Another idea you may want to use after some practice with the energy would be to be prepared and allow the energy flow through you directly to the target as it comes on and perhaps until it fades. By being "prepared" I mean, you are familiar with the energy and have developed an alert yet relaxed state of mind, naturally or through some practice. To be "prepared" then you relax and sight/find your target. Then as the energized music comes on, you remain relaxed and push only slightly to establish the "flow" you will use as a signal. Remain relaxed and allow it to flow through you or from you directly to the head/space/being of your target. An important practice you may develop would be to FEEL everything happening and get used to it. When you can feel it happening and kind of how it works, do some practice of opening yourself further and more easily. Then you should be able to open your target as the stimulus recording fades and hold them open to generate longer periods of "flow music."
Try this: Get at least one partner who can also feel the tingling music I am talking about. You will need a microphone and a multi-track sound recorder. Place one member of your team on microphone. Play the recorded track of them at the same time as the track(s) containing the tingling stimulus. Have the other partner listen to both and try to relax and allow the "flow" energy back to the head of the target (first partner) in the recorded track. If they feel the "tingle," that is a signal. Now figure out how to use this. The tingle the target felt may also be used as stimulus or combined into stimulus if the target also relaxes and allows "flow" while the signal is being sent to them. Understand that you may not be able to send to yourself, so you will need at least one partner. You will probably need to combine or flip back and forth between partners to build a better library of stimulus energy.
Try to allow half of the energy to flow to the target. Try to let the energy flow through your head or heart as you feel it charge you as well. Relax yet keep some control. After the glow has faded from your head, immediately try to feel around the space of the target and try to open them (their aura) or to keep open what you have just done. It may seem like you have created a connection which, after your stimulus fades, you can use to "see"/feel the charged aura surrounding your target. Slice it open, open it more, or keep the connection alive as you gently hold them open to energy which may travel along the "wire."
Keep relaxing, now here is one of my personal weaknesses, and try to maintain the connection while allowing the energy to sort of keep flowing. They should at least feel a lighter tingle than you may have felt from the music. An important technique you should develop as well would be keeping your connection open for as long as you can or need to. When you are able to charge a target, you may notice that they are open or openable. like the charge faded on you (the "sender") it will fade on them as well. You may notice though that if for whatever reason, you drop or lose the connection you may still be able to sort of feel the aura now surrounding them. It is very possible that you may then be able to remove (slice, tear, dissolve or over charge) the target's aura. To do this you sort of feel their aura with your mind, after you have experienced it in yourself, like you can see it. To slice, imagine a blade of force cutting away and above their head, slicing through the wispy yet static-like (though quite strong) energy of the aura. What you are trying to do here is remove or at least open the target's now "visible" natural aura. You are trying to open them to space or to "the universe," to a colder clear feeling like the cobwebs are torn away and they are exposed to a clear slightly cool night sky. You must try to feel these things happening rather than just imagining them as pictures.
So... it may be a combination of opening and pushing that will give you the result you want. My personal difficulty holding the target open smoothly leads to a style where the target receives "pops" or "flash-like" signals rather than a smooth and continuous flow. I believe I have crossed paths with other workers who hold steady better than I do. Steady may be a good technique for teaching others as I have tried to mention elsewhere in this document. (My audible ability, however, leads me to a different style entirely which I would like to write about later.) Also, noticing the work of another, hell feeling anyone else, led me to believe that people can work in tandem or groups, as I seemed to be able to inject more energy to the target and open to open them further for a stronger yet less long-lived signal while the other worker was holding them open for duration. Some ideas to mention, though you should decide as best you can what to keep and what hot, would include for example ice-cube, aura work, opening and pushing.
1.) Certain music may make your head tingle. Charge yourself using it then IMMEDIATELY or during, I will get to after, relax and allow it to flow (usually forward) back to a person situated in the sound field (usually in the background.) Allow it to flow to them, their head, right into/onto them. It may feel like you have to lose some self, some ego or pride, SHARE (give up some, give away some energy, to keep supply up.) Try to relax your control.
OK I am guessing you took this the wrong way or I said it very poorly, with the loop you thought I meant continuously... not accurate I think. I think I should have said more of a ping-ponging idea where you play the sample, cut it or fade it out and the "sender" replies with his own signal then that gets multitracked in or mixed (I don't know if you want to maintain discrete tracks to know what was "hot."
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