So correction is bigger team is probably better!  work on "connection/connecting" Umm, experiment. I currently believe three or four targets will work well.

Coffee. Exercise. Study and report on tandem raw signalling with "Mr. Smooth" - he holds open in a very controlled (practiced?) way. He seems to at least hold open in a donut, hemisphere or circle way while I try to cut up and away the remaining aura/barrier. I feel I can feel the more dense aura energy around and above the targets and I try to cut it with an imaginary pin or blade. Cutting the thinned out leftover aura seems to bring reliable power though. I may be following the work of Smooth here with my info about cutting, he has (I feel) demonstrated a control move where he keeps pulling open and I try to cut or for strength VANISH the entire aura over the targets. Maybe a hole can be vanished, or a cylinder of aura open at the top created/felt-imagined.

OK so here is my latest, a few ideas about the layout or topology (big word for me, I hope I am even using it right.)  In Godot, they mention the tree, two people talking about it...  I feel some ideas I have to mention here are in that vein.  Tree out your tracks of sending/reflecting/reply on a multi tracker.  One way to do this and keep going with a smaller crew would be to perhaps throw half of them away.  More ideas, like dead tapes you run in generations and feel free to pull the earlier tracks after generating some more new tracks.  This way you could pass along a small multi track set of your later generated tracks and say use the older for info (sorry, actually we are making seeds so the info tracks are probably separate.)  Another idea I have had is what I call woven, like a woven belt, you use a few people matched up differently.  Consider having like a binary number for each set, where say you are working eight tracks you have eight digits (mute or play) and different numbers come up (not zero) and you roll through the numbers.  Another topology would be stars where you make one operator the center of the star and all other users are trying to feed the center, then you make more stars with the old center as a new satellite. This one sounds OK, taken off a news blip of some young woman named "Star" with a graphic display t-shirt. Umm, credits are weak and spread out, I hope to credit all in a paragraph or two when I clean this rag up (some more...)

Some ideas about the layout... Since I am able to generate new raw signal, let me suggest we consider the word cascade and the tree idea. What I mean is I may have been mistaken thinking you could go straight to a large crowd from one "opener." It seems to me that it would be easier for the opener to connect with a much smaller group than we may soon be able to use. Also just an idea now, stereo has 2 tracks, so it seems we may be able to take advantage of that but not full left/right. Let me explain. If each worker in the tree tries to send to only two other workers, that is repeat to only 2 other workers, then you/we may be able to build a number of sort of history trees. The root node may be either the opener or someone repeating an adequately loud signal. So I would like to suggest you build edited tracks of workers repeating ("reflecting") signal down into a tree of historical information. Probably try to build more than one tree this way, don't put all your eggs in one basket sort of. So first you set up many information nodes then fill them as you go, you have to build the tree bottom up. I suggest putting left and right both very near center in the sound field, actually exactly center may work, slightly left/right may also work (your ball, experiment.) I would like to say I have a redundancy concept, but all I can think of now is to have more than 3 workers and rotate them a little, maybe you can do some of the tracks with sperate workers twice. If a super size tree is too big to work with somehow, use less nodes - there is a possibility that it may be too heavy to get started AFTER! (Remember you can reflect to start one.) Go with this idea and see if it will work for you, you may have to work it out a little. The people (workers) involved should be experienced enough to know when they actually sent (if possible) - 1) they felt the signal, 2) they believe they sent well enough (the last listen/viewing is most likely the one that gets through, or doesn't, if you fake it - relax and keep trying, picturing helps but you will feel like you have made contact, a very light feeling I think you can learn.) *more here later... Umm, more confusion full left/right may work if you only listen to one at a time - I was pitching an idea where it came off at the same time, bare with me, I am writing sloppy to get something down. I am not living well. I am now thinking some sort of amping technique should be worked on, errgh I will try to realize one or come up with something.

OK here is something. We have the big tree concept. Realize the nodes closer to root come later in actual "sending." Apply a STAR type focus on many of the nodes closer to root and any nodes in the tree you would like to amp AFTER they have been edited. Thanks. Bye. Taking the rest of holidays off.

