Montage of Subliminal Visuals
I had a dream that I jotted down
how I saw her in the 87th sequence of my Venus de Edappally dreams.
This is two years after I decided to make acrylic studies of Thevara
college not only to document my emotional attachment towards the architectural
forms and surroundings but also to throw an air of mystery around and
impress people. Now I feel that making a virtual sculptural model of
the college in 3D Studio Max can almost be equally monumental, creatively
and feelingly, for which, as a beginning I took the preliminary sketches
of ‘Bhoothanathan ’ by Jayram Sir. In this episode of duplicating
the architectural forms, half the glory is to be shared by Intel Pentium
Processor and the digital art software so that the artist’s ego-satisfaction
is marginally diminished. But is it terribly wrong to say “I’m
the one who did this” looking at a painting, whether others appreciate
it or not; is it so shameful to leaf through the pages of ‘Ecce
Homo’, Christ, my Lord…isn’t it really good to have
a penetrating knowledge about oneself? Anyhow, the era of self propaganda
comes to an inevitable end. Venus de Edappally is far off somewhere
and she didn’t give me her e-mail address.
The 87th sequence faded out to the visuals of a harbour. Ships were
being built near-by; ship-building seems to be so simple now-a-days
compared to the unlike the puzzling naval architecture of wooden vessels
and steamers. Take a large pipe and cut it into two pieces, one for
fo’c’sle and the other for the quarter-deck. Slice them
along, to make two hulls all at once. Do required tapering for each
piece and connect them using Boolean techniques. Draw a line along the
gunwale and extrude it to get the deck-head. Use the standard primitive
modeling objects to build the superstructure and funnel. The hull-work
is done and in stead of painting, wrap a bit-map image onto it. We don’t
have to worry about the installation of the rudder, propeller and the
turbo engines because the industry is not short of skilled mechanical
engineers thanks to the privatization of engineering colleges.
My woman and I went up the deck through the slippery metallic planks
of the gang-way. Like Jose Saramago’s ship ‘The Unknown
Island’ set out to the sea in search of itself, we cruised in
a very rusty antique-looking vessel, whose crew I never saw, but she
lines the ocean creakingly, the old iron parts rubbing each other and
we coasted along unheard-of islands of the world, through unchartered
waters, some other part of the globe ; the message came that the ship
was approaching a land-strip which has close resemblances to our native
state of Kerala; I ran onto the deck, my soles turning rusty red as
it disturbed the iron flakes, to have a look at the landscape, Wow!....alien,
yet homely! Full of huts and all, totally unvisualizable architectural
forms, unrecognizable building materials…the plantains, mango
trees and the bio-diversity.
I jumped into the sea; slowly immersed into the unknown depths of this
visually stunning space in our planet; slowly swam but was washed ashore.
After an hour, I found myself in the city square, where I pushed my
way through some Negro army officers to reach Jayram Sir who stood in
front of the marble relief of Holy Mary, lost in thoughts, his finger-tips
keenly exploring the chisel-marks. I hesitated for a moment, whether
to interrupt or not; he turned his head, a sudden smile filtered through
the moustache and he stretched out his hands. Jayram Sir started to
speak to me, seriously making heavy references; as the on-looking girls
were of some other racial origin, I was less self-conscious. All of
a sudden, I realized that I was standing in front of Holy Mary and made
an apologetic gesture and astonishingly Jayram Sir followed suit impulsively.
Some socialite ladies came over to meet Jayram Sir as they were passing
by. Jayram Sir shared jokes with them and tactfully holding me by my
hands, he narrated to them some recent events in art circles. I secluded
into a tiny room, near by, a small gallery in which one of the paintings
was that of C.N.Karunakaran, a city-scape of Cochin, done in Monet-like
strokes, so unlikely of Karunakaran master.
Jayram Sir asked me to join a group of boys and girls, who were being
given behavioural training to participate in the Youth Festival. Seeing
me, some dancers giggled. I too laughed loudly to share their feelings,
whatever it be. Those who are not-so-interested may leave, please, the
psychologist said. Immediately I got up and started to leave bur learning
that no one else had got up and as it may hurt the crowd, I hesitated
for a moment but pushed off…walked along the corridors of Sacred
Heart College, briskly, my eyes to the floor and went straight to the
lake-view.
