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Beam Me Up, "Parker Lewis"!
Tuesday, May 28, 2002

Looks like Parker Lewis still can't lose. First, Corin Nemec, who played the title wisenheimer on Fox's colorful 1990-93 kidcom, was made a regular on Stargate SG-1 just in time for the space-travel series's June 7 sixth-season premiere (and Sci Fi Channel debut). Then, earlier this month, he also went and got hitched to his high school sweetheart, Jami, with whom he has an eight-year-old daughter.

"[My bride] probably wouldn't want me to say how we met," he tells TV Guide Online, then spills the beans anyway. "She came with a friend of mine to a party for my ex-girlfriend [when we were teenagers]. I was actually there to get back together with my ex-girlfriend until she walked in.

"I'm so glad," he adds needlessly, "that it worked out the way it did."

Even before the wedding (which capped the couple's second engagement to one another), the boyishly handsome 30-year-old was already in orbit over the challenges presented by his SG-1 character, Jonas Quinn, an earnest E.T. cut off from his home planet of Kelowna. But, he hastens to note, he has no hopes that his presence will — or worries that he won't — send the show's Nielsen numbers into the stratosphere. "I'm just an actor," he says modestly, "and ratings are a matter of high-end programming and large breasts."

Suddenly realizing that there might be more than a kernel of truth in his joke, the self-professed bookworm and Learning Channel junkie sighs, "I hope we haven't gotten so shallow that there's not a difference between [cleavage and quality]."

The Arkansas native also isn't the least bit concerned about whether his new role will make people forget his most popular one. "Parker Lewis was more of a cult show," he theorizes. "The people who liked it really liked it, and the people that didn't never saw it.

"Besides," he continues, "the first part I did after our last year was [villainous] Harold Lauder in The Stand [by Stephen King], and that couldn't have been any further away from Parker. So I realized then that there wouldn't be any kind of stigma attached to my having been Parker Lewis." — Charlie Mason


 

 

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Corin Nemec’s TV work goes back to his days as Nicky Papadapolis on Webster, and as the star of Parker Lewis Can’t Lose. Now, as the alien Jonas Quinn, Nemec joins the Stargate team in the sixth (and reportedly final) season of Stargate SG-1. Nemec recently spoke with PREVUE about his new role and the twists and turns of his career.

PREVUE: For people that are just discovering Stargate SG-1 because of its move to the Sci Fi channel, can you tell us how Jonas Quinn came to Stargate?

NEMEC: Initially on his planet he’s sort of a presidential advisor and a liaison between the Stargate team and his planet. He was in a pretty powerful position for such a young age, and he got in that position because he has a great ability to absorb a lot of information at a very fast rate. It’s a skill that assists him once he gets on the SG-1 team to play catch up. It allows him to follow along with the work that Dr. Daniel Jackson was doing. He has started to figure out what it was that Daniel Jackson was trying to accomplish, and how he could come in and help to finish that job.

PREVUE: How does he deal with the death of Daniel Jackson?

NEMEC: He needs to take responsibility for his part in Daniel Jackson’s death, because he was in directly involved with it. He decides to assist SG-1 with a request they have made, but because of that he won’t be able to return to his home planet, because he will be considered a traitor. That’s how he gets stuck on Earth.

PREVUE: What is his relationship with the members of the Stargate team?

NEMEC: There’s definitely a connection with Teal'c, because he doesn’t have the same emotional make-up that humans do. There also is a connection with Samantha Carter, because she warms up to Quinn. There is some conflict with O'Neill. He holds Quinn partly responsible for Daniel Jackson’s death, because he had warned me about what they were getting involved in. I like that. I think it is realistic and creates a nice dynamic within the storylines.

PREVUE: So, how is it joining a series in its sixth season?

NEMEC: I’m very comfortable on the set. I was really blown away by the production design, the use of the effects. The cast is just great. That is what really sold me on wanting to get involved with the show. They’ve developed a real tight family here. Everybody is real laid back, they really know their jobs, and everybody is very giving. Doing the final episode of last season was difficult, because as the final episode, everybody was saying goodbye and getting ready to go on vacation. Plus, it was Michael Shanks' last episode, so that created a certain dynamic. The start this year has been really wonderful and I’m having a great time here.

