So whatever, the multitrack way may also allow you to (record) err, what I mean is actually play a track of receiver (who will also "send" back signal, or several - together on each track or alone on each track - in the background, digital has worked fine, well even, clear, you know - with a decent mic, relaxed but probably not wasted...) so you play signal, maybe at same time as receiver and with receiver after as well, then maybe remix... I think that is better. Try to learn to smoothly collect it a little then allow it to flow out of you like emotion to the target.

Let me TRY to write this in English. If you can get ahold of some head tingling "flow" music, try this. Get a looper or digital delay (easiest done on computer, probably.) Cut out the tingling section and play that loop on yourself or your group. It may work as well to build a "song" containing the extracted tingle loop. Multi tracked in the "song" you may want to have a "group" of people relaxing on microphone perhaps in a specified position in the sound-field, dead center? They may be wearing headphones and attempting to relay the signal, hey even back into the GROUP (you MAY have trouble hearing/receiving yourself) in the same song. They should try to relax and release the feeling from their head to their heart smoothly onto/into the head of the receiver in the sound field. Think about not listening to the same part of the song as you are being played in. Relax and ride your delivery all the way out. Try not to weaken or destroy the "loop" by not feeding back to that user/practitioner. It may get stronger with more successful people using the piece. Hell, load a copy to your computer and put on one ears worth of headphones. Yeah, it's monovision. Someone could run a song with one channel delayed. Probably it will work with the idea of time moving forward anyway, don't worry about it, good try. Also, your endorphins may get burned out from over-use, when you can't "get it up," don't bother trying, put it away for a day or two. If you don't "WANT" to be kind to your source, go ahead, just try to pulse it back by relaxing and allowing it to flow out as you come down (right as you begin to peak, as it comes on, begin to relax and let it flow out like a feeling toward someone) without going to the headphone trouble. Generating from scratch feels much the same way, but you use your self and some tickle you have stroked up as the source. Try and combine some of the opening ideas with delivery of the sensation (this is more about how to generate a signal raw from scratch.)

2.) Do the ice cube too.

3.) 2 directions: push or field:

a.) imitate the flow feeling without using the music

b.) open yourself, open them,... open them further

these 2 directions may later converge, relax.

4.) LOUDER: (both)

a.) practice opening, first only yourself (for awhile,) later a receiver

b.) switch signal from push (or opening - both) to talking ---- SOME REPETITION IDEAS, SOME CONDITIONING IDEAS (Like a silent blessing before meals and points to get a reward you WANT - trying for not always food, you will have earned it, DIMES...)

I want pushers to use talking not yet headaches. The downer here is if you are a type-A, say intellectual mind, I want you to go toward air headed for this practice. Say some slang or cool words and burn them in quite a lot, a child's way of thinking/feeling.) Also pusher will practice opening self. So, maybe you will OPEN then talk in your head toward someone, lighthearted, lose some ego. Pause for a self-reward. Do enough opening that you can slide right in to talking without opening. Drop your barrier, talk cool or keep talking a bit - it may have the character of mumbling continuously, err, sorry about that.

Field people: go with flow (music,) practice opening. You will notice barrier reforms immediately, but you can open it just as easily or even easier. Try to open them MORE and as you feel it reform rip it open or slice it upward and away with and imaginary sharp thing of force. Open them to the sky. Open yourself alone for a period of time. Then them just as often (whenever you want.) Do flow music.

OK let me add some more (work for you the reader/writer...) To increase loudness here are some other ideas. I have mentioned switching over to other signals than you did most of your starting up with... here is what I mean. Skip bothering with an opening or starting with a relaxing method and go straight into any exercise/signal/half-exercise that you think seems to make sense in bothering with. But, please switch from say aura work to talking in your head - a different signal. The way I worded this in notes was to say - poking around for loudness, do something different but you are free to choose what and how (try to make sense to yourself.) So choose the ideas that seem strongest or easiest (most simple yet consistent with ?your rewrite? Of the method.)

I needed to say that the previous LOUDNESS ideas needed to be filled in some more - like I have said "do ice cube" I maybe should have said, do aura work... with ice cube exercise... with opening ideas... etc. So you need to fill in what makes sense with all of the above. Just (at least) match things as similar and if you are choosing a lean set, write them so they will cover the NEEDED areas. FILL IT IN NOW.

Other things I need to bring up are teaching: I have the idea of opening someone else (student) while they attempt to feel themselves or do a signal or exercise. Far out, they may also say try to open themselves or do it more as you are opening them. Both.

Defenses need to be mentioned - I believe though, natural defenses exist...

torso bridge may have come from a deaf man - heart/emotions, PICTURES

serious loss of headaches and pushing style - immediate need, next thing to work on, pfft apologies for my style, explain: I posted notes, my rough thoughts feeling I was rushed(?) they are supposed to prompt me for thoughts I was having at the time, if something happened I had only hoped someone could sort through it and WRITE A SEPARATE COPY.

CREDITS now stand at about 10 men, I need to ooze... I had lead, but one or two of them at least may have better technique. And I guess I mentioned my insanity, well yeah, everything that implies. Thanks for demonstrating or coming round - warnings if they apply - I will be more specific on credits later.