From the Archives: 12-1-01
Volume 3, Issue 2
Inside This Issue:
Crack Smoking Composers |
What Goes on in Casey's Head When He Misses a Note? |
Zaninelli's First Attempt at Composing |
The Gonzaga Wind Combo... I Mean, Ensemble |
'Innuendos in Music' Series, Part 2 |
Diary of a Narcoleptic |
Letters to the Editor plus a Special Article
Crack Smoking Composers
The Politics of the Horn Section
by Casey Lee Pettitt
Tell me if this makes sense... 1st Part = 1st Chair; 2nd Part = 3rd Chair; 3rd Part = 2nd Chair;
4th Part = 4th Chair. First and Fourth Parts make sense, but when composers were writing their
songs, why didn't they make Second Part higher than Third Part?! Maybe it's because that it would
actually make sense that way.
Sheesh...
And what's with composers and their love for minor seconds? There are many times when two parts
will be playing a D and the other two parts are playing a C#. What parts are playing the D?
First and Third, of course! And this dissonance doesn't only occur for one beat like you might
be thinking. No this occurs for measures at a time. An example of this would be in "Early Light"
where the Third Part is playing an F while First Part is playing a G. Okay, okay, this is an
example of a major second, but it sounds just as bad when it's played for about four bars. Another
example (this time of a minor second) would be in the fourth movement of "Four Dances from 'West
Side Story.'" The First and Third Parts have F#'s where the Second and Fourth Parts have F's.
These are just two reasons why I think that composers must be smoking crack when they are writing
music.
What Goes on in Casey's Head When He Misses a Note?
by Casey Lee Pettitt
Here is what goes on in Casey's (my) head when I'm playing and miss a note.
Doot ti doot ti doo... I'm playing my horn... doot ti doot ti doo...
Man, I can't wait to get out of here and go eat something. I wonder what's for dinner today...
[plays wrong note]
Ah, crap. I missed a note. What's the key signature? That would have been helpful to do at the beginning of the song.
Oh well.
[plays another wrong note]
Shoot. I suppose I should pay attention to what I'm doing.
[concentrates and still misses yet another note; takes horn from lips]
"Geez, I suck."
[raises horn to lips]
Uh oh... where are we? Ah, here we are.
[resumes playing and misses the first note played]
.............
[doesn't worry about it anymore and sucks the rest of the song]
Zaninelli's First Attempt at Composing
by Casey Lee Pettitt
Four American Hymns sucks. I hate that song. I swear that it was just a homework assignment
for one of Zaninelli's music theory classes. The song looks like it was made on a Mac, printed on a
dot-matrix printer, and full of mistakes because there's hand-written stull all over the place.
Some dynamics are typed while others have been written in by hand.
Let's analyze this piece starting with "His Eye is on the Sparrow." It's a stupid sparrow. Who
cares? Now, if it was "His Eye is on Someone's Rear" it might be more interesting.
The second movement is "Amazing Grace." This arrangement was probably Zaninelli's first attempt
at anything having to do with music. I think it sucks. He ruined a perfectly good song. I don't
even know what to say about it. It sucks too bad.
"Old Time Religion" is challenging, but it still sucks.
And finally, "The Sweet By and By." How shall I say this? It sucks.
Gonzaga Wind Combo... I Mean, Ensemble
by Casey Lee Pettitt
We're playing this piece right now that says it was commissioned by the Gonzaga University
Wind Ensemble. Ensemble does mean a small group... but wouldn't combo be more fitting?
The fact that it was commissioned by the Gonzaga Wind... Ensemble... also explained why the
piece was pretty easy. Slow tempo. Mostly eighth notes and quarter notes. The hardest part is
the fact that the meter changes every so often.
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Public Service Announcement
It's a fact: stupid people have stupid children. If you're stupid, please don't have sex.
If you insist on having sex, then, please, have sex with animals. Preferably, animals that
are smarter than you are. That way, if, by some biological fluke, you and the animal actually
have offspring, odds are the offspring will be less stupid than you are. One more thing: don't
assume the animal is protected. If the animal has a condom, or, a female, some sort of inter-uterine
device, insist they wear it. Please help stamp out this mindless mindlessness. Keep your stupidity
to yourself.
- This message brought to you by the Counsil of Concerned Citizens Who Are Smarter Than You Are.
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'Innuendos in Music' Series, Part 2: Classical Pieces and Composers
by Casey Lee Pettitt
Have you ever noticed that many multi-movement classical works start at a fairly quick tempo,
then they slow down for a bit, and get faster again toward the end (or the "climax") of the
piece? Do you think the composer was trying to allude to anything in particular with these
speeds? Should we take a hint from these so-called masters?
I have found that some classical pieces seem to have interesting titles that seem to be, once
again, alluding to something that's more than meets the eye. Here are some examples of this:
Mozart's Eine kleine Nachtmusik ('A Little Night Music') - Some people listen to music
as they fall asleep, but I would be fast asleep before the end of the first movement. So why are
there three other movements? Should we doing something else at night other than sleep while
listening to this soothing "Night Music?"