PREVUE: This is reportedly the final season.

NEMEC: That’s the big question. Even if does turn out to be the final season, and nothing more happens beyond this, I knew I was coming on for the last season, and I’m just going to enjoy it for what it is.

PREVUE: You have been on television since you were a kid, is it tough to transition to adult roles?

NEMEC: For me, there hasn’t been much of a transition. One of the things I’ve maintained is my theatre work, I’m in the American Repertory Company. I’ve been in a theatre company for about six years, and that is where my roots start. That’s how I started. I was in Center Stage L.A., a highly regarded children’s theatre company when I was eleven.

PREVUE: You began your career on the sitcom Webster.

NEMEC: That was sort of my agent selling me short. I did that when I was about fourteen. The first big project I did was the movie Tucker: The Man and His Dream. It was directed by Francis Ford Coppola and was the film that put Christian Slater on the map. I got a lot of offers for feature films when the offer for Webster came through. When they told me what I would be earning, I never dreamed that at fourteen I would be getting that kind of money. That was the deciding factor me then, but I learned shortly after production started that I wasn’t happy creatively, so I learned a big lesson, which I’ve taken with me.

PREVUE: What brought you into acting?

NEMEC: My mom and dad both met at the University of Arkansas. My dad was studying architecture and my mother was studying graphic arts. When they separated, we ended up moving to Atlanta where she worked designing the posters for plays coming to town and doing album covers. I ended up going back stage and meeting the actors. My father moved to L.A. and got involved in set design. Now, he’s a very successful production designer. I would visit him and go to the sets he was working on. I was always going to be involved in the arts in some way, but it was acting that first caught my attention.

PREVUE: How did you first get into a theatre company?

NEMEC: I met a kid who went to my junior high school, who played Waldo in Van Halen’s Hot For Teacher video. He was involved in the children’s theatre company and I asked him if I could come in and audition for the teacher. I went in and auditioned and got in. About five months later we did our first showcase for agents and managers, and I ended up getting signed a couple of days after the showcase. I went on my first audition a week later. I got the job and haven’t looked back since.

PREVUE: What brought you from playing a supporting role to being the star of your own show?

NEMEC: I did this TV special with Eddie Murphy called What’s Alan Watching?. It was shot as a pilot but ended up airing as a TV special. That was the first thing besides Tucker that I was really blown away by, as it was really well written. During the filming I got the miniseries I Know My First Name is Steven, which got me an Emmy nomination when I was sixteen. I got Parker Lewis Can’t Lose because of What’s Alan Watching?. I turned it down at first because I was in the sci-fi film Solar Crisis, which everyone thought was going to be a big success. It ended up tanking and Parker Lewis Can’t Lose ended up being the best choice for me anyway.

PREVUE: Parker Lewis Can’t Lose put you into the center of the ring as the star, how do you feel about having a supporting role on Stargate?

NEMEC: I had such a great time doing Parker Lewis. It was really ground breaking and was just a fantastic show. The writing and the cinematography were just top notch. However, I didn’t become an actor to be the star of a show, I became an actor because it is what I love to do. I’ve been involved in plenty of work that has been ensemble work, and for me it is very exciting, because you really have to create a character that stands out. It’s a challenge, but it also takes some of the pressure off, because you can enjoy the work and all eyes aren’t on you. For me, it’s what can I bring of myself to this role. This is the kind of character that in some ways is very much like me. He’s a very enthusiastic character, and I believe I have that quality as well. His development is going to happen over six or eight episodes, because he is from another planet and everything is so new for him.

PREVUE: How much did you have to get up to speed with the Stargate universe?

NEMEC: That is what’s exciting, as I don’t have to know it all today. It’s not solely up to me to get up to speed, as we’ve got such great writers. I’ve been continuing to watch a lot of episodes, so I’m not confused as to what things are.

PREVUE: You have been involved in writing a number of scripts. How did that come about?

NEMEC: I wrote my first script freehand, and had someone transcribe it into its finished form. When I finished that, I realized that I could actually write stuff too. I grabbed a laptop and started doing my own writing. I’ve only recently started shopping anything. The main thing was to first learn how to write and to enjoy it. When I finished my fifth script, I decided it was time to start getting them out there. It’s not the easiest thing in this business to get considered as a writer-actor. You have to get out there and prove yourself.

