All About
Corin Nemec!
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Articles
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Beam Me Up, "Parker Lewis"!
Tuesday, May 28, 2002
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Looks like Parker Lewis still can't
lose. First, Corin
Nemec, who played the title wisenheimer on
Fox's colorful 1990-93 kidcom, was made a regular on
Stargate SG-1
just in time for the space-travel series's June 7 sixth-season
premiere (and Sci Fi Channel debut). Then, earlier
this month, he also went and got hitched to his high
school sweetheart, Jami, with whom he has an
eight-year-old daughter.
"[My bride] probably wouldn't want me to
say how we met," he tells TV Guide Online, then spills
the beans anyway. "She came with a friend of mine to
a party for my ex-girlfriend [when we were teenagers].
I was actually there to get back together with my ex-girlfriend
until she walked in.
"I'm so glad," he adds needlessly, "that
it worked out the way it did."
Even before the wedding (which capped the
couple's second engagement to one another), the boyishly
handsome 30-year-old was already in orbit over the
challenges presented by his SG-1 character,
Jonas Quinn, an earnest E.T. cut off from his home
planet of Kelowna. But, he hastens to note, he has
no hopes that his presence will — or worries that he
won't — send the show's Nielsen numbers into the stratosphere.
"I'm just an actor," he says modestly, "and ratings
are a matter of high-end programming and large breasts."
Suddenly realizing that there might be more
than a kernel of truth in his joke, the self-professed
bookworm and Learning Channel junkie sighs, "I hope
we haven't gotten so shallow that there's not a difference
between [cleavage and quality]."
The Arkansas native also isn't the least
bit concerned about whether his new role will make
people forget his most popular one. "Parker Lewis
was more of a cult show," he theorizes. "The people
who liked it really liked it, and the people
that didn't never saw it.
"Besides," he continues, "the first part
I did after our last year was [villainous] Harold Lauder
in The Stand [by Stephen
King], and that couldn't have been any further
away from Parker. So I realized then that there wouldn't
be any kind of stigma attached to my having been Parker
Lewis." — Charlie Mason
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C O R I N
N E M E C
C A N ’ T
L O S E : M E E T
T H E N E W
A L I E N
O N S T A R G A T E
S G - 1
Corin Nemec’s TV work goes back to his days as Nicky Papadapolis
on Webster, and as the star of Parker Lewis Can’t Lose. Now,
as the alien Jonas Quinn, Nemec joins the Stargate team in the sixth (and
reportedly final) season of Stargate SG-1. Nemec recently spoke with
PREVUE about his new role and the twists and turns of
his career.
PREVUE: For people that are just discovering Stargate SG-1
because of its move to the Sci Fi channel, can you tell us how Jonas Quinn
came to Stargate?
NEMEC: Initially on his planet he’s sort of a presidential advisor
and a liaison between the Stargate team and his planet. He was in a pretty
powerful position for such a young age, and he got in that position because
he has a great ability to absorb a lot of information at a very fast rate.
It’s a skill that assists him once he gets on the SG-1 team to play catch
up. It allows him to follow along with the work that Dr. Daniel Jackson was
doing. He has started to figure out what it was that Daniel Jackson was trying
to accomplish, and how he could come in and help to finish that job.
PREVUE: How does he deal with the death of Daniel Jackson?
NEMEC: He needs to take responsibility for his part in Daniel Jackson’s
death, because he was in directly involved with it. He decides to assist
SG-1 with a request they have made, but because of that he won’t be able
to return to his home planet, because he will be considered a traitor. That’s
how he gets stuck on Earth.
PREVUE: What is his relationship with the members of the Stargate
team?
NEMEC: There’s definitely a connection with Teal'c, because he doesn’t
have the same emotional make-up that humans do. There also is a connection
with Samantha Carter, because she warms up to Quinn. There is some conflict
with O'Neill. He holds Quinn partly responsible for Daniel Jackson’s death,
because he had warned me about what they were getting involved in. I like
that. I think it is realistic and creates a nice dynamic within the storylines.
PREVUE: So, how is it joining a series in its sixth season?
NEMEC: I’m very comfortable on the set. I was really blown away by
the production design, the use of the effects. The cast is just great. That
is what really sold me on wanting to get involved with the show. They’ve
developed a real tight family here. Everybody is real laid back, they really
know their jobs, and everybody is very giving. Doing the final episode of
last season was difficult, because as the final episode, everybody was saying
goodbye and getting ready to go on vacation. Plus, it was Michael Shanks'
last episode, so that created a certain dynamic. The start this year has
been really wonderful and I’m having a great time here.
