Terrorism in korea
"Once one author accepted the rumor as fact, others simply followed suit, a case of 'incestuous inter- quote. terrorism in korea Precautionary-items-in-case-of-terrorist-attack. '" Incestuous inter-quote is not unknown in other areas of the CBW literature as well. Happily, the contributors to this fine book will have none of that. Leonard A. terrorism in korea The definition of terrorism. Cole teaches political science at Rutgers University and is author of The Eleventh Plague: The Politics of Biological and Chemical Warfare (1998). * * * * *The Cultural Cold War: The CIA and the World of Arts and LettersBy Frances Stonor SaundersThe New Press, 2000427 pages; $29. 95ORDER THIS BOOK AT AMAZON. terrorism in korea Gary hart terrorism. COMReview by Paul BoyerIn 1955-57, I worked in the Paris office of the Coordination Committee forInternational Voluntary Work Camps, a non-governmental organization associated with UNESCO. Periodically, a mysterious man in a light brown overcoat came by to confer with my Swiss boss. This visitor, my boss told me, represented the Asia Foundation, which helped to fund Coordination Committee activities, including a planned 1958 Calcutta conference for Asian work-camp leaders. En route to the United States after my Paris years, I participated in this conference. Thanks to Frances Stonor Saunders, I now know that the Asia Foundation was a CIA front, and that 42 years ago I unwittingly benefited from the CIA's largesse. The Cultural Cold War offers a history of the Congress for Cultural Freedom (CCF), founded in 1950 with CIA funding to counter Soviet propaganda, particularly among the noncommunist left. Using CIA dollars channeled through dummy (and sometimes legitimate) foundations, the CCF published journals, most notably Encounter; sponsored arts festivals and cultural conferences; and launched some 35 national committees, including the contentious American Committee for Cultural Freedom (ACCF), where liberals like Arthur Schlesinger, Jr. , and conservatives like James Burnham battled for supremacy and feuded over McCarthyism and other issues. The broad outline of Saunders's story is well-known. The CIA's funding of the CCF (as well as of other organizations not discussed in this book, such as the National Student Association) was exposed in the 1960s by the New York Times, The Nation, Ramparts, the New York Review of Books, and other periodicals, and in Christopher Lasch's The Agony of the American Left (1969). Indeed, these exposes, coming as the Vietnam War escalated, fatally undermined the CCF, which finally collapsed in 1979. More recently, Stephen Whitfield, in The Culture of the Cold War (1991), and other historians have retold the story. But Saunders, having interviewed key survivors and immersed herself in archival sources, offers a minutely detailed account of the CCF, beginning with its origins in the wartime Office of Strategic Services (OSS) and in ad hoc cultural efforts in early postwar Berlin. She also documents at great length the role of such figures as the CIA's Allen Dulles, Frank Wisner, Tom Braden, and Cord Meyer; CCF's executive director, the Estonian-born Michael Josselson, and its general secretary, the emigre Russian composer Nicholas Nabokov; Encounter's unlikely editorial duo Stephen Spender and Melvin Lasky; and a large supporting cast including Schlesinger, Isaiah Berlin, Malcom Muggeridge, Dwight Macdonald, Arthur Koestler, Sidney Hook, Irving Kristol, Diana Trilling, and the Cincinnati yeast-and-gin tycoon Julius ("Junkie") Fleischmann. The exhaustive research and attention to detail has its merits, particularly as Saunders traces the tortuous money trail of CIA funds. Her accounts of CIA cultural ventures, like Robert Lowell's 1962 South American goodwill tour (during which he stopped taking his medication and in Buenos Aires delivered a pro-Hitler harangue and then stripped naked and mounted an equestrian statue in a city square), are diverting. But her preoccupation with minutia has its drawbacks. Saunders sometimes pursues long-ago disputes and personality clashes to the neglect of more substantive interpretive issues. She quotes at length the opinions of participants and observers (often identified only in the endnotes) without fully developing her own assessment. The epilogue, where one hopes for a thoughtful summing-up, simply provides a synopsis of the after-history of her major figures, like the crawl at the end of a movie telling us what happened to the characters.
Terrorism in korea
Preparing || Terrorism and ethics || Combating domestic terrorism || Combating domestic terrorism