PREVUE: You also have an interest in working on the other side of the camera.

NEMEC: I started wanting to direct when I was doing Parker Lewis. I saw the magic you can do with the camera.

PREVUE: What are your interests outside of acting?

NEMEC: Poetry. I’ve been writing poetry since elementary school. On a whim, I entered a poetry contest and ended up getting into a book called The Best Poets of the Year 2000. It made me realize that it’s not just me, but people really connect to my poems.

--Mark Raddle

© 2002 PREVUE Magazine. All rights reserved. Photos: © 2002 Metro-Goldwyn-Mayer Studios, Inc. All rights reserved.

 

 


 
 

 

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Brother's KeeperCorin Nemec

Brother's Keeper is a movie about police detective Lucinda Pond (Jeanne Tripplehorn), who was disgraced by a bust gone horribly wrong. As a result her whole life begins to unravel. She has an affair with a coworker, starts drinking, leaves the force and sees her own marriage come apart. Years later she is called back to duty to track the very same serial killer she was after when her life fell apart. Eventually it becomes apparent that she is actually on the trail of her own brother, who is mimicking the patterns of the killer she hunted.

The movie has some nice acting and some effective scenes but the overall tone is inconsistent. One minute the movie is deadly serious and maybe even a bit creepy and the next it has characters trading "zany banter" as they bond on the job. In other words, overused cliches and poorly written dialogue. The filming is equally inconsistent. There are some beautiful shots and there are some oddly chosen camera angles that seem to indicate the director wanted this not to seem like a standard TV movie. That doesn't necessarily mean those angles are a good thing though.

The movie's greatest offense though is stretching believability to the very breaking point. And then getting a good running start to power through that line. It's pretty hard to believe that any police force would feel so desperate as to pull a mentally unstable drunk out of forced retirement to track down a dangerous criminal. Even harder to believe is the freedom this cop would be given to run around without serious backup. The whole thing starts with a cop being killed. Generally this makes the police madder than a rabid wolverine. But these guys don't seem all that concerned about it. In fact they're so concerned they go get a burned out drunk to handle the case. Yeah right. Be prepared to leave the old grey matter in neutral for this one.

The acting though is much better. Jeanne Tripplehorn has the thankless task of playing this mess of a woman. She has emotional problems on top of emotional problems. She and her brother were beaten and mistreated by their drunk of a father. She did her best to protect her little brother and still does so. On top of this she has a career gone badly astray and a shattered reputation. Tripplehorn gives her character a nice arc as she pulls her life out of the crapper and tries to return it to respectability. Her brother Ellis is played by (Corin Nemec) and he does a nice job of it. This could have easily been an opportunity to overact but Nemec does right by keeping it under wraps. His version of a killer is almost likable. He has charm and humor and some of his murders are done to protect others. It creates a nice contrast between his personality and actions that keeps things interesting.

Overall some interesting concepts and quality performances are somewhat overshadowed by a script that desperately needed some polishing. There were too many areas where logic never came into play. This is a fairly entertaining movie but it could have been a lot more memorable. The film premieres on USA Network Tuesday, January 29th at 9:00 PM ET/PT.

I Know My First Name Is Steven

Here's the Mr. Showbiz film review of I Know My First Name Is Steven (1989), the 192 minutes long TV film.
Gruelling true story of a seven-year-old boy who was kidnapped and help for seven years by a child abuser who told him that his parents had given him away. Second half of the film is equally dramatic in detailing the difficulties the boy had in readjusting to his family when he finally returned.
Cast
John Ashton
Barry Corbin
Luke Edwards
Gregg Henry
Arliss Howard
Corin Nemec
Cindy Pickett
Ray Walston

My Son Johnny

Here's the Mr. Showbiz film review of My Son Johnny (1991), the 96 minutes long TV film.

Lee delivers a fine performance in this downbeat, gripping drama as a bewildered mother of a pair of sons, one good, the other bad. Schroder, as the evil sibling, will turn your blood cold as he fluctuates from a personable guy to a genuine menace.

Cast
Michele Lee
Corin Nemec
Rick Schroder
Director

Peter Levin

 
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