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Responsibilities in Detail

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AMERICAN MUSICAL LIFE:
Expository Writing, 113.09 and 113.10

Joel Peckham, PhD
310 Lubbers / Phone: 395-7613 / Office Hours: TBA

TEXTS:

Handouts, Handouts, Handouts.

MATERIALS:

1 Manilla folder with your name printed on the tab

two 3-ring notebook or accordion folders (1 for portfolio, 1 for notes and handouts)

one 120 minute audio tape for course anthology

about $5 for class parties and other expenses

COURSE OVERVIEW AND OBJECTIVES:

1) The primary purpose of this class is to allow each of us to gain a greater fluency in writing--to develop the rhetorical skills necessary for achieving effective written communication.

2) Writing of course, does not come out of or pass into a void, which brings us to our secondary purpose and theme--to explore the history and impact of music on American culture and history. In essence we will explore the effect that particular composers, musicians, and musical genres have had on our personal, political, and spiritual lives. In this endeavor we will explore the musical genres of American Classical Music, Jazz/Salsa, Blues, Folk, Country, Rock, Disco/funk, and Rap. Individual artists covered will include Aaron Copland, George Gershwin, BB King, Miles Davis, Tito Puente, Elvis Presley, Little Richard, Johnny Cash, Bob Dylan, The Beatles (I know they're not American OK?) Bruce Springsteen, Curtis Mayfield, Grandmaster Flash and Furious Five, and Publish Enemy. Authors will include Tobias Wolfe, Alice Walker, Sherman Alexie, James Baldwin, Langston Hughes, Toni Morrison, and Yusef Kamunyaaka. Through this exploration we will attempt to discover the extent to which music has shaped us as a nation and as individuals.

3) Finally, this course is designed to introduce students to the research process by exposing them to all of the sources available to them, not only through print media but through the ever-expanding network of source and resource material contained in the world wide web. For this reason, this syllabus will be available on the world wide web and students will be encouraged to develop their own web pages regarding issues and authors discussed for this course.

This process of discovery through reading and open discussion should have the effect of developing a community of knowledgeable readers and writers who can aid each other along the path toward more effective and skillful composition and a more complete understanding of the American Dream.

Question: How do we accomplish these goals?

Answer # 1: Through the Constant development of Reading and Writing Skills

(note: I'm using the term "reading" broadly here. In a sense we are always reading our world, analyzing and searching out meaning. In creating a movie, a director "reads" the world and turns that reading into an expressive form.)

1) Reading extensively will help us to accomplish all three of our goals because
It is through reading that we learn how to write

Through the reading and discussion of both our own work and outside materials, we can uncover the technical and stylistic elements that make each text effective or ineffective; in essence, we will discover how a text works. We can then use these techniques in our own work

It is through reading that we can fully understand and explore our theme

In this class we will not only read text related to music, but will listen to music and even view some film. And we will discuss the various cultural, political, and artistic statements that these texts make. In this way we will expand our understanding of this concept.

It is through reading that we can begin the research process

I've designed reading assignments to begin the process of developing an overall concept of American Musical Life. Students should read them not only for background but as a means of learning how to use resources.
2) Writing extensively will help us to accomplish all three of our goals because

It is through writing that we learn how to write

Because I believe in writing as a series of processes in which work is constantly undergoing developmental changes, evaluation of your ability to write fluently, creatively, and convincingly will be an ongoing process of brainstorming, pre-writing, drafting and revision. You will write drafts of essays, submit them for peer review, re-submit them for individual consultations with the professor, then revise them for a final portfolio due at the end of the semester containing a learning letter, all of your drafts, and most importantly, 15-24 pages of your best work. (goal 1)

It is through writing that we can fully explore our theme and express our ideas

There is no one manifestation or expression of the American Musical Life. Ideally, you will discover what you believe it to be and how you see it operating in our nation and in our individual lives. Writing helps us to clarify, organize, support, and express our ideas. Writing is also an exploratory and playful act in which ideas, images, evidence, develop out of each other, moving the writer to greater understandings. Through writing we not only express what we've discovered, we continue the process of discovery. (goal 2)