The big crowd of fisher-men and others was being hushed up by the Naval
police. Four or five helicopters were flying up and down above the Venduruthy
channel and a SCUBA diver hanging down from a helicopter showed some
kind of remote-sensing detector on the water. Some by-stander told me,
an Admiral is drowning. I laughed as if a belated justification for
a much hyped protest and said, No wonder! I’ve been expecting
this. Navy personnel, irrespective of ranks, got offended. When the
choppers came down nearer the surface, the water wore an unauthentic
rippling pattern.
Meanwhile, the batch of American students came to college. I saw a procession
which escorted them along the corridors, with on-lookers on either side.
The procession looked somewhat like a carnival-Rio; first of all a band-set
came, then some children, some naval officers; all of them wavered fake
flowers made of coloured aluminium foil. When the naval officers showed
up we were supposed to salute, but I felt like yawning and I tried really
hard to resist that convulsive urge to yawn.
The procession left and I sat down on the corridor. Aishwarya Rai came
and sat down beside me. We played games with the children who had come
for the show. The game was like this; we had to roll a pair of apples
(like the bowling in Esplanade Alley atop Convent Junction) both the
team-mates together and make it roll into the respective goal-posts
on the other side of the corridor; we two elders were compelled to sit
down whereas the kids would run around; the rules of the game and the
time-to-time modifications were being made by the children. Our team
trailed far behind and I decided to take the game seriously. I made
a couple of points and ecstatically shook hands with Aishwarya Rai but
suddenly realized that my hands were wet; I started to worry whether
I turned her off and I never looked up at her face to see her reaction.
She told me, See, try to cheer up the kids! Don’t try to defeat
them. It is not about winning….it is all about making the kids
happy and make them feel important….Oh! Yeah! It was only then
that I got it.
A short-haired girl came to me and reclined, her head softly resting
on my lap. I ran my finger through her silky boy-cut hair. I felt an
ineffable parental fancy for this girl; it is a kind of affection a
man feels for a small child keeping the Lolita-syndrome constant because
the ‘femaleness’ of the small girl is not a big deal for
anyone, but Sigmund Freud. Despite being one of the contenders to Frederich
Nietzsche for being the fourth greatest hero, his psycho-analysis is
too much. My favourite heroes are Alexander the Great, Jesus Christ,
Leonardo da Vinci, Frederich Nietzsche and Michael Jackson of which
only Nietzsche faces close contenders like Fyodor Dostoevsky, Albert
Einstein, Alfred Marshall, Charles Darwin, Sigmund Freud, Vincent van
Gogh, Nikos Kazantzakis and Karl Marx. I’m carefully avoiding
Indian names, even Sardar Patel because I don’t want to offend
factional ideologues. Out of the numerous terrorist outfits, up and
down the peninsula, almost all seems to be important to the motherland.
No favouritism here. My favourite female stars are Mary of Magdalene,
Simone de Beauvoir, Gabriela Sabatini, Smita Sebastian and Kavya Madhavan.
Anna Kournikova can replace Sabatini any moment. Samyukhta Varma does
not come into the picture. Waheeda Rahman and Marilyn Monroe are given
honorary mention. Aishwarya Rai is only a casual acquaintance and when
I gave her my e-mail address, she laughed.
She asked me to accompany her to the library. It seemed to be a spacious
room with shelves of dusty books all around. I didn’t feel like
stealing any of those books because all were published in 18th or 19th
century and the subject matter is, how we interact with each other to
satisfy unlimited wants with scarce resources…the mathematical
juggles. All of a sudden, the atmosphere and setting, even the architectural
forms started to get transformed as if 3D animated in Maya software.
The seismic waves set in and I found myself in another college, probably
built by the Prince of Cochin, administered by some British academicians…but,
starting all over again and that too, in this kind of a medieval setting,
a primitive campus atmosphere…..Oh! No…all of a sudden,
I realized the pain of leaving Thevara college…there is too much
to sacrifice, the hitherto developed fame and reputation, if any; the
image, false or otherwise. When being swept into the crowd of Thevara
college, whether it is like stepping into a Heraclitean river or not,
I still feel like a 16-year-old, even though the idea of ‘a 16-year-old
boy or girl coming to college and getting excited’ is obsolete.
It seems to me that this is the year of introspection and eventual compensation
for whatever virtues I have missed in these six years, almost one-third
of my life which turned out to be the years of self-exploration, theoretical
confusions and elementary training in basic human activities; in this
confessional mood, I tell you, “As for me, Sacred Heart college
is Prof. C.S. Jayram.”
Fine
August, 2001.