PREVUE: This is reportedly the final season.
NEMEC: That’s the big question. Even if does turn out to be the final
season, and nothing more happens beyond this, I knew I was coming on for
the last season, and I’m just going to enjoy it for what it is.
PREVUE: You have been on television since you were a kid, is it tough
to transition to adult roles?
NEMEC: For me, there hasn’t been much of a transition. One of the
things I’ve maintained is my theatre work, I’m in the American Repertory Company.
I’ve been in a theatre company for about six years, and that is where my
roots start. That’s how I started. I was in Center Stage L.A., a highly regarded
children’s theatre company when I was eleven.
PREVUE: You began your career on the sitcom Webster.
NEMEC: That was sort of my agent selling me short. I did that when
I was about fourteen. The first big project I did was the movie Tucker:
The Man and His Dream. It was directed by Francis Ford Coppola and was
the film that put Christian Slater on the map. I got a lot of offers for
feature films when the offer for Webster came through. When they told
me what I would be earning, I never dreamed that at fourteen I would be getting
that kind of money. That was the deciding factor me then, but I learned shortly
after production started that I wasn’t happy creatively, so I learned a big
lesson, which I’ve taken with me.
PREVUE: What brought you into acting?
NEMEC: My mom and dad both met at the University of Arkansas. My
dad was studying architecture and my mother was studying graphic arts. When
they separated, we ended up moving to Atlanta where she worked designing
the posters for plays coming to town and doing album covers. I ended up going
back stage and meeting the actors. My father moved to L.A. and got involved
in set design. Now, he’s a very successful production designer. I would visit
him and go to the sets he was working on. I was always going to be involved
in the arts in some way, but it was acting that first caught my attention.
PREVUE: How did you first get into a theatre company?
NEMEC: I met a kid who went to my junior high school, who played
Waldo in Van Halen’s Hot For Teacher video. He was involved in the
children’s theatre company and I asked him if I could come in and audition
for the teacher. I went in and auditioned and got in. About five months later
we did our first showcase for agents and managers, and I ended up getting
signed a couple of days after the showcase. I went on my first audition a
week later. I got the job and haven’t looked back since.
PREVUE: What brought you from playing a supporting role to being
the star of your own show?
NEMEC: I did this TV special with Eddie Murphy called What’s Alan
Watching?. It was shot as a pilot but ended up airing as a TV special.
That was the first thing besides Tucker that I was really blown away
by, as it was really well written. During the filming I got the miniseries
I Know My First Name is Steven, which got me an Emmy nomination
when I was sixteen. I got Parker Lewis Can’t Lose because of What’s
Alan Watching?. I turned it down at first because I was in the sci-fi
film Solar Crisis, which everyone thought was going to be a big success.
It ended up tanking and Parker Lewis Can’t Lose ended up being the
best choice for me anyway.
PREVUE: Parker Lewis Can’t Lose put you into the center of
the ring as the star, how do you feel about having a supporting role on Stargate?
NEMEC: I had such a great time doing Parker Lewis. It was
really ground breaking and was just a fantastic show. The writing and the
cinematography were just top notch. However, I didn’t become an actor to
be the star of a show, I became an actor because it is what I love to do.
I’ve been involved in plenty of work that has been ensemble work, and for
me it is very exciting, because you really have to create a character that
stands out. It’s a challenge, but it also takes some of the pressure off,
because you can enjoy the work and all eyes aren’t on you. For me, it’s what
can I bring of myself to this role. This is the kind of character that in
some ways is very much like me. He’s a very enthusiastic character, and I
believe I have that quality as well. His development is going to happen over
six or eight episodes, because he is from another planet and everything is
so new for him.
PREVUE: How much did you have to get up to speed with the Stargate
universe?
NEMEC: That is what’s exciting, as I don’t have to know it all today.
It’s not solely up to me to get up to speed, as we’ve got such great writers.
I’ve been continuing to watch a lot of episodes, so I’m not confused as to
what things are.
PREVUE: You have been involved in writing a number of scripts. How
did that come about?
NEMEC: I wrote my first script freehand, and had someone transcribe
it into its finished form. When I finished that, I realized that I could
actually write stuff too. I grabbed a laptop and started doing my own writing.
I’ve only recently started shopping anything. The main thing was to first
learn how to write and to enjoy it. When I finished my fifth script, I decided
it was time to start getting them out there. It’s not the easiest thing in
this business to get considered as a writer-actor. You have to get out there
and prove yourself.
