County Supervisors SPECIAL:
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The Middle of Nowhere Reflections on Verdigris Creek
I came to Nebraska to work six years ago. My clients are all farmers and ranchers. Most of them have become clients in hard times. I mention these things because I want you to know that I am aware of and, frankly, sympathetic toward the economic struggle and change on many of today’s farms. But that is another story. I want to write about Verdigris Creek. I do so reluctantly, for fear of drawing more anglers to a place I have come to love. But the creek faces an uncertain future.
I have been privileged in my life to live in many areas of the
world, both growing up in my parents’ itinerant home and in my working
life. I went to highschool
in India, for example, at a school built in the last century by American
missionaries. Many of my
life’s affections and directions I can trace back to my years at that
school, not the least of which began on a stream.
I forget the name of the stream.
We hiked to it, when we could get away from school, to fish and
camp. On one such trip,
fishing my spincast rod and daredevil spoon up through a meadow, I came
upon Tom Fergin. Tom was
older than I, the son of a Lutheran missionary.
He had two brothers in the school.
His family, like mine, lived in Sri Lanka, an island nation some
few hundred miles to the south. They
were from Missouri. They
were fly fishermen, every one. I
stopped my fishing that afternoon to watch Tom and to learn.
He gave me a quarter hour of lesson and demonstration, retrieving
trout, it seemed, on every exemplary cast.
He laid long loops of line out in the air above the marshy grass,
shot it forward along cut banks of stream and dropped his fly in the
brief shelter of overhung bushes. He
was quiet, skillful, modest and successful.
That Christmas, my brother gave me an old fly rod.
I have since that afternoon with Tom Fergin fished for trout in
many places, in Michigan, Wisconsin, Minnesota, Missouri and Iowa, in
Vermont, Wyoming and Colorado, in Canada, India, Sri Lanka, Pakistan and
New Zealand. I have grown
up fishing. When I moved to
Nebraska, the angler in me hung his head.
“You left me out of this decision,” his shadow seemed to say.
I rationalized proximity to the West, plotted road trips.
Guides show up in life. Surprises
occur. A few months into my work in Nebraska, traveling home across
Highway 20, I first heard about Verdigris Creek.
A colleague, a man who farms and works in numbers, a man whose
openhandedness I have come to recognize as distinctly Nebraskan,
surprised me with word of nearby trout.
Skeptical, I refused at first to believe the news and for months
discounted it as overdrawn.
Later that year, on a hot summer day, my four year old son, Luke,
and I first went to Verdigris Creek.
I presumed the stream would prove a good place to get Luke
started on trout fishing. Verdigris
is the home of a trout hatchery, afterall.
I imagined that it would be like catching fish at a trout farm:
cans of corn, dollars per pound of sluggish, pale, chow-fed fish, trout
in name only. The stream surprised me.
It had the look of a classic spring creek as it flowed through
deep grass meadows, clear, cold and pebble-bottomed.
It swept through cut bank, pocketed in thigh-deep pools.
It combed and laved submerged heads of freshwater fern.
Canopies of cress grew out at the shores, shadowing the
streambed, narrowing its visible sunbrightened channel. I reached down
into the water and lifted up a handful of fern.
The plant in my hand began to crawl to life with mayflies, scuds,
caddis and sowbugs – trout food.
We tried to fish.
My expectation of easy trout for my son quickly faded in the
heat, in the height of the summer bulrushes and in the weariness of the
trout. This was not a
stream for a four year old to learn on, at least not that day.
In summer, the marsh grasses thicken and tower, cattails hide the
creek and swallow up anglers. A few children float and wade the stream,
in a world unseen, in tunnels of tenfoot grass.
Their cheers and shouts seem to come out of nowhere, out of the
marsh, startling like redwings in defense of unseen nests.
That day, Luke and I walked upstream from the
hatchery, out of sight of any one, to where the creek narrowed and the
banks were firm underfoot. We
shed sweaty clothes and, with my son on my back, I stretched out in the
creek and began walking on my hands upstream, Luke spotting the quick
black dart of trout that fled in front of us.
I have in the years since that summer day fished
Verdigris Creek many times. I
prefer to fish it in fall, in winter and early spring. I have raced to
it after work, through a hoarfrosted countryside, jealous of the
remaining hours of daylight. Not
only are there fewer people on the creek in winter, but the towering
marsh grasses have died down, making it simpler to stalk and cast to
trout. I like to fish the creek’s marsh, where it separates and
braids, delta-like, in advance of the pressure of the downstream lake.
It is harder fishing. The
bootsucking bogginess of the marsh makes the going more work, makes the
stalk more problematic, makes the missed strike of sizeable fish more
heartstopping. The marsh
also keeps most anglers at bay. People prefer to fish the upstream serpentine curves of the
creek and to walk on solid banks. It
is fine fishing there as well, if more pressured.
