| To be sure, Temione was not a dancer, not in the strict trained sense, but she could move, and marveously, and so, somehow, she did, swaying before him, and turning, but usually facing him, as though she wished not to miss an expression or an emotion that might cross his countenance. Yet, too, uncompromisingly, she was one with the music, and, particularly, in the beginning, with the story, seeming to examine her own charms, timidly, as it, like the "Tina" of the song, she might be considering her possible merits, whether or not she might qualify for bondage, whether or not she might somehow prove worthy of it, if only, perhaps, by inward compensations of zeal and love, whether or not she might, with some justification, aspire to the collar. Then later it seemed she danced her slavery openly, unabashedly, sensuously, so slowly, and so excitingly, before the men and, in particular, before the burly fellow. Surely now, all doubts resolved, there was no longer a question about the suitability of bondage for such a woman. "She can dance!" said a man. "She should be trained!" said another. "See her," said another. "Has she not had training?" asked one of Philebus. "No," said Philebus. "Only days ago I bought her free." "See her," said another. "It is instinctual in a woman, " said another ... The collar looked well on her neck. It belonged there. There was no doubt about it. How she looked at the burly fellow! He was now so taken with her he could hardly move. Now the exquisite slut began to sense her power, that of her beauty and desireability. She had determined, I now realized, from the first movement she had leaped to her feet, obediant to the command of her master, Philebus, that she would make test of her womanhood, that she would, courageously, regardless of the consequences, risking contempt and perhaps even punishment, display herself before him, this rude fellow who had once so scorned and tyrannized her as a free woman, as what she now was, ultimately and solely, female and slave. To be sure, she, new to her slavery, had perhaps not fully realized that she had really no choice in the matter but, willingly or not, must do so, and to the best of her ability, in total perfection. Borton moaned in desire, scarcely daring to move, his eyes glistening, fixed on the dancing slave. {Vagabonds of Gor, pages 37 - 40} |
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| Bead | Beauty | Belt | Block Dances | Chain | Cymbal | Drum | Earth | Elinor's Dance | Flute | Hope of Tina | "I Am For Sale" | Leash | Love | Need | Newly Collared Slave | Oar Dance/Torvaldsland | Panther Girls | Placatory | Pole | Rencer's | Sa-eela | Seduction | Ship & Larl | Submission | Tether | Thong | Tile | Training to Dance | Tuka's Dance | Veil | Virgin | Whip |
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