to Stalin, “Stalin, vol. I: The childehood and adolescence” (1936), had saved his life from the same destiny. This long poem describes in reality the nature, history and habits of Georgia and the Georgians with a great mastery. This was the main reason why the poet could not fulfil his task to write the second part of the same long poem dedicated to the revolutionary past of the Soviet leader, though Georgia’s Communist government put a big pressure on him. It is interesting how G. Leonidze became the member of the Communist party: he, together with the well-known Georgian writer, prince Shalva Dadiani, were summoned before the Central bureau of Communist party in the end of 1944 and they were told that, as to the decision of party, they had to become its members.

 

The letter written by the Russian poet Boris Pasternak to Nino Tabidze, the wife of Titsian, is very informative to characterize Giorgi Leonidze’s personality: “I bow my head before the poet Leonidze and his poetry with the same low bow as before his wife, his fate and his house. I can even force myself to be more strict: I bow my head before a spark of childishnessity, skipping through his hands and manuscripts and going down to his children. And I am speaking not at all about that pseudo-Rafaelistic imagination of childehood which does not exist in the world, exept on the  top of candy boxes. But I speak about the simplicity, nonsensnence and defencelessnence of a childe, about its conductivity. About the childe’s ability to create at the same time a whole world by his toys and the danger to be run over by crossing a street. About a sight of a childe among a big, far (by that time) going life, which it manages in a childlike simple, nonsensical, efficient and defenceless way.” [From a book: Giorgi Leonidze. The Selected Poetry. Ed.: G.Margvelashvili. Tbilisi. Publishing House Merani, 1986 (in Russian), pp. 15-16].

 

Leonidze served as the real prototype of the Pasternak’s Artist. This Cycle – “The Artist” – is connected with Pasternak’s visit to the Caucasus [Krystyna Pomorska. Jacobsonian Poetics and Slavic Narrative: From Pushkin to Solshenitsyn. Durham, NC: Duke University Press, 1992, p. 133].

 

Giorgi Leonidze devoted many years of his life to philology. He was doctor of philological sciences (honoris causa). He wrote many articles and books about Rustaveli, Sulkhan-Saba Orbeliani, king-poet Vakhtang VI, Josef Tbileli, David Guramishvili, Antimos Iverianu, Besiki, Sayat-Nova, Mamuka and Nikoloz Baratashvili, Ilya Chavchavadze, Akaki Tsereteli, Mamia Gurieli, Vaja-Pshavela, Vasili Barnovi (Barnaveli) etc. He was the chief-editor of “Literary heritage” and “Literary herald”. Besides he is the founder of the Museum of Georgian litarature (now the Giorgi Leonidze State Museum of Georgian literature) and the Ilya Chavchavadze Museum in Saguramo. He worked as the head of the Georgian Writers Union from 1951 to 1953 and as the director of the Institute of Georgian Literature from 1957 until his death in 9th of August 1966 in Tsqneti, in the outskirts of Tbilisi. He was the real member of the Georgian Academy of Sciences. In December 1959 he became the National Poet of Georgia.

 

 

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