| Note | Duration | Image |
| Sixteenth | 1/4 of a beat (1/16 of a measure) |
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| Eighth | 1/2 of a beat (1/8 of a measure) |
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| Quarter | 1 beat (1/4 of a measure) |
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| Half | 2 beats (1/2 of a measure) |
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| Whole | 4 beats (a whole measure) |
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Why the half note?
Substitute the top number with a one. Now you have one half. Which note is 1/2 of the measure?
More exactly, the time of 2/2 (also called "cut time") implies faster notes. The longer notes last for half of the length that they would have at the same tempo in 4/4 (common time). Making longer notes stand for shorter lengths is almost a shorthand so that the page doesn't become cluttered with millions of fast notes.
If a time signature
is
, that means:
1. The top number is six,
so there are six beats in the measure
2. The bottom number is
eight, so the eighth note gets the beat.
Overall, this implies a slower tempo, but keep in mind that the rules are made to be broken. There are fast pieces written in 6/8; this simply makes the music easier to read than if the time signature was 6/4. Eigth notes can be connected in groups of three so that there are two groups of three and the measure is easy to count: 1-e-uh 2-e-uh. Quater notes do not connect to each other, and counting them in measures of 6 is more confusing.
| Rest | Duration | Image |
| Sixteenth | 1/4 of a beat (1/16 of a measure) |
|
| Eighth | 1/2 of a beat (1/8 of a measure) |
|
| Quarter | 1 beat (1/4 of a measure) |
|
| Half | 2 beats (1/2 of a measure) |
|
| Whole | 4 beats (a whole measure) |
|
Rests work in the same ways as their related musical notes.