PREVUE: You also have an interest in working on the other side of
the camera.
NEMEC: I started wanting to direct when I was doing Parker Lewis.
I saw the magic you can do with the camera.
PREVUE: What are your interests outside of acting?
NEMEC: Poetry. I’ve been writing poetry since elementary school.
On a whim, I entered a poetry contest and ended up getting into a book called
The Best Poets of the Year 2000. It made me realize that
it’s not just me, but people really connect to my poems.
--Mark Raddle
© 2002 PREVUE Magazine. All rights reserved. Photos: © 2002 Metro-Goldwyn-Mayer
Studios, Inc. All rights reserved.
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Where to
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Corin Nemec
8383 Wilshire
Blvd. #550
Beverly Hills, CA 90211-2404
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Brother's Keeper
Brother's Keeper
is a movie about police detective Lucinda Pond (Jeanne Tripplehorn), who
was disgraced by a bust gone horribly wrong. As a result her whole life
begins to unravel. She has an affair with a coworker, starts drinking,
leaves the force and sees her own marriage come apart. Years later she
is called back to duty to track the very same serial killer she was after
when her life fell apart. Eventually it becomes apparent that she is actually
on the trail of her own brother, who is mimicking the patterns of the killer
she hunted.
The movie has some
nice acting and some effective scenes but the overall tone is inconsistent.
One minute the movie is deadly serious and maybe even a bit creepy and
the next it has characters trading "zany banter" as they bond on the job.
In other words, overused cliches and poorly written dialogue. The filming
is equally inconsistent. There are some beautiful shots and there are some
oddly chosen camera angles that seem to indicate the director wanted this
not to seem like a standard TV movie. That doesn't necessarily mean those
angles are a good thing though.
The movie's greatest
offense though is stretching believability to the very breaking point.
And then getting a good running start to power through that line. It's
pretty hard to believe that any police force would feel so desperate as
to pull a mentally unstable drunk out of forced retirement to track down
a dangerous criminal. Even harder to believe is the freedom this cop would
be given to run around without serious backup. The whole thing starts with
a cop being killed. Generally this makes the police madder than a rabid
wolverine. But these guys don't seem all that concerned about it. In fact
they're so concerned they go get a burned out drunk to handle the case.
Yeah right. Be prepared to leave the old grey matter in neutral for this
one.
The acting though
is much better. Jeanne Tripplehorn has the thankless task of playing this
mess of a woman. She has emotional problems on top of emotional problems.
She and her brother were beaten and mistreated by their drunk of a father.
She did her best to protect her little brother and still does so. On top
of this she has a career gone badly astray and a shattered reputation.
Tripplehorn gives her character a nice arc as she pulls her life out of
the crapper and tries to return it to respectability. Her brother Ellis
is played by (Corin Nemec) and he does a nice job of it. This could have
easily been an opportunity to overact but Nemec does right by keeping it
under wraps. His version of a killer is almost likable. He has charm and
humor and some of his murders are done to protect others. It creates a
nice contrast between his personality and actions that keeps things interesting.
Overall some interesting
concepts and quality performances are somewhat overshadowed by a script
that desperately needed some polishing. There were too many areas where
logic never came into play. This is a fairly entertaining movie but it
could have been a lot more memorable. The film premieres on USA Network
Tuesday, January 29th at 9:00 PM ET/PT.
I Know My First Name Is
Steven
Here's the Mr. Showbiz film review of
I Know My First Name Is Steven (1989),
the 192 minutes long TV film.
Gruelling true story of a seven-year-old boy who was kidnapped
and help for seven years by a child abuser who told him that his
parents had given him away. Second half of the film is equally
dramatic in detailing the difficulties the boy had in readjusting
to his family when he finally returned.
Cast
John Ashton
Barry Corbin
Luke Edwards
Gregg Henry
Arliss Howard
Corin Nemec
Cindy Pickett
Ray Walston
My Son Johnny
Here's the Mr. Showbiz film review of
My Son Johnny (1991), the 96 minutes
long TV film.
Lee delivers a fine performance
in this downbeat, gripping drama as a bewildered mother of a pair
of sons, one good, the other bad. Schroder, as the evil sibling,
will turn your blood cold as he fluctuates from a personable guy
to a genuine menace.
Cast
Michele Lee
Corin Nemec
Rick Schroder
Director
Peter Levin
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