For reasons unknown, he was embraced in 1812 by André Breton on the same night as his broodmate Jonathan Summers. Yet unlike Jonathan, Julian-René was an Anarch whom spent his fledgling years running away from his sire and his duties. In Lansing he fell in love with a fellow Toreador Anarch named Diana Hammond. But the Prince ordered all the Anarchs destoryed, and although Julian-René escaped the slaughter, his beloved Diana did not. Further disenchanted, he came close to giving into the beast and fell into a deep torpor.

Prince Julian-René d'Armatage of the modern night is dramatically different from the rebellious rabble rouser neonate of the early years. He has matured, as some would say seasoned, in the ways of Camarilla. He had sank to the depths of depravity and forced himself to climb back up, regaining his lost humanity. He has become a teacher and mentor to the younger neonates of House Armatage, a philosopher and therapist to kindred society. He embraced the Armatagain Philosophy of beauty, humanity and obligation of the nobility. His role in the modern nights is that of a healer, spreading the words of compassion to those willing to lend an ear.

Scholar, Psychologist and House Chronicler, most neonates of House Armatage spent a year under his tutelage learning the Armatagian Philosophy. His most famous work, "Le cri d'arme et les philosophies de la cour d'Armatage" has the most detailed history and customs of House Armatage. Unfortunately, due to the risk of the Masquerade, Julian-René has printed only one copy for Armatagecois fledglings to study in his personal library.

Character of Noël-Marcus L. Chan US 2002022013