Through writing and research we participate in the world of ideas

The process of researching a topic and writing a research paper should never simply involve collecting the observations, ideas, and studies of others and pasting them together in a manner that seems logical. At best it allows us to integrate the ideas others with our own, expand upon them, contradict them, apply them in new ways, or use them as the basis for a new formulation. (goal 3)


Answer #2: Through Class Discussion and Student Presentations

1) Discussing our Ideas, Readings and Papers will help us to achieve our goals because

It is through class discussion that we can exchange and refine our ideas

Class discussion not only helps us to understand the readings, it helps us to refine our ideas about our theme and it gives us feedback regarding our ability to express those ideas through written and verbal communication. Finally, it promotes community within the classroom through the development of interpersonal skills.

It is through student presentation that we can exchange, refine, organize, and present our ideas

Student presentations not only extend the classroom community beyond the classroom, they help us develop our theme through the inclusion of material chosen by the students and they get students working on the analytical process.


Answer #3: Through Individual Meetings with the professor

1) Discussing your Ideas, Readings and Papers with the professor will help us to achieve our goals because

Individual meetings with the professor provide feedback for your own writings and occasionally feedback regarding overall course performance (if requested). I should mention here that at least 3 meetings with the professor are mandatory and that missed appointments on required dates are treated as absences. Students are also encouraged to schedule meetings during my office hours should they wish to meet for a voluntary appointment. "Drop ins" are also encouraged--though I cannot guarantee that I won't be in conference with another student at the time.


GRADING BREAKDOWN

Class Participation --10 points

Student Presentation--10 points

Discussion Board--10 points

Final Portfolio--70 points



COURSE RESPONSIBILITIES / WHAT IS EXPECTED OF YOU /GRADING:

For specific guidelines regarding these responsibilites, visit Course Responsibilities in Detail

The Writing Element--Writing Prompts, Drafts, Peer Review, Final Portfolio

The Writing Prompt:

While the Writing Prompt is not a graded element of the course, it is considered part of the class participation grade (10 percent of your overall grade) and can affect your grade further should you find yourself on the borderline.Writing Prompts are generally guided pre-writings designed to stimulate your thinking about a specific essay topic or to develop a particular writing technique. I expect at least a full page of writing for each prompt.

Drafts and Research Paper:

There are four essay topics assigned for this course:

a. Draft #1: 3-6 pgs.( Music in My Life (Personal Essay)).

b. Draft #2: 3-6 pgs.( Artist Profile

c. Draft #3: 3-6 pgs.(Genre Study).

d. Draft #4: 6-8 pgs.(Cultural Study (Researched Essay))

Each student must complete at least one draft for each of these topics. Each draft is due in class on the day it is due. And you must turn in the assigment due for that day. Do not hand in an artist profile on the day that the cultural analysis is due or vice versa. A draft cannot be made up. A draft means 3-5 pages of typed material. Students may write on any subject so long as it conforms to the structure and content parameters of the assigned essay and forms the basis for a clean and comprehensible work that may be included in the final portfolio. Drafts are ungraded:

The Researched Essay: Every essay in this course except the personal essay must contain at least one non-encyclopedic or digital source. The cultural study essay included in the polished prose section of the portfolio MUST be 6-8 pages in length and must have 6-8 sources of three different types. SeeResearched Essay Guidelines

Peer Review:

Peer Review Days will occur 2 to 3 days prior to the deadline for a draft. Students would come to this class with 3 copies of their drafts in hand. In this session members of the class will read and listen to each other's work and then respond to it. These response sheets should accompany the revised draft at deadline. Essays handed in without peer responses will not be accepted. Peer Reviews are not graded but can figure in to the class participation grade.

Portfolio and Learning Letter:

Students will turn in portfolios at the end of the semester. Portfolios should contain a minimum of 15 pages of polished prose, all drafts of the original essays, all Writing Projects, and a 2-3 page learning letter in which the student describes their writing, reading, and learning over the course of the term. The portfolio is worth 70% of the overall grade in the course. The bulk of the portfolio grade will be based on the quality of the three essays appearing in the polished prose portion of the portfolio. The portfolio grade will be based on two areas: the learning letter and polished prose


Learning letter --3 points

The learning letter is extremely important to me because it helps me to make constructive changes to the course and it allows the student to present his or her own work in the best possible light and with some sense of context. Grading of the learning letter breaks down in the following manner:

self-evaluation (1pt), course evaluation and suggestions (1pt), introduction to portfolio (1pt)

Polished Prose (15-24 pages)--67 points

The polished prose section of the portfolio should contain revised versions of your 4 essays--15-24 pages of high-quality writing.

