The middle-aged poet watches the winter river carrying
'a freight of floating pine cones' as it runs out to the Bay, remembers
his unhappy adolescent sexual yearnings, and thinks of the objects of his
resentful lust as they now 'sag on porches, in back rooms, flabby as I
am'. He remembers following the river back to its source 'among
broom bushes / In a gully above the dam', but all he found there was a
deserted house and a tree with 'one bitter shrunken apple'. The experience
taught him 'nothing but how to die'. Where the river runs out
between two rocks into the cattle flats with the rotting weed and logs
in the swamp like the bones of giants, he and his 'crooked shadow / Bring
with us briefly the colour of identity and death'. He cannot
return to 'the rock bend' up river 'past the cattle ground' as it was when
he was a boy, when he could glide in his canoe over 'a hole going down
to the world's centre, / Waiting to swallow the sun' or could drop his
line into 'the bog-black water' while sitting on 'a branch of the oldest
tree'. When he was a youth 'He'd swum in that cavern, down to the
bottom' to discover a 'riddle' which the man now answers with death.
The adult thinks that if he were there now he would be 'the invisible
drowned man' beneath, 'too tightly held / By the weed's arms to rise
/ Again to the dazzle of the day '. If the adult returns, the
river is no longer like'a smaller Amazon', but rather now
The river
is foul weed and sludge
narrower
than I had supposed, fed by
a thousand drains.
When he returns in the late 1960s, even Black Bridge
is gone, 'under fifty bull- / dozed yards of gravel and dry clay'.
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