|
Terreros´s
discourse starts off with metaphysical postulates but abstraction-representation
is actually
merged in the Expresionism of the initial contents
With Cubism,
reality diversifies and becomes
dislocates
Figures act as shimering, mirror-like surfaces
We are witnesess to a process where
objects become less and less material
Planes and volumes are
constrasted and objects assert
themselves and deny themselves at one and at the same time
Carlos Pérez Montoya
|
|
TRIÁDICO
I 1987-1998
Acrylic on canvas, 21.5" x 15"
|
|
|
TRIÁDICO
IV 1987-1998.
Acrylic
on canvas, 21.5"
x 15"
|
|
DESENLACE
2 1988-1998
Acrylic and oil on canvas, 36" x
28.5" |
 |
DESENLACE
5 1988-1998
Acrylic on canvas, 36" x 48" |
 |
|
DESENLACE
7 1988-1998
Acrylic on canvas, 36" x 48"
|
|
|
DESENLACE
8 1988-1999
Acrylic on canvas, 48" x 36"
|
|
COSAS
TUYAS 1989-1993
Acrylic on paper, 28" x 40" |
|
|
|
|
 |
TRES
MOMENTOS DE UN PAISAJE 1989
Acrylic and oil on canvas, 51" x
38" |
|
TRES
TONDOS 1989-1999
Acrylic on canvas, 21.5" diameter
each |
|
TRAMA
SONORA 1990
Acrylic on canvas, Diptych, 36"
x 51" |
 |
|
VARIACIONES
SOBRE UN TEMA CUBISTA 1989-1998
Acrylic and pencil on wood, 27" x 31"
|
|