In order to receive a "B" or better on the polished prose section of their portfolios, students should write academic essays that possess these general characteristics:

Content and Development

* The writer's purpose becomes evident.
* A single focus runs through each individual paper.
* The writer presents ideas and descriptions with a definite audience in mind.
* The focus of each essay is developed with compelling details, examples, and discussions.
* Overall, the each essay is an intelligent and inventive response to the assignment.
* The writing reveals a clear and deep understanding of the concepts with which it engages.
* Outside sources, when used, are used appropriately, not in place of the writer's own ideas, but as support for them or as the basis out of which those ideas arise.

Organization

* The writer establishes a clear and logical pattern for each essay to follow.
* Each essay progresses from one point, idea, or scene to another in a coherent, logical, and compelling way.
* Paragraphs are well organized within the overall pattern of each essay.
* Transitions drive the reader from one part of the paper to another.

Style

* Sentences are structured and phrased in ways that achieve the appropriate and intended rhetorical effect.
* The writer has selected words and phrases with care and precision.
* The overall tone of each paper is appropriate to the writer's purpose and audience.

Mechanics

*Format is correct and appropriate.
*References to outside sources are introduced and fully documented.
* Outside sources are integrated within the structure of each paper.
*Errors in grammar, spelling, punctuation, or usage do not substantially interfere with communication or seriously damage the writer's credibility.

note: I do not do an individual point breakdown here. Different students will excel in different areas and I want to leave room for myself to weight a student's abilities fairly. However, you should have an idea of how you are doing on these papers and a clear conception of what kinds of revisions you should make in them from our individual appointments. If you don't, ask. Obviously many students want to receive a higher grade than a B. But receiving an A depends on developing these skills beyond what is merely adequate or even effective. How to do so will form the basis of individual consultations with the professor.
Reading Element

The reading element of the course is broken down into two sections short quizzes and Reading Responses.

"Pop" Quizzes:

Students are required to have read all assigned material and may be given as many as 5 "pop" quizzes at some point in the semester regarding those readings. Each quiz will ask one short essay question regarding the text that must be answered in 5 sentences or less and will be graded on a 10 point scale. This grade will factor into your class-participation score.

Discussion Board (two pages, typed):

Participation in the class Discussion Board is mandatory. Every student must contribute "at least" one paragraph per week in which he or she responds to questions proposed by the professor



Other Required / Graded Course Elements

Student Presentations (20-50 minutes):

At the beginning of the semester students will be placed in one of four presentation groups. These groups must work together to accomplish the following task:

Choose an artist or an event important in the history of American Music since world war II. Define or profile that artist or event, make an assertion regarding the cultural, historical and artistic value of that artist or event and support that assertion with textual evidence and some research. I will provide a list of possible topics. Remember your time constraints. Do not attempt to cover everything. Break the presentation down into manageable segments and present on those segments as they are relevant to your argument. The presentation will be graded on a 10 point scale:

--clarity and complexity of assertion
--evidence of a logical presentation of ideas and division of responsibilities
-- use of supporting evidence and research
--ability to involve the class in the discussion
--evidence of a profound understanding of the concepts employed.

Web Option:

Students may replace five pages of the polished prose portion of their portfolio with a Web Site based on one of the artists or musical genres covered in this course. I encourage this activity because creating a good web site involves levels of skill and research that are valuable to your growth as scholars and as global citizens. Because this is an option rather than a requirement, and because this is not a computer technology course, I will not go into great depth about Web Site content in this syllabus. Nor will I take on the responsibility of teaching the basics of Web design or web writing in this class. Students will be responsible for learning how to compose a Web Site using HTML or a composer provided by a particular server. Students will also be responsible for finding a server on which to post their site. My requirements for a good web site are as extensive and as rigorous as those for a paper and web-sites will be graded in accordance with them. Students interested in this option should ask me for a detailed account of those requirements. If the Web Site is professionally done, I will include a link to it on the On-line version of this syllabus and will update it as long as I'm capable. Warning: links, hidden or otherwise, to inappropriate web sites or web material (you know what I mean) will result in failure--not only of the assignment but of the course. The student responsible will also be reported to the administration for disciplinary action. In other words, don't mess with the prof.