But the marsh, the marsh is unexpected terrain,
foreign, baffling, frustrating, wild. The creek seems to vanish, only to
reappear twenty struggling paces on, in sheltered, deep narrow pools.
I have seen big fish in here and have landed and released with
some regularity 15 and 16-inch rainbows and browns.
The length may not seem boastworthy, but Verdigris fish, when
they survive into a few years of wildness, grow fat in that clean, cold,
bug-rich water. They have
girth and it is the girth in them that fights, that shakes and thumps
the rod. It is girth that
drives their bold brief runs and sends them thrashing into the air.
Trout tend to thrive in beautiful places.
Verdigris is no exception. Colonies of sumac drift on its eastern
hills. Fawns spring up and
flee in the timber-edge grasses. A
great owl silently navigates the snow-sleeved limbs of a bur oak timber.
Out of the sky comes a racket. I
look up and scan the blue. Nothing
is there. The racket
increases. I search and
search the sky. At last,
out of the corner of my eye, sight reaches higher, into thinner
altitudes, and there in numbers that I cannot at first believe, the
source of the racket, hundreds, thousands, of wheeling cranes.
I remember one evening, my Pilger friends and I,
having packed away our rods and waders from a few fine hours of fishing,
sat at a picnic table, enjoying a beer and recounting for each other the
day’s fishing. In the
twilight at the end of that unseasonably warm late winter day, a single
coyote spoke out from across the creek.
It spoke out again, closer.
Suddenly, at once, came the reply of many coyotes, in song so
close and numerous it excited the blood.
One spring day, I took an out-of-state friend to
Verdigris. I have fished
with this friend for years, every year, out West.
When we arrived at the creek, it was cold and gray and blustery,
but the trees were leafed out, in early pale green.
We geared up and set out, but shortly into our walk along the
path, stopped. The sound of
birds arrested us. Not
cranes caterwauling overhead, but song in the trees and bushes.
We picked them out - in thickets of stunt plum, in wild
raspberry, in the locusts - bluebirds, cardinals, orioles, finches,
robins, indigo buntings, they all seemed to have converged in the
shelter of that shallow creek valley, away from the cold and gray and
wind of winter’s fitful return. It seemed improbable. It
seemed frankly hard to believe, this profusion of songbirds I have met
nowhere else. We went on
that day to catch many fish, throwing out dry flies in tight
wind-fighting loops. I
remember my friend’s wonder and satisfaction at this challenging,
trout-loving stream. As we drove up out of the valley, along the final
red bar of sunset, he went on and on about his last strike, missed in
the near dark: “It
slashed at the fly, Joe, it came up out of that dark cutbank and
hammered that muddler minnow. It
was big.” He talks about
Verdigris often, with praise in his voice, as if let in on one of our
secrets.
Verdigris Creek is one of Nebraska’s secrets.
It is at times as fine a trout stream as any I have fished.
Last week I landed a seventeen and a half inch brown out of the
marsh braids. I had to
stand at one point waist deep in silt to stalk that fish.
It wasn’t clear when the time came to move that my boots were
going to come out with my feet. It was worth every slow, plodding
effort.
I wouldn’t call myself a booster.
Nebraska, by more lights than my own, I imagine, has room for
improvement. But when
outsiders deride what they presume to be the plainness and remoteness of
my relatively new home, and when urban Nebraskans make veiled apologies
for living here, I wonder about that strange and common phrase – the
middle of nowhere. It
is a useful phrase. I love it as it appears in bold blue letters across
the poster that hangs in my office announcing with celebratory irony
Ainsworth’s Middle of Nowhere Days. But
the common use of the phrase is without irony, intended to judge and
dismiss. Used that way, it
is a phrase whose significance in my experience reflects more on the
speaker than on his subject. It was Nebraskan John Neihardt, afterall,
who rendered into English Black Elk’s spiritual insight that
everywhere is the center of the world. The middle of nowhere is not a
place; it is a way of looking at the world, a way that reflects
impoverishment. In my opinion, putting Verdigris Creek at risk is to
adopt that view. It is to adopt that view about our land and about
ourselves. That brief spring creek partakes of a beauty that teaches us,
if we will listen, to make everywhere the center of the world.
My father-in-law and his son were one day
driving around looking for Steele Creek in Holt County. They couldn’t find it.
They waved down an approaching pickup to ask for directions.
An old timer pointed them the way, and when they wondered out
loud about getting lost, he put it right: “You can’t get lost, you’ve
got all day”. Ah, the middle of nowhere.
©
Joe Hawbaker March 17, 2000
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