What exactly happened on Mussorgsky's Night on Bald Mountain? Who was he with? Is this
mountain truly a mountain or is it metaphorical?
How about the Donald Grantham piece, Southern Harmony? The title alone sounds questionable.
But the movements also contain innuendos of there own. (1) The Midnight Cry - I think this one
is self-explanatory. (2) Wonderous Love - I think Grantham forgot to put the words 'To Make' at
the beginning of this title. (3) Exhileration - It is proven that when two people are... you
know... the heartbeat quickens, which is also an effect of exhileration. A coinsidence? I think not.
(4) The Soldier's Return - What is that a soldier and his wife do upon his return from a long war during
and after the 'Oh how I've missed you' phase? That's what I thought.
As I was flipping through my Oxford Music Dictionary, I ran across two names that caught my eye.
The first, Wilhelm Furtwängler, really has nothing to do with this article; I just thought
he had a funny name. The second absolutely has something to do with this article and I will end it
(the article, that is) with his name:
Johann Joseph Fux
Diary of a Narcoleptic
November
by Casey Lee Pettitt
Note from the Editor/Author: This is a fictional story that really has
nothing to do with The Horn Gazette. The name of the diary is Elbow, a name from
Shakespeare's Measure for Measure... and it's a funny name...
Dear Elbow,
I've been doing pretty well this week with my narcolepsy. I only fell asleep 214 times. And
considering that there are only 30 days in November, that's pretty good. That means I only fell
asleep 7 2/15 times a day. Not bad. Not bad at all.............................................
..............................................................................................................................................................................................
.................................................................................................................................................
Since it's November, I figure I should start making my wish list for Christmas. I want
a cup, a pony and most definately aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
I think one of my favorite holidays is Thanksgiving. I love the stuffing and cranberry sauce
and, more than anything else, theeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
If I had only one word to sum up how this month has been, it would be "exhausting." I'm so tired
all the time, but I never have the time to sleep. Sure, I may have narcolepsy, but that almost
wears me out more than gives me rest. Especially because I drool when I sleep so I always spend
a lot of time cleaning up the drool... Then there's the times where I don't get a chance to clean
up the drool before I fall asleep agggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg
gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg
gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg
gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg
ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg
Well, I'm pretty tired so I think I'm going to go to bed now. I'll be back next month, Elbow.
Don't you worry. (What am I saying? You're a freaking diary. How can you worry?)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))
))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))
))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))
))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))
Letters to the Editor
Dear Mr. Pettitt,
I'd like to bring two issues to your immediate attention. First of all, what you refer to as
Dr. Strauch's "yeah" problem is what is called a *vocalized pause.* I'm willing to bet you
have a quite a few yourself. In fact, in the past, I have noticed the many many times you
utter "uh" or "ah." I have chosen not to count the number of times you vocalize your pauses
while you figure out what smart-ass things to say next. You're lucky that "yeah" is Dr. Strauch's
vocalized pause of choice, because I think that it could quite easily be "Casey sucks." I
mention this purely in fun, of course, being the sister of said doctor. But I'd like to
suggest that rather than spend your time counting "yeah's" during Wind Ensemble rehearsal,
you should learn to play your freaking horn.
Second of all, while you reserve the right to alter article submissions, i.e., change
punctuation and spelling, I'd like to reserve the right to correct your, yes your, spelling.
The power or right to decide or act according to one's own judgement is to have discretion,
not discression.
Fondest regards,
Elizabeth G. Strauch
--------------------
Dear Elizabeth,
First of all, I'd like to thank you for reading The Horn Gazette and emailing me about
it. It's always nice to know that some people actually read the garbage that the powers that
be allow me to post on the internet.
Second, thank you for pointing out my spelling error. I don't proof read my articles... it's
just kinda boring I guess. But I have to proof read other peoples' articles. That's why I said
that I will use my discretion in changing submitted articles. (By the way, I fixed it...
just in case you were wondering.) I wil try to be beter about my speling in the future.
Third, I would like to bring up, yet again, the subject of "Dr. Strauch's 'yeah' problem." I
meant no offense by this article; I just thought it was funny... and fitting for the Director's
Tribute. So, because you so elequently pointed out it is not only Dr. Strauch that has *vocalized
pauses*, I have written a short article about *vocalized pauses* which can be read below this
section.
Thanks for reading,
Casey Lee Pettitt
The Horn Gazette
Vocalized Pauses
by Casey Lee Pettitt
Inspired by Elizabeth G. Strauch
Vocalized = uttered, spoken, or sang
Pause = temporary stop or rest
Vocalized Pause = temporary stop or rest in speech that is spoken... if that makes sense...
Everybody has some form of a vocalized pause. Dr. Strauch's is "yeah." Other peoples' include,
"um," "uh," "and uh," "like," "you know," "I mean," "you know what I mean?" and so on.
Here is an example of these vocalized pauses in action:
"Yeah, um, I mean, if, uh, you try to do, um, something, and uh, you know, and don't too good
at it, you should, like, just, uh, try something else because, uh, you know, you probably just
suck at it, you know what I mean?"