ERRGH OK, I was a bit emotional on Xmas...  A rethink, the big trees may not be realistic - I was trying to think of a way to fuel and refuel many workers and I got too enthusiastic about the shape being cool.  SO, you make many short one or two minute clips of receivers sitting on videotape quietly relaxed with say a pad of paper (for me, humor the pad of paper otherwise they raise their hand when they feel/believe they have felt a signal.)  These are to be edited to make the info sent back, like one/zero or one through eight, where only the info tape will be exposed to the sender.  Then you have a good sized group of "relayers"/"easy senders," they use a prepared STARTER or SIGNAL tape to get themselves charged then relay that signal to the receivers.  (If they can simply send direct signal to the receivers they will not need the starter tapes, but in my view, someone who can do that is more advanced or practiced at this or simply naturally talented - a valuable person, wait...)  The signal tapes have to be made and they may have to be amped or more of them generated.  This is done by the more practiced worker.  See as much as I have been able to write about "opening" to create signal from scratch.  More next paragraph about that.  It may be that you can use existing signal tapes with some type of amping technique to make more signal tapes of decent quality - umm, well YES, most likely.  I feel though you would like to make signal from scratch if you want to keep doing this for some period...  Again, your better workers may be best to learn to make signal from scratch.  I am still working on amping - I want to pass you the ball though, do your own thinking and experiments to learn to amp to very loud STARTER tapes.
Looping, best signals fed to better, best workers used, grouping (a group taking turns on same target...) and whatever you have come up with.

Opening:  Do aura work.  Feel your own and try to learn to feel one around your target.  Feel free to use a little signal tape - or the ice!  (Not to waste signal tape - it is probably reusable though and we will make more...)  Practice FEELING this process not just visualizing it.  An aura exists around the target.  Contact it and stretch it away from the target in a pipe/cylinder or larger hemisphere.  Remain relaxed but FEEL IT.  You can work with it.  Stretch it out away from the target.  Keep stretching or simply try to hold it in place after you have stretched it some distance (a couple or few meters.)  My personal touch is to then imagine a blade of crystal-like energy slashing at the haze that remains where the aura was before you moved it outward.  The blade is very sharp.  Cut up and away, up in a pipe, through the aura in a hemisphere.  If you feel you didn't connect go again.  Try to remain calm and relaxed.  Other than using a blade simply keep holding the aura out after you have stretched it some, then turn you thoughts away and allow it to drop - the target should get energy that way too (other than bothering to try cutting.)  I am personally pretty erratic due to mental issues and how I live.  A little caffeine and a good mood seem to help this process of making new signal.  I am having some trouble working regularly at this right now.  Someone else suggested physical exercise to improve my stamina and overall set.  Good idea, I am still mostly sedentary.  THERE IS A MOVE WHERE WHEN YOU CUT THE HAZE OR AURA YOU BRING DOWN A CONNECTION TO THE HEAD OF YOUR TARGET THEN LET GO - TRY THIS.  TRY TO REMAIN CALM AND KEEP IT SMOOTH.  So I told someone I could have some stuff up by New Year's...  In this complete piece of crap document (mostly my notes really) I feel I have now mentioned everything I could say and collect for you to WRITE YOUR OWN FINAL COPY.  This first page is mostly the needed info to get rolling.  I probably can write more but I wanted to get you enough to get going - I think if you can understand my language you can write your own solid copy.  Please do not throw mine away yet, but get going yourself.  Again, this first web page is most of what you need, I am sorry but you should suffer through the rest (my notes, in case something happened) and remove much of the duplication and try to smooth it all out - think about making it easy too.  Try to be consistent in your view of what is going on.  NOW I WILL BREAK TO EDIT (at WORST, reword a little... sorry I am like that.)  My page, I can say what I want. 

Preparation
     Number of people
     Equipment
     Relaxing

Signaling (The act of)
     Charging/Stroking
     How to reflect
     Like an Emotion - Giving
     * Pushing

Amping (and making more signal)
     Ping-Pong or Send/Reply
     * Multi track response
     Multi track Combining
     Looping (Continuously)

Topology
     TREE?
     CASCADE? !!!CHAINING (into the past)!!!
     STAR?
     (LINE) Small tree/Woven belt/Flow/River

Using rewards
Using coffee (weak talk about drugs)


ADVANCED:

Aura
Feeling the targets
Working with others (Tandem - working with 2 or MORE)

Opening (the act of)

Self-Examination
Learning and Practicing
Teaching

*Diagrams?