Class Participation:

Class participation is extremely important to this course and is worth at least 10 points of your grade. I fully expect that students will come to class prepared. I will be marking down who has not brought rough drafts or who seems to have not done the readings. I would never intentionally humiliate a student in front of his or her peers, but I try to be extremely observant of student activity in my classroom. The fact that I have not said anything to you about your in class performance is no indication that I approve of it. If you want to know how you are doing, ask. If you don't want to know, that should tell you something. I will also expect students to be as helpful as possible in offering suggestions to others regarding how they can improve their work. To help you accomplish this goal, I have created a series of peer-response sheets that you will need to fill out during peer-review sessions. Taking and active part in discussion and activities, writing thorough peer responses and writing prompts, showing up time and in good humor, are all good ways of improving your participation grade. If you don't invest a good deal of energy on these elements, I'll notice. So will your peers. For that reason, students will be involved in evaluating each other's class participation by having each student write down the names of two people who they felt have been the most helpful in improving their work, understanding course materials, etc. Then they will have to say how. These are unsigned. A few days later I will return photocopies of these reponses to the people who have been mentioned. If no-one writes about you, its not the end of the world. You may take it as a sign that you should put more effort into the participatory elements of the course. However, it may also be that you are losing some silly sort of popularity contest. For this reason, I rely heavily on my own observation. This assignment is designed merely as a way of making sure I don't miss the efforts of those who may be quietly participating in ways that would be easy for an instructor to miss. I should mention that there is one way of absolutely destroying your class participation grade: falling asleep in class. Unless you have narcolepsy or a similar illness, such an act at the college level is simply inexcusable.

Attendance

Attendance is not participation. I expect you to come to class every single day that it is humanly possible to do so. If you know that you will be absent for class, please tell me in advance. You will be responsible for completing the assignment due that day. If you are absent on a day an aesthetic analysis or active learning response is due (at the end of the semester), you'll need to make sure I get it on time by bringing it by my departmental mailbox or to my office before I leave for the day, or by bringing it by my home before dinner time in cases of extreme emergency. Excused absences include those based on illness, death in your family, or those approved by Hope policy. According to Hope policy, you must be here at least 80% of the time in order to pass this course. That means that if you miss more than 5 days of class, you should fail the course automatically. In comparison to this policy, mine is gentle. You are allowed 2 unexcused absences. After that you lose 5 points from your grade for every missed class. Everyone in here has something important to add to our understanding. We need you here. Can't do any of this without you. Those students who do well are usually those who come to class. Just for your own knowledge, here's what Hope has to say about attendance:

"C2. (f) Student Class Absences

". . . . In general, the mode of instruction and learning at Hope includes group sessions. Here, the teacher makes his/her primary impact through lectures, the asking and answering of questions, and the discussion of ideas. Here, too, occurs the exchange of ideas among students, which also can be very illuminating. When a course is so structured that the class session is considered an integral part of the learning process, and when a student contracts for such a course, s/he misses an irreplaceable element when s/he misses class. . . .

"Occasionally another College activity (sporting event, field trip, music or theatre performance) conflicts with regularly scheduled classes. It is the responsibility of the student to discuss this, in advance, with the instructor. . . .

"The Student Development Office notifies a student's teachers and advisor of any illness which is expected to result in hospitalization, more than three days of missed classes, or the need to go home temporarily. The Health Center Staff does not write excuses. . . .

". . . . The College recognizes the educational value and public relations significance of performance tours, athletic meets, and academic field trips conducted during the spring recess, but at the same time must be concerned with effects on our academic program of requiring large numbers of students to be absent from class for such purposes.



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